Author: scooj

I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.

1221. City Road (6)

The truth about Face F1st is that I simply can’t keep up with him at the moment, he is being so incredibly productive. Another thing about his work is that it is largely confined to Stokes Croft and the M32 roundabout. I think I have only ever seen one piece of his in Bedminster.

Face F1st, City Road, Bristol, December 2017
Face F1st, City Road, Bristol, December 2017

In this piece we see Face F1st using some rather more upbeat colours compared with the sober tones he usually uses. I’m afraid that the focus in the feature photograph is really poor, and I might have to replace the picture when I next get a chance. I really like this piece.

Football fan

 

It’s the hope that kills

and so it is every match;

sheer purgatory.

 

by Scooj

1220. Dean Lane skate park (97)

It is always a pleasure to see a piece in progress and, if you are lucky enough, to see it again once completed. This was one such work by Ugar, our very own Hungarian Maestro.

Ugar, Dean Lane, Bristol, November 2017
Ugar, Dean Lane, Bristol, November 2017

I am really interested in seeing how he layers his work and that in common with many other writers, he starts with draft outline letters and then fills in the background before filling the letters. This feels counter-intuitive to me…being a non-artist, I would simply slap the background down first and then work up from there…this is one of the reasons why I am not out there spraying (apart from an utter absence of talent).

Ugar, Dean Lane, Bristol, December 2017
Ugar, Dean Lane, Bristol, December 2017

The final piece of wildstyle writing is exquisite and all the more admirable for being worked onto the pre-existing colourful piece beneath it. I must confess that I had come to photograph the Erase piece that Ugar sprayed over, and was a little disappointed initially. That was until I saw the final product. I am looking forward to seeing more from Ugar in 2018.

Hunters

 

In the night

when all is pitch black

they will come

baring teeth

stealing the dreams from children

and wreaking havoc

 

by Scooj

1219. Stucley Place, London (3)

Immediately adjacent to Gnasher’s chimpanzee in Stucley Place there is a door with a couple of wheatpastes on it. The higher of the two is by Face the Strange and features four brightly coloured suited gentlemen with half fruits or vegetables for faces. I am guessing that this has been around for a while. The piece is actually made up of four individual strips.

Face the Strange, Stucley Place, London, November 2017
Face the Strange, Stucley Place, London, November 2017

The lower pasteup is by Codefc featuring one of his characters with a camera head. Both pieces have similar themes and yet the individual style of the artists shines through.

Face the Strange and Codefc, Stucley Place, London, November 2017ERA PICTURES
Face the Strange and Codefc, Stucley Place, London, November 2017ERA PICTURES

I posted a piece by Codefc from Upfest 2016, but it seems that more recently he has favoured freestyle spraying, judging by his Instagram feed. I enjoy seeing artists moving through different techniques and expressing their work in different ways. This is a nice door.

1218. Stucley Place, London (2)

I was lucky enough to pass by this wonderful abstract piece while it was being sprayed by Mr Jiver, a London artist who told me he had his roots in wildstyle writing and that there are echoes of that in his current abstract works.

Mr Jiver, Stucley Place, London, November 2017
Mr Jiver, Stucley Place, London, November 2017

The intention for this piece was that it was meant to be a collaboration, but there was a ‘no show’ from the other artist which accounts for the gaps that have been left.

Mr Jiver, Stucley Place, London, November 2017
Mr Jiver, Stucley Place, London, November 2017

I would guess that artwork like this is at risk of being criticised in the same way that art by Jackson Pollock has been criticised…that old chestnut ‘I could probably do that with my eyes shut’ kind of thing. The retort might be ‘well go ahead then’. Mr Jiver has created a thought out piece with deliberate colour selections, shapes and shading and I celebrate it.

Mr Jiver, Stucley Place, London, November 2017
Mr Jiver, Stucley Place, London, November 2017

I enjoy meeting artists when they are at work and trying to understand a little bit more about what motivates them. Insight certainly helps with interpretation. Mr Jiver – nice bloke, great work.

Thursday doors

Door 13

Door, North Street, Bristol
Door, North Street, Bristol

The door of this shop on North Street in Bristol has outlived its former occupants. It will be interesting to see if the new owners will keep the door as it is or decide to lose it. It is an acquired taste, but very much in keeping with the area.

I believe that Norm 2.0, who curates Thursday Doors has taken a two week break over Christmas, but I have decided to soldier on regardless – I enjoy posting doors.

 

by Scooj

 

Thursday Doors – Norm 2.0

1217. Stucley Place, London (1)

Not too far away from Camden Town tube station and in the direction of Camden Lock Market is an absolute jewel of a street – Stucley Place. There are a few walls here that have some lovely work, and this is the first of three posts from my visit to Camden Town in November.

Gnasher, Stucley Place, London, November 2017
Gnasher, Stucley Place, London, November 2017

Gnasher (David Nash) is an extraordinary artist who seems to be able to produce amazing photorealistic pieces with consummate ease. Last July I posted a work he produced in Leake Street tunnel featuring Guardians of the Galaxy characters. In this piece he has produced a stunning portrait of a chimpanzee that conveys a sadness and wisdom that seems to be nature’s lot in today’s world.

Gnasher, Stucley Place, London, November 2017
Gnasher, Stucley Place, London, November 2017

It is a difficult piece to photograph because of the glare, but even with these slightly dodgy pictures it is possible to see what a truly classy piece this is. So definitely worth a visit if you find yourself in the area.

1216. Wilder Street (20)

You’d have to go back to July 2017 to see this, although it remained for a few months. The fine Deamze piece was sprayed on the Where the Wall curated wall in Wilder Street and was one of three pieces sprayed at that time, the others being by Aintzane Crucet and Hide2

.

Deamze, Wilder Street, Bristol, August 2017
Deamze, Wilder Street, Bristol, August 2017

Deamze is the local artist of the three and probably played host to the other two, making arrangements for them to spray this wall. His is a technically fabulous piece, and the colour selections were made to blend in with the other two artists. I love the way that artists cooperate and collaborate like this, it certainly seems to bring out the best in them.

Hide2, Wilder Street, Bristol, August 2017
Hide2, Wilder Street, Bristol, August 2017
Aintzane Crucet, Wilder Street, Bristol, August 2017
Aintzane Crucet, Wilder Street, Bristol, August 2017

File under WPB

 

Waste paper basket

in the corner of the room

keeper of secrets.

 

by Scooj