I feel that I have almost exhausted superlatives when describing Kosc’s work, and this piece leaves me scratching around for something to say that isn’t already clichéd in some way. How about this: Kosc is a great artist who has painted a fascinating and touching tribute to the American cartoon artist and graffiti-world favourite Vaughn Bode.
Kosc, M32 roundabout, Bristol, April 2024
The writing alone is worthy of praise, but it is the Cheech Wizard and Lizard characters that augment the letters so well and bring the whole piece alive and straight into the crazy world of Vaughn Bode. Kosc is on a roll and just seems to get better and better, and this is a truly masterful piece.
Ooh, I like this rhapsody in pink and yellow from Mr Klue very much. There is a wonderful balance in the piece, which can’t necessarily be said of all his work, but here he has absolutely nailed it. Mr Klue’s abstract style is best described as being ephemeral, like a wisp of smoke that might disappear at any moment.
Mr Klue, St Werburghs, Bristol, April 2024
After the winter slumber, Mr Klue is once again dominating in the tunnel, which is no mean feat, as there are still many very strong pieces there from Ryder’s paint jam at the end of March. I would normally expect the letters here to spell out KLUE, but if I am really honest I cannot pick them out, and wonder if it might read something else. Whatever the letters, this is yet another wonderful piece from the quiet and modest Mr Klue.
Sophie Mess, Hammersmith Road, Bristol, April 2024
Straying from the beaten track pretty much always yields surprises, whether they are related to street art and graffiti or some other discovery. Curiosity about and observation of the world around us is what keeps us stimulated and alive, without which we become drones or zombies. This beautiful mural by Sophie Mess was my reward for doing things a little differently recently walking the dog in the St George area.
Sophie Mess, Hammersmith Road, Bristol, April 2024
The tragedy of this piece is that it is not only difficult to photograph but also difficult to see, the best view being from the garden of the house opposite. I have done my best to capture what I can, but short of asking the house owner or neighbours if I could take pictures, I don’t think there is any other way of getting a good shot. A drone perhaps would be one way, but I don’t have one.
Sophie Mess, Hammersmith Road, Bristol, April 2024
Sophie Mess, whose work has appeared a couple of times in Natural Adventures, creates the most wonderful floral murals painted in rich, seductive colours that draw you in. It is a pity that I couldn’t get a full picture of the hummingbird, because it looks sensational. Although this was most likely a commission piece I think that the piece not only works for the householders, but will have a positive benefit for the whole community. Art like this can inspire whole communities. Such a wonderful and unexpected surprise.
Although she doesn’t paint walls all that often, Pura Decadencia nearly always makes an impact when she does. Her unique bubble writing style combined with vampire teeth sinking into letters and long tongues makes her work instantly easy to spot.
Pura Decadencia, Brunel Way, Bristol, April 2024
Pura Decadencia’s work is most endearing; despite the potentially gruesome theme and blood drops, there is something that is gently and warming about her work. Perhaps it is the bubble letters, or the bubbly background, I don’t know, but the bitter-sweet presentation works very well indeed. Nice work.
The tragedy of Bristol Mural Collective paint jams is that all too often the pieces go unsigned and so many of them fail to make it into the pages of Natural Adventures. Fortunately, this piece by Ejits was signed, but she is also an established street artist, and I recognised her work in any case.
Ejits, Cumberland Basin, Bristol, April 2024
This cheeky little character piece is cleanly painted onto a graffiti wall, with part of a Klashwhensober piece behind it. Technically, it might have been polite to paint out Klashwhensober’s piece rather than leave half of it, but I don’t think he is the kind of writer who minds all that much. The adorable character has, it would seem, dropped a fart of toxic gas as described by the skull and crossbones in the ‘speech’ bubble.
It would appear that 3Dom ‘owns’ this spot in Sevier Street, opposite the Better Food supermarket, as there has been one of his pieces here for a very long time and which has been left untagged and respected. The refresh is a showcase of just how skilled and creative 3Dom is.
3Dom, Sevier Street, Bristol, April 2024
It is difficult to be sure what the story to this magnificent piece is, but you can be sure there is a story. Often 3Dom’s work conveys a deep sense of loss for the natural world and I get that kind of vibe here. The character, a surreal portrayal with a large green head and single eye, is gently holding a fragile planet Earth on the end of a stick, while sitting on the folds of a hole in the universal vista. The paintwork and finishing is utterly awesome, although the unfolding story leaves me with a rather sad and wistful feeling.
The return of Minto to Bristol has, without doubt, been a highlight of the last six months as his unique graffiti writing style has significantly impacted on the already wide spectrum of styles on offer. Although Minto doesn’t follow a fixed formula, there is a lot that is distinctive about his work, in particular, it is often vertically quite compressed.
Minto, Cumberlan Basin, Bristol, April 2024
This dazzlingly colourful piece seems to have a trainer theme going on, with at least three trainers depicted in the MINTO lettering. There are also a couple of characters peering over the top of the letters, something that Minto builds into much of his work. This is a fine example of his work and an outstanding piece.
Natural adventures 