I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
Anyone in Bristol who finds themselves at Temple Meads Station really must look out for this locally famous bakery. It can be accessed via a staircase on the left hand side of the station short term car park, and is in one of the archways underneath.
Inspired by Frankie Beane’s recent post featuring ATM I thought I would share some wildlife street art by the artist in the wonderful Leonard Lane. This thin lane that follows the boundary of the old city wall is festooned with natural history street art instigated by a project called ‘Human Nature‘. Some 18 artists including ATM and Stewy took part, and I have posted several works already in this blog.
ATM, Leonard Lane, Bristol, August 2015
My challenge was to demonstrate that ATM, although a specialist in painting birds, has also painted some stunning creatures, including this moth and beetle.
ATM, Leonard Lane, Bristol, August 2015
I stroll down Leonard Lane about once a week, hoping to see something new. Some of the works have been tagged and are getting a little ragged…maybe time for a revamp?
In a sleepy side street just off the Gloucester Road by the Bristol Flyer pub is one of the most wonderful and colourful collaborations in Bristol. This triptych embraces the distinct styles of three local artists. Epok, 3Dom and Voyder.
Epok, Brookfield Avenue, Bristol, February 2016
Epok is renowned for his futuristic wildstyle burners. 3Dom introduces fantastical characters to his works and livens up walls all over this part of the City. Voyder is usually associated with faces as centre pieces surrounded by other works. In this instance though it would appear that the artist has also opted for a wildstyle burner.
3Dom, Brookfield Avenue, Bristol, February 2016
The whole wall looks like it has been set on its side and would appear to have a continuous thread from left to right (or bottom to top). The clouds are on their sides in 3Dom’s and Voyder’s pieces. I have tried looking at it sideways, but am none the wiser about what it all means…not that it matters really. I love this wall and visit it quite regularly, just to look.
Another tricky one today. This amazing piece is the left hand side of a larger piece entitled Lifestyles of the Poor and Dangerous.
Hoax? and Akarat? The Bearpit, Bristol, March 2016
I managed to track down the artists of this whole wall via DNT’s Instagram feed, and it would appear that it was a collaboration by Akarat, DNT, BS51, Klue and Hoax.
Hoax? The Bearpit, Bristol, March 2016
The two stencils here I would guess are by Hoax and Akarat. This piece I think was sprayed in mid-February 2016.
Akarat? The Bearpit, Bristol, March 2016
These stencils are exceptional. Get down to The Bearpit and check them out.
Hoax? Akarat? and DNT Stokes Croft, Bristol, March 2016
The stencil of the child with the gun also has recently (March 3 2016) appeared in Stokes Croft at number 37.
An unusual post this time. Several new pieces have appeared in the tunnels at The Bearpit over the last few weeks all of them signed ‘Decay’. They have been joined by a burner on the practice wall in Ashley Road in Stokes Croft.
Decay, The Bearpit, Bristol, March 2016
These wonderful abstract street art works are eye catching and refreshingly different.
Decay, The Bearpit, Bristol, March 2016
So far my attempts to find out more about ‘Decay’ have been fruitless, but if I do find out any more I will post it here as an update.
Decay, Ashley Road, Bristol, March 2016
‘Decay’ has certainly been busy, and I look forward to seeing more pieces around Bristol.
This must be one of the most rapidly changing walls in Stokes Croft at the moment. It seems each time something goes up, it gets painted over and then not long after, replaced. It is not long ago that I featured the wall in this blog.
Mau Mau, Moon Street, Bristol, March 2016
This is a wonderful new addition by Mau Mau, which he posted on Twitter on February 19 this year. Featuring his signature fox, it is witty and slightly edgy. Much of Mau Mau’s work contains social comment and I think that this is no different.
Mau Mau, Moon Street, Bristol, March 2016
I have only encountered two of his pieces so far, the first being a wonderful political collaboration with Rowdy. I love this piece, and hope it has a longer stay of execution than some of the previous works here.