I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
By now, I would hope that most readers are becoming familiar with the artwork of Lis (Le Imposter Designs). Her pieces have figuratively ‘mushroomed’ all over the city and her work is becoming better known, an accolade which she has achieved in a relatively short time.
Lis, M32 roundabout, Bristol, February 2025
Lis has combined painting techniques in this impressive piece, using spray paint to create the body of the toadstool and the thick border, stencils for the stars, and fine line marker pens for the detail. Altogether a very ‘Lis’ kind of piece.
I am really having way too much fun skiing, and way too tired to do pretty much anything else, so today’s entry is necessarily short. After last week’s classic car doors from a car auction in Buxton, this week’s selection is rather more ordinary, but I hope you enjoy them nonetheless.
Westminster Hotel door, Buxton, Derbyshire, April 2024Diamond decorated door frame and white door, Buxton, Derbyshire, April 2024Fabulous ghost door, Buxton, Derbyshire, April 2024The perfect Thursday Doors door, Buxton, Derbyshire, April 2024No parking in front of this workshop door, Buxton, Derbyshire, April 2024CoCo pink doors, Buxton, Derbyshire, April 2024
That’s your lot from the small Derbyshire town this week, more to come next time.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
I have a feeling that this might be Lupa’s most sophisticated I have seen to date. Her familiar letters are given the solid fill treatment, with some decorative cracks. This is augmented with some circular patterns and accent lines placed in all the right places.
Lupa, Sparke Evans Park, Bristol, January 2025
I have said it before that there is an authenticity to Lupa’s work that forgives the rough edges of her style. Big letters from a big personality, and something about her work that always makes me smile. Looking forward to loads more from Lupa in 2025.
Three artists have come together to paint this wall, but I am not sure who one of them is. Zake and Soap are obvious candidates but I don’t know who painted the boat and sea. I fear I ought to do a little more research, but am short of time.
Zake and Soap, Ikea, Bristol, January 2025
Zake has painted a ‘standard’ face with a big expression and plenty of shading which provides depth and character to the portrait. The way the face appears in the sky makes me feel like it could be a sun character. Soap has painted some beautiful letters, where the ‘O’ is a character from Adventure Time, or some other animation of that genre, which seems to be something he really enjoys including in his work. Nice work from the PWA crew.
Goober and Maes, St Werburghs, Bristol, January 2025
As you will know, I am on holiday. Writing posts can be a challenge while away. Routines are disrupted and inevitably trying to snatch a moment to write posts can be tricky. I am writing this after a long day of skiing, in preparation for tomorrow when I will be skiing… get the picture? This piece is a nice collaboration from Goober and Maes.
Goober and Maes, St Werburghs, Bristol, January 2025
I have not posted much from either artist, but have plenty of their work, particularly from Maes in my archive. The collaboration works well, with Goober’s superb exploitation of the ‘OO’ opportunity, and some particularly imaginative letter shapes from Maes, whose work is on a huge improvement trajectory. Looking forward to posting more from both artists.
Hemper and Hypo, St Werburghs, Bristol, February 2025
Hemper and Hypo have been smashing it recently, and this is a wonderful recent collaboration in the tunnel. I fear that while I am away in France I will be missing a whole bunch of their work.
Hemper, St Werburghs, Bristol, February 2025
Hemper, like Kid Krishna, has had something of a lifestyle change and has come out of it all guns blazing. This is a combination piece of writing and little blue characters, which might have been a joint effort from both artists. Vibrant and energetic.
Hypo, St Werburghs, Bristol, February 2025
After a quiet January, Hypo too has been in outstanding form through February and this is yet another fine piece from him, with great colour transitions and his familiar HYPO moniker. An outstanding collaboration.
Kid Krishna, M32 roundabout, Bristol, February 2025
There is a clarity to Kid Krishna’s work at the moment which probably reflects his recently overhauled lifestyle, which is really good to see. The colours and design of this piece are outstanding and have a sense of purpose about them.
They Kid Krishna, M32 roundabout, Bristol, February 2025
Although Kid Krishna conceals them well, the letters here spell CRIE, or that is what I have to believe, because that is what he told me all of his pieces spell. There is a wonderful structure to this piece, with each letter hosting a different colour regime, and being composed of ‘slabs’ or shapes. This is a tidy and sophisticated piece of graffiti writing.
I am having way too much fun skiing to write comprehensive posts this week, and am completely worn out when I do have a moment. So this is a quickie.
Aspire, Mina Road, Bristol, February 2025
I have known about this stunning Octopus piece by Aspire for a while, but simply haven’t found myself an a situation where I could park up and photograph it. A little late to the party, but I made it in the end. Aspire used to keep us very happy in Bristol when he lived here with his regular bird pictures, but he does come back from time to time, and obviously still has contacts in the city. I guess that this was a commission for the restaurant below. Superb artwork.
It is always great to see the familiar chunky letters painted by Noise. I wonder whether Noise might be a bit of a ‘fair-weather’ artist, as he hasn’t been out painting much over the winter period, or maybe he has had other commitments that have kept him busy elsewhere.
Noise, Cumberland Basin, Bristol, February 2025
Noise has compressed the letters a little to fit into the space, which makes them look even more chunky than usual. The rather dour colour and disposition of the letters is uplifted by the rather crude pink crosses, without which I think the graffiti writing could be a bit lost. A nice end result.
There is no question about it, Hemper has found a new level of energy, the likes of which I haven’t seen since around Covid lockdown, when he was pretty busy also. Barely a day goes by when there isn’t a new piece by this exceptionally gifted artist. One of the most notable things about Hemper is that every piece he paints is new and creative, he rarely, if ever, revisits old designs and copies them, each one is utterly unique.
Hemper, Cowmead Walk, Bristol, February 2025
This outstanding piece is like a ‘sampler’ where each letter shows off his astonishing technique and gift for colour, shapes, patterns, design and can control. Spelling out HEMS, the H, E and S all have white accents which provide depth and a 3D effect, whereas the E is much flatter and hugs the wall. There is so much to enjoy in this piece, that it is probably wiser not to describe it, but to let you enjoy it at your leisure. I rarely use the word genius, because it is in my view overused – in this case, however, I believe it to be appropriate.