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A comma alights
enjoying late summer sun
perfect condition
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by Scooj
Elegant
Author: scooj
I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
4656. Upfest 2022 (43)
I managed to bump into DJ Perks several times over the two days of Upfest this year, which is always a pleasure, and we swapped notes about some of the pieces being painted at the festival. This Popeye piece was DJ Perks’ official Upfest piece, but he did another quick one on the afternoon of the second day (to come).
DJ Perks is making great progress with his writing and character pieces, and this one featuring the spinach-eating sailor standing in front of some chiselled rocks spelling PE(R)KS tells a lovely story, the letters and the character being directly related tom one another. More great fun from DJ Perks.
4655. Upfest 2022 (42)
Although Upfest was Highly populated with local artists this year, there were also at least twice as many who had travelled across Britain, Europe or the world to the city. Iain Macarthur is an illustrator from London whose work tends to focus around the deconstruction of faces/heads, of which this Upfest piece is a fine example.
This colourful piece explores what lies behind the face, and the answer here seems to be a tangled mass of blue and red organic tissue. Definitely an interesting study, and one that doesn’t present as gory or distasteful. A nice piece, well-designed for the tall, thin board.
Awake
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Reclaim the label
I am woke and proud of it
an honour not slur
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by Scooj
4654. Upfest 2022 (41)
This stunning piece, by Rosie Woods, is a little bit tucked away and perhaps overlooked by many, but in my view is one of the finest abstract pieces in Bristol at the moment. We were honoured to have Rosie Woods at Upfest, because although she grew up in London, she now lives in Australia, and that is one hell of a trip… perhaps she was over in Europe visiting relatives and painting at a variety of festivals/commissions.
The colours, depth and textures in this piece are seductive and compelling… it is really sumptuous. I have looked at a lot of Rosie Woods’ work on the Interweb, and am definitely a big fan. I very much hope that she will pay us a visit again, if ever she makes it over to the UK again.
4653. Greenbank (51)
It is amazing how quickly an artist can make an impression and become part of the norm. It really isn’t all that long ago that I posted the first piece by Marckinetic that I had been aware of, and now he is turning out quality piece after quality piece almost as if he has been painting in Bristol forever.
This is a nice solid piece, which deliberately or otherwise has a metallic feel about it. The main body of letters is filled with a kind of sky-scape on the top half and a black lower half, giving the impression of being a mirror, reflecting the scene behind the viewer. The writing is set on a dark pink cloudy/bubbly background. This is an exceptionally good piece, and might be my favourite from the artist so far. He seems to be a real specialist in atmospheric/cosmic/sky-scape backdrops/fills.
Soaring
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Domestic crisis
cost of living off the scale
and no government.
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by Scooj
4652. St George skate park (15)
John D’oh has had another recent session in St George skate park, and I was able to get up there just before going off on my holiday. This fine stencil is one of several painted on the side of a skate ramp.
The artwork is deliberately retro, which seems at odds with the gentleman looking down at a mobile phone, a clever juxtaposition. It is the message that I love, and similar to one I often repeat here on Natural Adventures, encouraging people to look up and see the world around them, absorb it and enjoy the experience. A lovely stencil piece from John D’oh.
4651. Jamaica Street (26)
Tanith Gould, Jamaica Street, Bristol, August 2022This piece by Tanith Gould, from the Bristol Womxn Mural Collective (now seemingly the Bristol Mural Collective), is direct and straight to the point. It is one of several pieces on the Jamaica Street gallery highlighting reproductive rights.
The political piece is nicely done, and is a sentiment I happen to agree with. The message is assertive, but not aggressive. The use of scissors in a piece like this could be construed as threatening, but somehow feels more illustrative. I am a fan of political statements in street art, and this one from Tanith Gould ticks my boxes.
4650. Dean Lane skate park (520)
Stivs has painted another tribute piece to Sear, and it is an absolute belter. In this piece, Stivs has used his skills at calligraffiti to great effect, creating an astounding backdrop of the word Sear written in patterns. I can’t think how long this would have taken to paint, but it is clearly a labour of love.
The decorative calligraffiti patterns serve as ‘host’ for the magnificent multicoloured ‘SEAR’ in the centre of the piece. The letters stand out proud from the rest of the wall and are a welcome feast for the eyes. It is touching to see how artists have marked the loss of one of their friends. What a great gift a tribute can be.
