Tag: Rozalita

5100. M32 Cycle path (202)

Rozalita, M32 Cycle path, Bristol, March 2023
Rozalita, M32 Cycle path, Bristol, March 2023

Ooh! This is a superb throwback piece from Rozalita, who used to be Rosalita, and now prefers the moniker Rohzi. I shall continue to use the name Rozalita. I say this is a throwback piece, because her earlier works were almost entirely influenced by circus or carnival characters, but this is the first one I have seen for a while.

Rozalita, M32 Cycle path, Bristol, March 2023
Rozalita, M32 Cycle path, Bristol, March 2023

As always with stage makeup, one always wants to know what is going on behind the smiling facade, and Rozalita has captured this duality perfectly in this stunning portrait. I am looking at it and trying to examine the face behind the mask, is she happy, is she sad? The stylised hair adds to the deceit. What a wonderful portrait piece, and one of my favourites of the year so far.

5000. Greenbank (69)

Rozalita, Greenbank, Bristol, February 2023
Rozalita, Greenbank, Bristol, February 2023

Ta da! This post marks something of a landmark for me and Natural Adventures… it is the 5,000th street/graffiti art post. Natural Adventures has come a long way from its origination as a place to document a journal I kept of an adventure in the South Atlantic in 1987. Haiku and street art just crept up on me, and have now become a central pillar in my life.

I cannot think of a better way to celebrate this milestone than with an outstanding and passionate piece by Rozalita AKA Rohzi.

Rozalita, Greenbank, Bristol,

I was fortunate enough to have a long chat with Rohzi as she was buffing the wall for this piece, and once the conversation got going, she really opened up and I was thoroughly enjoying myself until the dog decided he’d had enough and started to bark, which means he wants to go. The conversation ended a little too abruptly for my liking, but it is an occupational hazard when walking the dog and photographing street art.

Rozalita mentioned that the portrait was of people from an Amazonian tribe, and she was going to leave a hashtag on the piece to find out more, but that didn’t seem to happen. The portrait itself is exceptional and demonstrates just how far she has come over the last year or two. I do hope it isn’t too long before I get a chance to continue our chat.

4957. Devon Road (18)

Rozlita, Devon Road, Bristol, January 2023
Rozlita, Devon Road, Bristol, January 2023

I don’t venture to Devon Road very often, but the irregular visits I make are pretty much always worth it. On my most recent visit, I found this interesting design piece by Rozalita (Rhozi). The black and white bull’s head on a red background has a bilateral symmetry, and more than just a passing resemblance to the Pizza Express logo (without the horns and ears).

Rozlita, Devon Road, Bristol, January 2023
Rozlita, Devon Road, Bristol, January 2023

Unfortunately, it was raining when I took the pictures and I hadn’t noticed a raindrop on my lens until I was saving the photographs onto my computer – it is an occupational hazard, but one I should be more careful with. I think I might just about have got away with it. The character above the bull’s head is the chinese character for bull, and is used in the Chinese zodiac, which is what this piece is about I am guessing. Lovely work and something a little different from Rozalita.

4941. Sparke Evans Park (51)

Rozalita, Sparke Evans Park, Bristol, March 2022
Rozalita, Sparke Evans Park, Bristol, March 2022

I think I know why pieces from Sparke Evans Park sometimes get left behind in my archives. As mentioned on these pages numerous times, there is a row of mature trees that run parallel with the long wall, roughly 5 meters away from it. If there is even a hint of sun, then it is impossible to photograph anything on the wall due to dappled shading – summer or winter.

Often I will photograph the wall and be dissatisfied with the pictures, and then return some time later on a dull day to take more pictures. Because of the volume of new street/graffiti being painted each week, these second sets of pictures can get a little lost in the competition for space on Natural Adventures. By looking back through my archives I can pull out a few pieces that I feel should be posted. This beauty by Rozalita is one such piece.

Rozalita, Sparke Evans Park, Bristol, March 2022
Rozalita, Sparke Evans Park, Bristol, March 2022

Although last year was a relatively quiet year for Rozalita, compared to 2021, the quality of her work was outstanding, and this gorgeous piece combines her skills at painting portraits with her detailed flowers and butterfly. I am looking forward to another great year from Rozalita.

4905. Greenbank (63)

Rozalita, Greenbank, Bristol, December 2022
Rozalita, Greenbank, Bristol, December 2022

It has been a long while since I last saw anything by Rozalita, in fact the end of May to be precise with her Upfest piece (not yet posted on Natural Adventures), so it was a great surprise to find this one on the Greenbank hoardings, one of her favoured spots.

