5525. St Werburghs tunnel (384)

Drax, St Werburghs, Bristol, September 2023
Drax, St Werburghs, Bristol, September 2023

I had seen this piece at the entrance to St Werburghs tunnel for a while, and there was something about it that stood out, but I couldn’t pin it down. I didn’t post it because I didn’t know who it was by. A serendipitous catch up with Logoe recently at the other end of the tunnel provided me with some insight about the piece. Logoe was raving about it and said it was by Drax, a highly-regarded old-school writer, and one of the original graffiti writers, from London I think.

Drax, St Werburghs, Bristol, September 2023
Drax, St Werburghs, Bristol, September 2023

Armed with that background, I revisited the piece after our conversation, and the ‘something special’ about the piece is its class. It is fairly modest and unsigned, so definitely a piece for those in the know. The beautifully finished letters spell DRAX, and the more you look at the fills and borders, you can see that it is by a highly experienced and skilled artist. My only slight concern (and this is a me thing) is the colour scheme – regular readers will know that I am not a big fan of brown, and I am not too sure about the brown/blue combo. Great to have the mystery solved.

5524. BB Gallery (5)

Object..., BB Gallery, Bristol, September 2023
Object…, BB Gallery, Bristol, September 2023

I don’t often visit the BB Gallery (Bristol to Bath cycle path), mainly because the turnover there is fairly slow, and it is a bit of a death trap, especially while walking the dog. The bicycles, e-scooters and e-bikes, whizz along this stretch of the cycle path, making navigation more like running the gauntlet. It is only a matter of time before there are some serious accidents. (Sounding like the old man I am becoming).

Object..., BB Gallery, Bristol, September 2023
Object…, BB Gallery, Bristol, September 2023

What a thrill to find this small piece by one of my favourite Bristol artists and all round nice guy Object…. The curious imaginary beast is all eyes and fingers, creating a rather grotesque image which is somewhat softened by the speech bubble and the words: “Nah, this has gone all wrong, where’s my rubber gone…”. I love the way this has been painted on an old piece of scrap wood and screwed onto the posts as a contribution to this free outdoor gallery. Utterly unusual (unless you are Object…), slightly disturbing and understatedly brilliant. A classic piece.

5523. Greenbank (97)

Dog Bless the Band, Greenbank, Bristol, September 2023
Dog Bless the Band, Greenbank, Bristol, September 2023

If the writing is curiously-shaped, monolithic and coloured in earthy muted hues, then it is highly likely to be by Dog Bless the Band. If it also spells MOTEL, then it is definitely by him. This modest piece fits all the criteria perfectly.

Dog Bless the Band, Greenbank, Bristol, September 2023
Dog Bless the Band, Greenbank, Bristol, September 2023

So earthy is this piece, that it appears to have emerged from the soil beneath it, perfectly matching the undergrowth that seamlessly rolls along the ground and up the hoarding. This is deliberate and skilfully done. I like the comment “I’m 37% nettle stings”, an occupational hazard, painting this stretch of hoarding. In my view, this is a really classy piece painted in a style, touching on anti-style while just about remaining within certain conventions. Love it.

5522. White Street (2)

Mr Penfold, White Street, Bristol, September 2023
Mr Penfold, White Street, Bristol, September 2023

I think that this is a reasonably old piece by Mr Penfold, but not to me it isn’t because I only recently tracked down this spot, after some considerable time looking for it. The side of this building in White Street has about five windows, beneath each of which is a nice flat rendered wall – perfect for painting.

Mr Penfold, White Street, Bristol, September 2023
Mr Penfold, White Street, Bristol, September 2023

I haven’t seen much on the streets by Mr Penfold for quite a while now, so finding this was rather pleasing. I think he is concentrating more on his studio design work, which is well worth a gander on his Instagram feed. Often Mr Penfold’s pieces are abstract designs, but every once in a while he paints a character, but they are usually peppered with abstract shapes as is the case here. I would love to see more of his str4eet pieces, but I guess he is out there being busy with his real work.

5521. Brunel Way (231)

Bean, Brunel Way, Bristol, September 2023
Bean, Brunel Way, Bristol, September 2023

Bean has more than made his mark in Bristol, and his characters have livened things up a great deal. He is on a roll and there doesn’t seem to be any stopping him. This colourful piece under Brunel Way, featuring two characters and some writing, shows how the young artist is quickly growing in confidence and improving his technical skills.

