.
Circular cover
designed so it can’t fall in
simply genius
.
by Scooj
.
Circular cover
designed so it can’t fall in
simply genius
.
by Scooj
.
Disproportionate
joy from new keyboard and case
for new iPad air
.
by Scooj

I don’t venture to Devon Road very often, but the irregular visits I make are pretty much always worth it. On my most recent visit, I found this interesting design piece by Rozalita (Rhozi). The black and white bull’s head on a red background has a bilateral symmetry, and more than just a passing resemblance to the Pizza Express logo (without the horns and ears).

Unfortunately, it was raining when I took the pictures and I hadn’t noticed a raindrop on my lens until I was saving the photographs onto my computer – it is an occupational hazard, but one I should be more careful with. I think I might just about have got away with it. The character above the bull’s head is the chinese character for bull, and is used in the Chinese zodiac, which is what this piece is about I am guessing. Lovely work and something a little different from Rozalita.

It seems fitting that I should post a catch-up batch of Kid Krishna pieces only two days after I met the artist for the first time, while he was painting a roller piece at the entrance to St Werburghs tunnel. Although our chat only lasted a few minutes, I was able to find out so much about the artist, his work and his aspirations. Overall, turns out he is not a woman (see previous speculation) and is in fact a really nice guy.

There is me thinking that Kid Krishna was a new kid on the block (demonstrating how little I know) but has been around for a long time, painting with the likes of Sick Boy back in the day. He has been in his native Yorkshire for some years, but recently arrived in Bristol, and has been busy painting the streets since.

Kid Krishna is a versatile artist, equally comfortable with graffiti writing as he is with painting characters, either using spray cans or rollers. He told me that he is looking at doing something quite different, and if it happens, we will all be in for a very welcome treat. Meanwhile, enjoy his incredibly unique and intricate writing in these three pieces.
.
Ten minute downpour
like when polystyrene balls
burst from a beanbag
.
by Scooj

Having only recently ‘discovered’ the beautiful floral art of Peggy, it turns out that I have been photographing some of her work for a while, but didn’t know who she was, so hadn’t posted any of it. I took this photograph back in July, and am pleased to share it now, because it represents yet another type of art on the vast spectrum on offer in Bristol.

Peggy creates some outstanding designs for her body painting work, and then upscales some of these for walls. Beautifully painted, these designs provide a unique and refreshing addition to any spot that she paints.

To the right of the piece, Peggy has pasted three of her designs on the wall, and I remember thinking at the time, maybe we have a new wheatpaster in town. Sadly, I haven’t seen any more since then, but I live in hope. Lovely work from Peggy.

I know exactly why I never posted this outstanding mural by Spike Clark in Hurlingham Road, it is because I was waiting for a clean photograph without cars parked in front of it. Well, I have given up. I think the cars are super-glued to the road, so I will have to post the pictures I have.

I had thought that Spike Clark was from out of town, and had written a paragraph about not needing to hire artists from elsewhere because there was such a pool of talent in the city, but it turns out that Spike Clarke works out of Bristol, so I have rewritten that paragraph. Spike Clark has produced this mesmerising ‘the quick brown fox’, which has become a significant landmark in this part of Bristol.

The honeycomb decoration is absolutely stunning and provides the perfect backdrop to the leaping foxes, each cell beautifully filled and colour coordinated. Liberal use of shadow black, or some other similar paint, provides the depth for each cell, creating a fabulous 3D effect.

The whole piece feels a bit like a time-lapse capture of the fox as it leaps along the wall. Foxes are always associated with Bristol, long before urban foxes were a national ‘thing’, Bristol had a strong and healthy population of foxes, and at one point played host to the most dense population of foxes ever recorded in the UK (on my allotment, in fact).

Maybe one day I will manage to capture this beauty in one face on photograph, but I am not holding my breath.

Photographed under challenging light conditions, this outstanding piece by Dibz carries all the signature elements that identify it as one of his. For example, the overall diamond shape within which the whole piece sits, the perfect borders and solid 3D drop shadows… and of course the signature and shout out to Turoe (the birthday boy).

The colour selection too is close to perfection, not only in the way the colours battle for attention, but also where exactly those battles take place, bringing a focus to certain parts of the work. This is writing of the highest calibre and a sight for sore eyes. One of the best from one of the best.

So many of my recent posts of archived work from 2022 begin with a disbelief or confusion about how I managed to not post/publish the piece in question. However, that opening is becoming a little clichéd and although it is tempting, I will not begin this post that way.

I love this piece from Elvs – Beautiful writing and a Garfield… my life is complete. There are some pieces that speak loudly enough for themselves, and this is definitely one of those. I’ll leave you to enjoy it.

I have a feeling that I never posted this piece by Stiff at the time (June 2022) it was painted, because it wasn’t quite finished, and when I returned to photograph it in its final glory it had already been painted over. I have decided to share it now, simply because I like his unique take, and enjoy his art. Furthermore, I was lucky enough to meet him for the first time when he painted this piece, as he tends to be quite elusive.

Stiff usually paints some kind of alien character as the subject of his work, and I think that artists choose to paint aliens or monsters, because there are no references against which they can be judged, and you can be as creative as your imagination allows, in a way that portrait artists, for example, can’t. Nice work from Stiff.