Rozalita, Greenbank, Bristol, December 2022
Rozalita, Greenbank, Bristol, December 2022

Rozalita is another artist whose work has really matured and improved over the last couple of years, and this is an excellent portrait piece with depth, texture and emotion. All I can gather from her Instagram feed is that she was out painting friends with friends. I do hope that she gets to paint more walls in 2023.

4395. BB Gallery (2)

As I mentioned in a post a couple of weeks ago, I have only recently discovered the delights of the Bristol to Bath cycle path gallery, and so many of the pieces that I photographed had been there for some time. This introduction is a preamble designed to explain why I am posting a beautiful piece by Rozalita that is obviously quite old because it features a clown, a subject or theme that she has moved away from in recent months.

Rozalita, BB Gallery, Bristol, April 2022
Rozalita, BB Gallery, Bristol, April 2022

This piece has been sprayed on boards that have been attached to a fence, giving it a bit of  a makeshift appearance. The face and neck ruffle are very nicely done, and the whole portrait is bursting with colour. I’m not sure exactly when this piece was painted, but she has visibly made great progress since then. I am a big fan of her work, and I am so pleased I eventually found this one, with a little help from Paul H.

4364. Greenbank (37)

Here we have yet another fabulous piece by Rozalita on the Bristol to Bath cycle track, and one that not only looks great, but tells a very important story. Rozalita passionately opposes the Police, Crime, Sentencing and Courts Bill (PCSC), as should we all, as elements of the Bill will give the police disproportionate powers with regard to peaceful protests and the rights of travelling people. Another ‘Conservative’ withdrawal of liberties, driven by those who live in comfort and care little for others.

Rozalita, Greenbank, Bristol, March 2022
Rozalita, Greenbank, Bristol, March 2022

The piece itself tells a story of a travelling lifestyle that is lovingly portrayed, and I suspect that Rozalita has drawn on personal experience, which comes across in this tender piece.

Rozalita, Greenbank, Bristol, March 2022
Rozalita, Greenbank, Bristol, March 2022

Rozalita is truly spreading her wings with her artwork and her progress and development is a pleasure to witness. Kill the Bill!

4339. Greenbank (34)

I cannot fully express how much I am enjoying Rozalita’s renaissance, and find myself simply marvelling at her work. This piece fits the formula of a few of her recent pieces with a two tone portrait framed within a floral display. One of her favoured spots is this long wall on the Bristol to Bath cycle path, and several of her pieces can be seen here in one visit.

Rozalita, Greenbank, Bristol, March 2022
Rozalita, Greenbank, Bristol, March 2022

The colour tones of this piece are perfectly complementary, and help to bring out the features in the greyscale face. I’m not too sure what the blue cap is all about, but it separates the face from the background very nicely. The flowers are very nicely painted, I particularly like the one on the left, which looks a little bit like a protea. The improvements in Rozalita’s work is tangible from piece to piece, and I have a tinge of excitement each time I come across a new one.

4317. Greenbank (30)

On the long wall at Greenbank, which really is very long indeed, is this magnificent collaborative effort from Conrico and Rozalita. The writing and portrait combo is bursting with life and colour, and is rather spectacular.

Conrico, Greenbank, Bristol, March 2022
Conrico, Greenbank, Bristol, March 2022

To the left, Conrico has gone for some pretty wicked writing set on a fanciful sea, woodland and mountainous landscape. The letters have an animated feel about them and look lively on the calm and tranquil backdrop.

Rozalita, Greenbank, Bristol, March 2022
Rozalita, Greenbank, Bristol, March 2022

To the right, Rozalita is continuing on her extraordinary journey of improvement and diversification. The girl with a yellow face, green hair and red beret is arguably one of her best portraits yet, and is a perfect example of how far she has come in a relatively short space of time. We are spoilt in Bristol to have Rozalita and her amazing portraits appearing all over the place.

Conrico and Rozalita, Greenbank, Bristol, March 2022
Conrico and Rozalita, Greenbank, Bristol, March 2022

Overall this is a lovely, cheerful collaboration. I look forward to so much more from both artists.

4294. StWerburghs tunnel (284)

With this extraordinary piece in St Werburghs tunnel, we get to see the diversification of work from the very talented Rozalita. Over the last few weeks, we have been treated to a range of subjects from Rozalita, but I think that this might be the first animal portrait, and what a beauty it is.

Rozalita, St Werburghs, Bristol, February 2022
Rozalita, St Werburghs, Bristol, February 2022

The tiger face, although not photorealistic, has a seriousness and sincerity about it that removes it from the cartoony style that sometimes accompanies animal pieces. There are many elements that come together well, and the mouth/tongue has been particularly well done. I believe that, as her work develops, some finer detail will improve. I think whiskers might have lifted this piece up a level. Superb work from Rozalita who is on a magnificent roll at the moment.