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Wife camped on PC
Glastonbury tickets sale;
Not my cup of tea.
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By Scooj
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Wife camped on PC
Glastonbury tickets sale;
Not my cup of tea.
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By Scooj
I haven’t seen much of Sled One for a while…apart from the man eating fridge piece…so it was nice to come across this wildstyle work on the M32 roundabout at the start of April.

I can’t help that the piece is Easter chocolate egg inspired. The colours of purple and gold, reminiscent of Cadbury branding, and the chocolate brown colours definitely have that Easter egg look about them.

So the story here is to write a wildstyle piece in the theme of Easter eggs, and I think Sled One has cracked it…sorry.
Magnolia blooms
have all but gone; early Spring
beckons to Summer.
by Scooj
I saw this piece a day or so after I met Cheba for the first time, while on my way to the ‘paint jam’ in The Bearpit on 8 April 2017. This wall and several others on the garage on Wilder street were being prepped by Cheba and Alex from Where the Wall, who ‘curate’ many of the walls in Wilder Street.

This piece is a classic cosmos fantasy space scene that Cheba specialises in. On the one hand, and perhaps at first sight, his works look quite simple, on the other hand they are complex and detailed, and he has mastered the technique for these cosmos scenes.

What I find interesting is that not many other artists spray these kinds of scenes, and when they do, they are rarely as well executed as this. I imagine though that they might not be to everyone’s taste.
You’ve got to be slightly crazy not to love an owl…I think I might have said this before somewhere in this blog. It took me a long time to post this piece, it has been sitting in my archives, because I wanted to be sure who the artist was. It is by the French artist Braga Last1 and was sprayed during a visit to Bristol in September 2016.

I love it when artists from all over Europe, and indeed, the world come to visit Bristol and leave pieces for our citizens to enjoy. It certainly validates Bristol’s claim to being a world class street/graffiti art destination, something that is becoming a bit of a USP for the city.

This is a beautiful piece and captures the form of the owl so well. The eyes are absolutely amazing. Despite being in Dean Lane, the piece stood in place unmarked for a couple of months before eventually being painted over – a mark of respect from other artists.
This is a subtle piece that I photographed in August 2016, and so I am guessing must have been part of Upfest 2016. It is by Lost Monkeys who produced this wonderful tiger at the same time. I hadn’t been aware that he did two pieces for Upfest.

I love the use of colour in what appears to be a black and white piece, and it has the appearance of having been drawn with charcoal…beautifully done. I couldn’t get a great shot of it, because it was stuck behind a parked car when I saw it.

There is a story going on here, but I am not too sure what. The figures and lines remind me a little of Bristol’s own Shab. This is a fabulous understated piece by a very accomplished artist.
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He announces his
entrance with a hearty burp;
Why do they do this?
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By Scooj
Another one from the archives, this time a collaborative pair of pieces from Kleiner Shames (now living in London) and Whysayit. I have a feeling that I may hove posted these pieces before, but if I did, I can’t find them.

There is something about the simple use of colours in these pieces that really makes them stand out…the red colouring in the Kleiner Shames piece is wonderfully worked.

Whysayit offers his usual curvy and distinctive lettering, spelling out YSAE. This was not the only time these two sprayed together and they obviously enjoyed working as a pair.

Precious time alone
no needy interruptions
calm restoration.
by Scooj
This is a picture from some time ago…another that slipped through the net. It happens all the time. It is a piece by Voyder, who is quite one of the best writers in Bristol. I took this when the gates were shut, and so the angle of the picture is not too clever, and unfortunately there are some rather unattractive bin bags to one side.

The colour gradient is beautifully worked, and the brush stroke effect masterful. The highlight of the piece though surely has to be the neon pink squiggle, which is made to stand out not only by its colour, but also by the feint shadow it casts. Brilliant.
