1602. Moon Street (51)

Splat! The more I see of Nevla’s work, the more I want to see. He is emerging as one of my favourite local artists and is becoming bolder with his pieces and his locations. Usually working in only two or three colours he creates these characters and sometimes introduces little philosophical comments to add depth to his work.

Nevla, Moon Street, Bristol, July 2018
Nevla, Moon Street, Bristol, July 2018

I particularly like the writing (ALVEN – NEVLA – get it?), where he has given a double line accent in the shadow of his letters which really lifts them off the wall. Beautifully done. He has also used a vanishing point for his 3D work, similar to the way Elvs does. This is a wholly satisfying piece by Nevla…upwards and onwards.

Nevla, Moon Street, Bristol, July 2018
Nevla, Moon Street, Bristol, July 2018

Night pirates

 

In the night

they came with their swords

and stole dreams

in the night

buccaneers of my tired mind

left me with nothing.

 

by Scooj

1601. St Werburgs city farm

There are quite a few of these large rocks dotted around Bristol, I think originally strategically placed to stop people illegally parking on curbsides. Several of them have been brightened up by the brilliant artist Rowdy. Best known for his toothy crocodiles, this artist has a knack for turning the mundaine into something interesting.

Rowdy, St Werburghs farm, Bristol, July 2018
Rowdy, St Werburghs farm, Bristol, July 2018

Seeing the world through a different lens is a skill. Helping others to see your visions is a gift, and one that Rowdy exploits with ease. This rat, I’m sure, is a favourite with the thousands of visitors to the city farm, young and old alike. I’ll see if I can dig out some more of his ‘rock works’.

1600. Moon Street (50)

So here he is again, same spot different rabbit. Not long ago I posted a lovely orange bunny by Nevergiveup in this exact gateway. He is such a busy artist that when he runs out of walls, he simply goes over one he has done before, buffing over his own work.

Nevergiveup, Moon Street, Bristol, June 2018
Nevergiveup, Moon Street, Bristol, June 2018

I have said it before on this blog that I love these creatures that he populates the city with, and at risk of becoming a bit repetative, I will continue to post them… because I can.

NEVERGIVEUP, Moon Street, Bristol, April 2018
NEVERGIVEUP, Moon Street, Bristol, April 2018

1599. Raleigh Road, Tobacco Factory (13)

Well now, here is another fabulous stencil by Stephen Quick, and due to its location in a car park is almost impossible to photograph, so I will rebrand these images as ‘arty’ on account of the fine reflections on the shiny black bonnet of the annoying car parked in front of the piece.

Stephen Quick, Raleigh Road, Bristol, July 2018
Stephen Quick, Raleigh Road, Bristol, July 2018

Once again Stephen Quick spoils us with an image of an iconic figure in the shape of Totoro. The piece is called ‘I bet you’re Totoro and is a direct reference to a massive manga film I have never seen, made in 1988, ‘My Neighbour Totoro‘. Exposing my ignorance even further, I am not sure who the lady in the picture is, but I am sure she is probably famous. I am not very good with Iconic references and usually do really badly on those online quizzes you see from time to time. Now ask me something about natural history and I am onto a winner.

Stephen Quick, Raleigh Road, Bristol, July 2018
Stephen Quick, Raleigh Road, Bristol, July 2018

This is a really fabulous and intricate stencil and I know that Stephen spends many hours preparing for these pieces. Maybe one day he could give me some basic tips for my ambitions one day to join the ranks of Bristol street artists.

Beautiful Demoiselle

 

Rising from the stream

graceful fluterer settles;

an angel in blue.

 

by Scooj

1598. Moon Street (49)

Standing cheek to cheek with one of Laic’s acid house skeletons in Moon Street is this little character by an artist that I don’t know but who I am calling BTW until I know any better. I recently posted another of their pieces in The Bearpit that featured this same half-mutilated character.

BTW, Moon Street, Bristol, June 2018
BTW, Moon Street, Bristol, June 2018

It is a funny thing, but I didn’t notice the bone when I first photographed these pieces, probably because the upper half of the character has enough going on to distract the eye. There is something about the work of BTW that reminds me of a kind of Charlie Brown meets Southpark thing going. Of course that might only be me. Nice little piece.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1597. St Werburghs tunnel (30)

Members of the PWA (Pirate Wall Art) crew have been rather active of late, none more so than Face 1st. In this collaboration he is joined by his friend soap and this piece is opposite some writing, featured in an earlier post by Sikoh.

Soap and Face 1st, St Werburghs, Bristol, July 2018
Soap and Face 1st, St Werburghs, Bristol, July 2018

When Soap and Face 1st get together, they quite often create one of these vertical collaborations, with the distinctive mouths of Soap on the top and beautiful face underneath by Face 1st.

There are a couple of nice touches on the work. The hair of the girl is made up of wiriting that spells out Face, and forms the lower jaw of Soap’s mouths. There is a little slogan ‘peacefully writin’ art‘, picking up on the crew name. I am always delighted to find work by these two.

1596. St Werburghs tunnel (29)

Another piece from the gathering at St Werburghs at the end of May is by one of my favourite Bristol abstract artists Mr Klue. This work sees the return of the crazy top hat and headless figure with a shirt and very long tie.

Mr Klue, St Werburghs, Bristol, July 2018
Mr Klue, St Werburghs, Bristol, July 2018

I have always been very struck by the calmness and meditative quality of Mr Klue’s pieces, in part generated by the subtle colour selections but also by the gentle shapes and soft edges. I haven’t seen much from the artist for an absolute age, so seeing this and another one in the tunnel in one visit was really something special.

Blur

 

A miracle of

convergent evolution;

hummingbird hawk moth.

 

by Scooj