Bean, Brunel Way, Bristol, September 2023
Bean, Brunel Way, Bristol, September 2023

The characters that Bean paints have a very distinct look in a cartoon style that relies on using two tones of each colour in each section of the piece, light and dark, to create some depth. There isn’t much blending of colour or use of highlights, that some artists use to create depth. Bean’s writing is free in form, and very nicely filled. This is an artist who seems to be in a hurry and is turning out imaginative pieces at an alarming rate.

5520. Cumberland Basin

Hiccup (Bloem), Cumberland Basin, Bristol, July 2023
Hiccup (Bloem), Cumberland Basin, Bristol, July 2023

Hiccup, or Bloem as she is signing herself, is fast becoming a favourite of mine. Not only is she developing her technique at lightening speed, she hasn’t been painting walls for all that long, but she has a wonderfully creative mind, and her work is exciting and varied. This ’tile’ piece is a great example of her versatility.

Hiccup (Bloem), Cumberland Basin, Bristol, July 2023
Hiccup (Bloem), Cumberland Basin, Bristol, July 2023

There is a little bit of the Willow Pattern in this tile piece, which adopts the colours of Delftware, or Spode. What Hiccup has done here is quite original, and certainly different from anything I have seen in Bristol before. There is a softness of touch in the piece, and an ease with itself, which I can’t properly articulate. The patterns and the letters are beautifully painted, and the flashes through the letters gives the tile a shiny look. Beautiful work from Hiccup. I would love to meet the artist, to be able to complement her on her great work.

5519. L Dub (48)

Donz, L Dub, Bristol, August 2023
Donz, L Dub, Bristol, August 2023

I haven’t posted much work from Donz on Natural Adventures, mainly because I haven’t seen an awful lot of his work. What I have seen, I rather like. Donz tends to paint with DJ Perks, and mostly, but not exclusively, at L Dub.

Donz, L Dub, Bristol, August 2023
Donz, L Dub, Bristol, August 2023

Donz has selected some beautifully rich colours for this piece, and worked them into his fills most skilfully. His letters are well-designed, and the whole piece has come together very nicely. I fear that Donz is a bit of an unsung hero on the Bristol writing scene, probably because he is not all that visible, which is a pity.

COVID

.

Self-isolation

and by quirky twist of fate

I am home alone

.

by Scooj

5518. M32 roundabout J3 (513)

Hemper, M32 roundabout, Bristol, August 2023
Hemper, M32 roundabout, Bristol, August 2023

I think I have COVID. I am not well at all and not really in the mood for writing blog posts, but I have a rhythm, and don’t like to interrupt it. It is amazing just how much COVID has disrupted our lives, not only with the illness and suffering it brought with it, but the battles between sectors of society around anti-vax and conspiracy theories about big pharma etc. The pandemic appears only to have divided us, or at least influencers and politicians have jumped onto the back of ‘wedge’ issues with glee to suit their own agendas. Surely the focus should be on mourning the dead, caring for the sick and creating a better more functional society.

It almost feels like a dream, when lockdowns were in place, and we all wore face masks, what a crazy period in our history. One of the upsides to the pandemic and lockdown is that some street artists, made good use of their out of work time to paint and paint, and one of those was Hemper. Since things have returned to normal, Hemper’s productivity has dropped and we only see occasional pieces from him these days.

Hemper, M32 roundabout, Bristol, August 2023
Hemper, M32 roundabout, Bristol, August 2023

This is one of those rare pieces and what an absolute banger it is too. The joyfully colourful letters spell out Hems, but are very well disguised. Hemper has painted a beauty with extraordinary blended fills, some of which bleed beyond the borders of the letters. The whole thing feels very organic, almost alive. Simply put, this is an outstanding piece of wildstyle writing from one of the very best in Bristol.

5517. Dean Lane skate park (640)

Dibz and Fade, Dean Lane, Bristol, July 2023
Dibz and Fade, Dean Lane, Bristol, July 2023

It is genuinely getting very difficult to keep up with Dibz and Fade, who appear to be smashing it week after week, with their collaborative walls, and this one, which I don’t think lasted very long, is a real beauty.

Dibz and Fade, Dean Lane, Bristol, July 2023
Dibz and Fade, Dean Lane, Bristol, July 2023

Dibz to the left and Fade to the right have written their names set on a shared blue background with some ‘thermal’ blobs surrounding the letters and breaking off. Everything about this piece is sharp, neat and tidy, and showcases their work perfectly. As well as painting together, it seems that the two get on really well, and bring out the best in one another’s artwork.