Month: March 2022

4281. St Werburghs tunnel (282)

In the gloom of St Werburghs tunnel is this wonderful Bnie piece, painted as part of an RBF paint jam including Evey and Pekoe. Once again, as so often with pieces in the tunnel, I had to do a bit of photo editing to get the true colours of the piece that had been somewhat washed out by the orange lighting in the tunnel.

Bnie, St Werburghs, Bristol, February 2022
Bnie, St Werburghs, Bristol, February 2022

Bnie has a lovely soft touch to her work. Her letters have a feminine touch, which is difficult to pin down, or perhaps it is because I know she is a female artist that I see the femininity in it. Suggestion perhaps, or is it a real thing? Anyhow, the letters have a stunning four colour horizontal palette with great transitions and the 3D shading is so utterly Bnie. A lovely piece.

4280. Sparke Evans Park (33)

Regular as clockwork and as unique as always, Claro_que_sssnoh has created another beauty in Spake Evans Park. His style is so identifiable, like so many other artists in Bristol. I’d love to see them switch it up a bit, perhaps painting in pairs, but painting in each other’s style… that would be interesting.

Claro_que_sssnoh, Sparke Evans Park, Bristol, February 2022
Claro_que_sssnoh, Sparke Evans Park, Bristol, February 2022

Claro spells out HONS with his usual curvy/angular ‘joined up’ script, and it all looks very nice indeed. This time he has really majored on the colours which clearly stand out on the like green background. I love it that he keeps turning out these beauties. Another one for Sunday Lovers.

4279. M32 Spot (134)

Minto is an occasional visitor to Bristol, and the pieces he leaves behind are always a welcome addition to the rich tapestry of street/graffiti art in the city. I believe Minto lived in Bristol for a time, but I might have got that wrong.

Minto, M32 Spot, Bristol, February 2022
Minto, M32 Spot, Bristol, February 2022

This piece was painted on one of my favourite walls and spells out MINTO, which is obvious to see, once you know it is there. His style is not unlike Benjimagnetic’s, with hints at letters, rather than the solid letters there in front of you. A nice colour scheme and tidy work from Minto.

4278. Peel Street Green (5)

I can’t believe it took me so long to find this spot, however, there is no point crying over spilt milk, is there? It is actually a nice spot to visit, because the dog likes the walk alongside the river, and there is a reasonable amount of turnover, so there is usually something new to see.

Nugmoose, Peel Street Green, Bristol, February 2022
Nugmoose, Peel Street Green, Bristol, February 2022

Nugmoose and Slakarts often paint together, one with his alien curiosities and the other with his stylised faces. Their styles are different, but there is a chemistry between the two, l would think sealed by their friendship. On the left is nugmoose’s alien, complete with mushrooms and spherical objects, and of course some alien writing.

Slakarts, Peel Street Green, Bristol, February 2022
Slakarts, Peel Street Green, Bristol, February 2022

On the right hand side is a classic Slakarts face, in bright and shiny chrome. I feel a gallery coming on for Nugmoose, and an updated gallery for Slakarts. The S Lover letters above the alien is a reference to Saturday Lover, a loose ‘crew’ approach to painting on Saturdays. You see it quite a lot about the place.

Redland

.

On the final leg

branch line to Redland station

the weekend starts here

.

by Scooj

4277. Dean Lane skate park (469)

I have a feeling that Tuco would approve of this piece from Veeez, an artist I have been calling Veee, but am in the process of updating. Tuco, another Bristol graffiti writer has a thing for mattresses, and I sense there could be some mattress-envy going on here.

Veeez, Dean Lane, Bristol, February 2022
Veeez, Dean Lane, Bristol, February 2022

Veeez has been working like a beast, getting his rather special mega-tags embedded all over the city. There is barely a nook or cranny that hasn’t been visited by the artist. He has two or three variants, and in this post he has both the face, as shown on the mattress and his little ‘mushroom’ character below.

Veeez, Dean Lane, Bristol, February 2022
Veeez, Dean Lane, Bristol, February 2022

I think I will have to start multiple posting his pieces, like I do with Maybe, because otherwise Natural Adventures would be in danger of becoming the Veeez show. It is great to see how quickly and how well the artist has made himself at home.

4276. M32 cycle path (167)

The unannounced visits from Kleiner Shames are probably my favourite surprises in documenting street/graffiti art in Bristol. Kleiner Shames, who writes FOIS, lived in Bristol for a while before moving to London a few years ago. I understand he now lives in Cornwall (a wise man, if it is true), which would explain why some of his w (the St Mawes ferry, for example) has appeared down that way.

Kleiner Shames, M32 Cycle path, Bristol, February 2022
Kleiner Shames, M32 Cycle path, Bristol, February 2022

This is one half of a collaborative wall with Ysae, I think, a friend Kleiner Shames often used to paint with when he lived here. The beautiful flowing letters are perfectly set off with a nicely done 3D shadow, blue border and striking red background. Aah, reminds me of the old days.

Distraction

.

An evening out

celebrating sixty years

of Jonathan G

.

by Scooj

4275. Peel Street Green (4)

Angry Face seems to paint in fits and starts. You’ll see nothing for months and then he will paint a spate of maybe five or six of his trademark angry faces about the place, and then dissolve back into a fleeting memory.

Angry Face, Peel Street Green, Bristol, February 2022
Angry Face, Peel Street Green, Bristol, February 2022

This one is rather nicely placed adjacent to a tree in Peel Street Green. I think I might pop up there this afternoon with the dog, because I believe there are a few new pieces there since my last visit. What you see is what you get with Angry Face. He is another artist without whom the Bristol scene simply wouldn’t feel complete.

4274. St Werburghs tunnel (281)

It is very easy to get complacent when artists regularly produce great work, which is something I try to guard against. We can take it for granted sometimes without recognising that each piece is a discrete and unique work, we just expect it. I felt this when starting this post, that this was another nice piece from Pekoe, but it is so much more than that, and requires a great deal of thought and effort on her part.

Pekoe, St Werburghs, Bristol, February 2022
Pekoe, St Werburghs, Bristol, February 2022

The piece was painted as the central part of an RBF collaboration with Bnie to her left and Evey to her right. Pekoe has returned to a theme she has used many times before of the portrait having a third (all seeing) eye. I just had a flashback to my biology lessons as a youngster and recalled the pineal body… also known as the third eye. Read up on it if you care to, it is interesting stuff. Great hair and a great piece that has been enhanced with colour correction as the original photograph is very yellow/orange.