787. Stokes Croft shutter

Mr Penfold is first and foremost a designer, whose work is largely abstract and uses colours and shapes that remind me of a cross between the 1980s and art deco. Clean crisp lines and floating objects.

Mr Penfold, Stokes Croft, Bristol, April 2017
Mr Penfold, Stokes Croft, Bristol, April 2017

His graffiti/street art work is very different to anything else found in Bristol and instantly recognisable. Whilst I like to see his pieces appearing around the city, his style does not pull me in as much as some of the other artists in Bristol.

Kang La Pass

 

I popped the question

at seventeen thousand feet,

a literal high.

 

by Scooj

786. The Bearpit (69)

A nicely done stencil in one of the Bearpit subways by Georgie. It has lasted there for a while having been spared by taggers who these days generally don’t wait more than a day before tagging things in The Bearpit.

Georgie, The Bearpit, Bristol, April 2017
Georgie, The Bearpit, Bristol, April 2017

The piece is titled ‘There’s no budget but it will be great exposure’  and is a stencil piece that I think is a wheatpaste. Certainly Georgie pasted this piece up in Shoreditch last year, and it would appear that the whole poster here is the same. Kinky, and fun this is nice work from Georgie.

785. Stokes Croft, No.111

This is another piece that has been waiting and waiting in my archive and which I can at last write about, having recently found out who the artist is. The artist has been something of a mystery, and I have posted two of his pieces here before, the sinister cat and scary clown. It is of course Dose, AKA Kin Dose, AKA Nick Harvey.

Kin Dose, Stokes Croft, Bristol, September 2016
Kin Dose, Stokes Croft, Bristol, September 2016

I found out who he was by accident. I saw a poster advertising an art exhibition in the main street close to where I live, and there was the sinister cat on the poster, so I took a closer look. There was more information that helped me to track down Kin Dose on Instagram. Once on his feed, I looked through his work, and there was this piece…mystery solved.

Kin Dose, Stokes Croft, Bristol, September 2016
Kin Dose, Stokes Croft, Bristol, September 2016

Kin Dose is clearly extremely talented and versatile. I’ve not yet been to his exhibition (at the time of writing) but hope to get there before it closes.

784. Gloucester Street, Weston-super-Mare

Last Summer, on a day trip with my family to Weston-super-Mare, I managed to wander off and grab a few moments to get some street art ‘therapy’. I got to see several pieces by JPS, My Dog Sighs and Dan Kitchener amongst others, but this image of a child on the back of a tortoise holding a stick with a slice of pizza stayed with me.

 

Fawn Artist, Gloucester Street, Weston super Mare, August 2016
Fawn Artist, Gloucester Street, Weston super Mare, August 2016

I didn’t know the artist, and I think I have said many times on this blog that I don’t like posting images unless I know who the artist is, although sometimes I break my own rule. In this instance it was the artist herself who broke cover via her Instagram account. It is by Fawn, a local artist and friend of JPS, who helped her with the piece. It is a lovely, playful stencil and just perfect for the location.

First love

.

We were lovers once

those affections did not last

but they were not lost. 

.

by Scooj

Overcast

.

Uncompromising 

Mother Earth is in torpor

awaiting new life. 

.

by Scooj

783 North Street Savana (1)

A little while ago Frankie Beane posted a piece by Telmo Miel which was absolutely stunning. We had a short exchange of comments, and I looked into whether or not Telmo Miel had been to Bristol for Upfest. It turns out they have been a couple of times before, the last of which was in 2015. It also just so happens that I photographed their shutter piece not knowing who they were, and only now am I able to share it.

Talmo and Miel, North Street, Bristol, June 2016
Talmo and Miel, North Street, Bristol, June 2016

Telmo Miel is/are two artists who paint as one. This was the Dutch duo’s biography from the Upfest website:

‘Telmo Pieper and Miel Krutzmann are the names behind Telmo Miel artistic machinery. Telmo Pieper was born in Rotterdam, Netherlands where he graduated from the Willem de Kooning Academy. He is a creator, image maker and a contemporary graffiti artist. Miel Krutzmann also received his degree from the Academy in Rotterdam, and he is a mural painter and illustrator, who started drawing as a child and never stopped. Together, they share a fascination for (sur)realistic imagery and are currently making life-sized wall paintings using spray-paint all over the globe.’

I hope they return soon as their work is actually rather good.

 

 

782. The Bearpit (68)

Coming back down to earth from five posts about Upfest pieces I find myself back in the old Bearpit, and confronted by this absolutely brilliant and slightly chilling grayscale piece by Laic217.

Laic217, The Bearpit, Bristol, May2017
Laic217, The Bearpit, Bristol, May2017

The image conjures up so many thoughts and ideas, perhaps of a menacing figure, but also maybe one that needs care and love.I think it captures so brilliantly the judgements we make about others based upon their appearance, location or demeanour. I really love this piece. Yet another from the ever-productive Laic217.

Laic217, The Bearpit, Bristol, May2017
Laic217, The Bearpit, Bristol, May2017

 

 

C.R.I.P.

 

Awful acronyms

dehumanise our language,

dehumanise us.

 

by Scooj

 

  • I came across this at work today – Commonly Recognised Information Picture (CRIP) – a ‘management speak’ term used in emergency contexts. I think it means pulling together information and intelligence that will give us a clear understanding of what it going on. Shame on the person who coined this one.