Rounding off this batch of ten Upfest 2016 pieces is this powerful piece by Bram. Depicting a person standing behind a glass barrier, the piece makes a bold statement about refusing refuge, which in 2016 was a huge issue across Europe.
Although the piece on first inspection might seem a little simple, it is in fact beautifully composed and executed, with fine detail on the hands pressed up to the screen, but a murky figure behind the hands is obscured. It is a moving piece and a classic case of less is more, as you try to fill the gaps of the story for yourself.
I know nothing of the artist and have struggled to find out anything from the Interweb.