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Exquisite birdsong
attracted my attention
a flycatcher’s call
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by Scooj
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Exquisite birdsong
attracted my attention
a flycatcher’s call
.
by Scooj

It feels like Todoaciem (who writes CIEM) has been a little quiet over the winter months, perhaps returning to his native Spain to keep away from the miserable British weather (my speculation), so it is great to see his work gracing the walls of our city once again.

This outstanding piece of calligraffiti shows off Todoaciem’s skill as a writer. Set out on a modest wall, with minimal footfall, the piece oozes class and really stands out. I know that there is at least one other recent piece by the artist in another part of Bristol (watch this space) so, with any luck, it is the start of some high quality calligraffiti to look forwar to this summer.

As regular readers will know, Logoe is an artist who visits Bristol several times a year, and one who makes the most of each trip, typically painting about six pieces over a couple of days. On his last visit, Logoe favoured the area around the Junction 2 roundabout on the M32.

These two pieces were painted opposite each other in a foot tunnel under the roundabout. Painted in his customary script writing, both pieces incorporated a fair amount of gold and orange tones and a liberal smattering of accompanying spots and dots.

I can only guess that Logoe pretty much sprays these pieces in quick-time. I wonder if the phrase ‘always a little further’ relates in any way to his heroic efforts. In this second piece, the white border is a nice touch which lifts the piece a little. I guess we need to brace ourselves for another visit sometime, although I understand that his work is a little more busy in the warmer months.

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Bohemian larks
rebellious battle cry
shout-out for quinoa
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by Scooj

Unfortunately, this wonderful and unusual piece by Mudra, didn’t last too long before being dogged. I simply don’t get some people and their determination to spoil other people’s work. I know that there are no real rules, especially on illegal walls, but a little bit of respect is always a good thing, and the rule of thumb is that if you are going to go over a piece, you should cover the whole thing, and preferably with something of equal or superior quality.

Mudra’s skull and patchwork of design elements give this piece something of a 1980s surreal look. I expect that there is quite a lot of symbolism in the piece, but I’m not too sure I can work it out. Mudra is one of Bristol’s busiest and most creative artists at the moment, and certainly seems to be enjoying himself this year.

This is an absolute classic collaboration from the crème de la crème of Bristol graffiti writing and street art, from Acer One, Dibz, Jody and Turoe, taking up the entire length of the bridge support wall under Brunel Way.

First off is aclean and ticy ACER from Acer One, with a lovely colour transition from top left to bottom right. The stylised font is accompanied by a trademark shadow, giving the illusion that the letters are standing out from the wall.

Next up is a wonderful piece of writing from Dibz. I hardly need to say too much about Dibz’ writing that I haven’t said before. Tight and classy – perfection itself really. It is a miracle that something like this is created using spray cans.

Jody has definitely come up trumps with an outstanding Satanic portrait piece, that is as good a character piece that I have seen anywhere this year. There is so much texture and depth in the face, which seems to be bursting through the wall and coming at ya. Just brilliant.

The collaborative wall is rounded off with a superb piece of graffiti writing from Turoe, who doesn’t hit the streets too often these days, but when he does, turns out high quality pieces like this. The black background, blue bubbles and cosmic cloud theme run through all four pieces drawing them together as part of a collaborative presentation. An absolute treat for the people of Bristol.

Probably the last thing I was expecting to see on my work trip to London a couple of weeks back was this remarkably busy piece by Bristol’s Sled One. Finding it gave me a feeling of warm familiarity and a sense of Bristol pride. Unfortunately, there was some construction work going on around this panel, so the photographs are not as good as I’d like.

The letters spell out SLED and there is a numeral ‘1’ at the end. The scene is a basketball game, although I am not quite sure what the significance of that might be. To the right is a curious skeletal character, and the whole thing is typically Sled Oney surreal. What a discovery. what a day!

Although Woskerski is a London-based artist, he is not a complete stranger to the pages of Natural Adventures, and indeed he visited for last year’s Upfest 2022, with an outstanding piece that I have yet to publish. I would place Woskerski in the very highest echelons of street artists in the UK.

This is another piece from my surprise discovery of the Lighthouse Community Garden in Stratford, with plenty more to follow. Although the portrait piece looks pretty fresh, it was actually painted in July last year, and you can see in this clip how he went about it. Outstanding stuff from a brilliant artist, and another reason why my trip to London was so special.
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Sorting and chucking
bitter-sweet experience
Letting go is tough
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by Scooj

Ceus appears to have bought some new paints, and possibly a bulk order, because his last three pieces have all incorporated a similar colour scheme of light, bright shades. It feels to me that Ceus is experimenting a little bit at the moment and playing with a slight change of direction. It is never surprising when artists decide to do this, it is all part of growing and developing their style.

The letters spell out CEUS, where the golden thread is the sky blue colour running through all the letters accompanied by alternating pink and gold. This is nice work from Ceus, and I get a feeling that we are going to be seeing a lot more of him this summer.