This is an outstanding tribute piece from Rosalita for a friend’s mother and grandmother. ‘We all carry inside us the people who came before us’ is the beautiful quote that accompanies this piece along with ‘rest in power’. It is a moving and powerful gesture and speaks volumes to the kindness and thoughtfulness of the artist.
On the entrance to St Werburghs tunnel, this piece has been respected for a while, which is quite right in the circumstances. The dark reds and floral patterning work well with the two portraits contained within the border. This was the second set of photographs I took. The piece was actually painted in February, but the shadows cast on my first visit rendered my pictures unpublishable. More to come from Rosalita, who has found her wings and is soaring.
A really unusual, and if I might say slightly scary, portrait piece from Rosalita Raw on the side wall of the Star and Garter in St Paul’s. Why is it that carnival imagery, which is supposed to be bright, happy and entertaining so easily drifts into the dark and edgy?
Rosalita has had an exceptional six months or so, and I am loving every second of this upsurge in activity from her. This piece is really nicely worked, and shares some similarities with Pekoe’s style although a little bit more detailed in the facial features. Who is she winking at? Is it a knowing wink or an affectionate wink? Unusual and compelling.
Rosalita is an artist who seems to have burst into life since November last year, and although I had seen a few of her pieces before then, she has jumped into another league of productivity. This is a great thing to see, because her work is exciting, imaginative, vibrant and thoughtful and adds another dimension to the Bristol street art scene.
This quick piece on the hoardings of Lower Ashley Road didn’t last long, so I am really pleased I made the effort to photograph it. Rosalita has painted an acrobatic figure, perhaps a carnival entertainer (she does like her carnivals), in a striped red and white costume (the best colours). There is a whole ton of movement in the piece and the body form is perfectly proportioned. I still have a couple more pieces from Rosalita to post and am hoping that this purple patch continues.
Because I don’t get to photograph up at Purdown Battery very often, I am not too sure whether this is a recent or an old piece by Rosalita, but either way it is an absolute cracker. This wall is tucked away a bit and takes a little bit of finding, so I don’t imagine that very many people have seen it, which in one way is a bit of a shame, but in another way it is how some artists like to do things.
The subject of the piece is a mermaid, whose hair is made up of octopus tentacles, but instead of looking rather disgusting as in the Bill Nighy portrayal of Davey Jones from Disney’s Pirates of the Caribbean, her hair is beautiful. This is an outstanding piece and another example of great work coming from Rosalita at the moment.
There is no doubt about it, Rosalita is on a roll, and I can’t help thinking that her friend 3F Fino has had something to do with encouraging her to get out and paint more, because they have recently collaborated and their pieces are appearing in the same places at the same times. This is all good news as far as I am concerned.
Rosalita has a very interesting style, full of bright colour and carnival themes, with a strong focus on life and death. In this piece Rosalita has painted a representation of Mictecacihuatl, the ‘lady of the dead’ from Aztec mythology. This piece would sit very neatly with the Day of this Dead celebrations in November… something to look forward to later on this year? Rosalita has painted a beautiful skull, a difficult thing to do, and the flowers around the outside are stunning. I love this piece and look forward to more.
Rosalita has been smashing it out of the park lately and this new column piece under the M32 is just the latest in a string of fine works she has created in the area. From what I have seen, Rosalita is particularly fond of painting carnival faces which she does on walls but also with the application of makeup on people, which she has a talent for.
Rosalita (who often signs her pieces RAW, has nothing to do with the Bristol-based crew Read and Weep, and that the use of the same initials is entirely coincidental) has used the column space perfectly and flooded it with colour and drama. The piece is a little unsettling, with the orange eyes dripping onto the cheeks. Great to see more from Rosalita. Keep it up!
I wasn’t expecting to find one Rosalita piece, so to find two was a treat, but three in one place in one day is what my grandmother would call a ‘red letter day’. This is the third sumptuous offering from Rosalita, joined in the collaborative wall by 3F Fino.
On the left of the wall is an acrobatic cherub in pink doing a handstand on a skull while shooting an arrow from a bow with its feet. Is this a take on Cupid? The other half of the wall has a character climbing through a hole in the wall dressed in a balaclava, jumpsuit and green gloves. All a bit off-the-wall, almost literally, but good fun nonetheless. A happy find, which unfortunately only lasted a week or so, which is unusual, because this wall has a pretty low rate of turnover usually.
You can go months without seeing anything from Rosalita and then out of the blue, three gorgeous pieces come along at once and each of them within fifty metres of each other. This is the second cherub piece I have posted in recent days and carries with it the message ‘We may not have it altogether, but together we have got it all’. This is a clever wordplay mechanism called a chiasmus (I love these) for example ‘I’d rather have a full bottle in front of me than a full frontal lobotomy’ or ‘It’s not the men in my life that count, it’s the life in my men’ (thank you, Mae West).
The cherubs, one reclining and being comforted by the other, are suitably chubby and have been beautifully crafted. The fills add an extra layer of depth and intrigue. Both of the cherubs look rather sad and I wonder if they reflect the time we live in and the terrible year we have all experienced. Lovely piece.
What a wonderful, wonderful surprise it was to find this gorgeous piece by Rosalita (RAW) on the M32 cycle path recently, and better than that, it was one of three – others to follow soon. Rosalita is an enigmatic artist, making only rare appearances on the walls of Bristol, but her presence however rare is always welcome.
This previously unpainted column (it had been tagged), quite unusual at this location, is the perfect spot for this amazing little cherub, perching on a skull. The piece is really unusual and the character beautifully painted and filled with a yellow base and red highlights, finished off with some beautiful tattoo decorations in blue. This is a heavenly piece (peace?) and a welcome addition to the writing we are more used to seeing around here. I can’t wait to post her other associated murals.
A short while ago I posted a portrait piece by an unknown artist in St Marks Avenue, and said at the time that there was another one by the same artist that I would post perhaps once I knew who the artist was. Since then I posted the piece on Instagram and thanks to Rusk I now know that the artist is Rosalita from the RAW crew.
The face with clown paint reflects a lot of face-painting work that Rosalita appears to do and carries that over onto our streets. I think that this and her other portrait are masterful, sensitive and original pieces that add to the wide spectrum of street art that we are lucky enough to see in Bristol. I truly hope that Rosalita carries on with these wonderful portraits.