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Gorse spider mite web
community of thousands
Queen Mab’s atomies
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by Scooj


.
Gorse spider mite web
community of thousands
Queen Mab’s atomies
.
by Scooj


The third in a rash of Logoe pieces from his recent visit to Bristol, this piece is on the container under the M32 and a surface that Logoe has painted before. I think that, with their corrugated sides, containers must be very difficult to paint, but Logoe has done a fine job of it here.

What really seems to help with this piece is the black background, which removes any distractions. As we would expect, the piece consists of Logoe’s own brand of script writing accompanied by an array of different sized dots liberally dispersed horizontally along the piece. I would love to see if Logoe could paint dome different letters and switch things up a bit, only because I know it would look amazing.

This piece is another fabulous tribute to Sear by Stivs. Hidden behind a small tree on the M32c roundabout, this calligrafitti piece brings out all that is best in Stivs, including his compassion for a fellow artist.

The rich colours painted on a black background have a rather sombre tone and are perfectly fitting for a tribute piece. The letters are beautifully proportioned and regular in size, with near-perfect accuracy and tightness. The drips simply add a great finishing touch.

On a shutter, next to another of his works (the Garfield one), Taboo gives us one of his typically irregular pieces of writing. The style he adopts is known as anti-style or ignorant-style, as explained in this rather weird vlog.

The letters spell out TABOO, and in keeping with the style, there is an irreverence for high design or regularity that you might find in wildstyle writing. There is pleasure to be had from the piece, however, and the pink background overlaid with white letters somehow works really well. No characters to accompany the piece on this occasion, but a fine work nonetheless.

I understand that Erviti, who has brought so much fine art to the streets of Bristol, is leaving/has left the great city, which is a real shame. Her impact, alongside the Bristol Mural Collective, has been noticeable and welcome, and her memorable cat under Brunel Way remains intact.

This piece was painted on the People’s Republic of Stokes Croft (PRSC) open air gallery in Jamaica Street, and was one of several pieces supporting the ‘My Body – My Rights’ campaign, shortly after the abortion ban in the USA. The piece was painted using Graphenstone paint that absorbs CO2 and is, I believe, a self-portrait. Lots to like here.

Hypo has started to paint a little more frequently lately, and one might describe him as becoming Hypo-active (see what I did there?). This is another fine example of his work in the tunnel, a venue that he appears to favour.

On a light blue background, the letters, spelling HYPO, are nicely filled with a horizontal transition grading from, dark red at the bottom to sky blue at the top. The whole piece stands out from the wall thanks to a 3D drop shadow with horizontal lines adding depth. All in all a satisfying piece.

The starburst of pieces by Logoe on his most recent visit to Bristol, are a welcome injection of diversity for our walls, and this time he has spread his wings, hitting more spots than usual, including this ramp in the Dean Lane skate park.

I scarcely need to describe the writing, or indeed the typical decoration that goes with it, other than perhaps to highlight the fine colour selection of gold letters on a pink background festooned with pink, yellow, grey and purple oval dots. He includes a nice shout-out to TES, Haka and Silent Hobo, none of whom, I assume, were available to paint with him on this visit.

It would seem that after a rather dormant spell over the summer, Daz Cat is becoming a little more active again, and his pieces are definitely moving more in the direction of narratives than straightforward portraits of cats and dogs.

In this column piece, under the M32, a cat, with a fox curled up on its head is holding a little dog and is standing next to a chicken with a frog on its head. Don’t ask what the story here is, I wouldn’t know where to begin. I prefer to enjoy the spectacle and the elements that make it up. Another fabulous us piece from Daz Cat.

Soker is painting more often and that can only be a good thing. His quality always stands out and he really is one of the godfathers of the Bristol street art scene.

This is a piece of pure beauty. Letters in two main colours and several shades interlock in a way that flows and is so easy on the eye. With some spotty details and drip features, this is a fine example of what outstanding graffiti writing can look like.

I don’t often go to this part of Montpelier, but I had been to the Italian delicatessen in Picton Street a couple of weeks ago and decided to go a little wander. I was rewarded by finding this very recently completed mural by Alex Lucas, and what a beauty it is.

I think that this wall was very much off the radar in the street art community, as the first I saw of it on social media, was a few days later from Alex Lucas herself, which made me think that I must have been there very shortly after completion and scaffolding removal. This is a classic piece of Lucas artwork, with a fabulous design of two birds with a floral accompaniment. This is truly magnificent stuff. It won’t be long before every building in Montpelier will be adorned with one of her works.