This collaboration is an absolute belter from the RBF crew and brings together the talents of Bnie, Vozie, Pekoe and Evey in one magnificent board.
It was great to watch the crew paint this piece on a gorgeous day in late May, which felt like a genuinely joyous celebration of art and music in a totally Bristol context.
The colour scheme adopted was sustained across the whole collaborative piece and combines the colours pink and blue that seem to have been a bit of a thing this year. On the left, Bnie and Vozie spoilt us with two superb examples of great graffiti writing.
The centrepiece of the collaboration was this magnificent portrait piece by Pekoe and arguably her finest piece of the year, although the bar she set herself was pretty high.
On the right, Evey rounded the piece off with a huge shout-out to themselves with an RBF which I think might have been painted by Bnie at a guess. Some beautiful work from a beautiful group of people.
This post gives you an indication of how long it takes me to process a piece from seeking it out, to photographing it, to preparing it, to posting it. In this case it has taken about a month, and that is why you are seeing a Halloween piece on 30 November. My apologies.
This is by the outstanding writer Bnie whose work grows on me more and more with each piece I see. The letters were painted as part of an RBF Halloween paint jam, which has been the source of some great content for Natural Adventures. Fantastic letter shapes and great colours are perfectly presented, together with the spooky scene playing out in the fill, and is exactly what you want from a Halloween piece. Woooo!
The RBF crew are very popular among other artists in Bristol, and birthdays are often an excuse for a whole group of artists to come together for a paint jam. Recently it was the turn of Bnie to celebrate, and there was a great turnout of artists in St Werburghs tunnel to join in the festivities.
Bnie, certainly pushed the boat out with this design, which incorporates her customary beautiful letters, slightly jazzed up, and with a beautiful five colour horizontal fade across the letters. The letters (as if they weren’t already great) are brought to life under a white zig-zag line across the piece, where the colours appear where the white is, and outside the line, the letters are simply black with white outlines. A complex and beautiful piece of writing. Belated Happy Birthday Bnie.
Unsigned pieces are always tricky because it is quite easy to attribute them to the wrong artist and end up with egg on your face. I am, however, pretty certain that this ‘Brat’ piece is by Bnie, and I say this, because the style of letters is consistent with hers and she has written brat at least once before, some time ago.
The piece was written as part of a wonderful paint jam, that included outstanding works from Sepr and Sled One. What can I say about this writing? Great letters, great colours, nicely worked fades, effective white highlights and a tight border. What more is there to like from classy writing?
It was while she was finishing off this piece that I met Bnie for the first time, and I was genuinely very pleased to at last make her acquaintance. I had seen her painting once or twice before, but hadn’t spoken with her. This time I was able to ask her about her work, and during the course of our discussion, she told me that she was the organiser of these boards, hosted on the side of Lost Horizon arts centre, where she also works.
This wonderful piece, sort of sign-writing, is a slight departure for Bnie, but perfectly executed. The patterns surrounding the ‘Know your worth’ writing perhaps give Bnie away a little bit, but if I am honest, If I hadn’t been there (and signed it) when I visited, I’m not certain I would have spotted it as a Bnie piece.
I met Bnie properly for the first time last week, and it was great to be able to put a face to a name, and to get to know a little bit more about her art and her other work. It was a pleasurable experience, and I hope the first of many, which seems likely as she is painting noticeably more often these days.
This piece in Dean Lane from earlier in September, is a classic piece of Bnie writing. Beautifully proportioned letters, six colour slices faded expertly, and her trademark 3D shadow, this time with straight bars, rather than her usual patterning. This is a very nice piece of writing, from an artist who is taking things up a notch.
What a lovely thing to find on the long wall in Dean Lane skate park. Fresh, clean and definitely a collaboration to bring a smile to your face. The RBF crew have been particularly busy of late in various spots around the city, but you don’t often see their work in Dean Lane.
It looks to me like Evey has been having some coaching from Bnie with her 3D shadow, as I’ve never seen her paint these patterns before. This is what I love about street art; all the artists seem to be continuously developing and improving their work, moving from idea to idea and pushing themselves. The fills in her letters are rather fun too, and the colours definitely complement each other.
The other half of the collaborative wall is by Bnie in which she has absolutely smashed it in my opinion. The piece has everything you would expect from Bnie but elevated to the next level. This might even be her finest piece yet. The letter fills are beautifully blended and the white highlights lift them out a bit. The 3D fill is to die for, with a clever and rather unique patterning, which is a sure trademark of hers. The double border is nice and neat and provides the distinction between the letters and background. I love this piece, and I am enjoying these recent RBF collaborations.
I have always enjoyed Bnie’s writing. I can’t put my finger on it, but there is something about her work I love. It might be the letters BNIE, which are so unusual (Beany?), it might be the letter shapes, fills or shadows, or possibly the combination of all of these, but there is something there that lifts her work into a different level.
This piece was painted alongside some RBF crew friends all using the same background, suggesting a collaborative approach. As always, the cow spot 3D shadow, a speciality of Bnie, steals the show. A fabulous piece from a fabulous artist.
In the gloom of St Werburghs tunnel is this wonderful Bnie piece, painted as part of an RBF paint jam including Evey and Pekoe. Once again, as so often with pieces in the tunnel, I had to do a bit of photo editing to get the true colours of the piece that had been somewhat washed out by the orange lighting in the tunnel.
Bnie has a lovely soft touch to her work. Her letters have a feminine touch, which is difficult to pin down, or perhaps it is because I know she is a female artist that I see the femininity in it. Suggestion perhaps, or is it a real thing? Anyhow, the letters have a stunning four colour horizontal palette with great transitions and the 3D shading is so utterly Bnie. A lovely piece.
Regulars will know that I really like Bnie’s work. She fits into a school of writers whose letters are not cryptic… what you see is what you get, and the magic is created in the colour schemes and in the fills and patterns. Some, for example Mena in yesterday’s post, try something a little different from time to time, but it is in perfecting what you enjoy that shines through the most.
This newish piece on the cycle path, part of an RBF paint jam, does incorporate some slightly new letter shapes and the horizontal fade from purple through to green in four shades is beautifully worked, but it is her distinctive patterned (in red and black this time) 3D depth that is truly masterful. Great piece.