I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
Now that I know what I am looking for, and recognise the signature I will be featuring more of Hire’s work as and when I come across it. He is the artist who sprays the large buck toothed bunnies, which appear from time to time.
Hire, Dean Lane, Bristol, April 2017
This is a wildstyle piece which, if you look carefully spells out HIRE, although it takes some convincing to be sure. This is a nice quick piece which all forms part of the rich mix you can find down at Dean Lane.
I believe this to be the very last set of my images from Tian’s tour of Britain in April 2016. It was an exciting week, discovering all the gifts and surprises he had pasted up all around the Stokes Croft area, and it was great to see his work at Upfest in July too.
Tian, Stokes Croft, Bristol, April 2016
My knowledge of screen actresses from the fifties onwards is rather poor, and I am not sure who this is, but I am sure she is famous. I’m sure Southampton Old Lady would know. It is a pity that the wheatpaste is tagged, but in a strange way it adds to its ‘street’ credibility (not street credibility) (does that make sense?).
This is not the first time that I have seen a collaboration wall between these two. Some time ago I posted a piece by Laic217 from Moon Street, but left the Cort piece out, which was on reflection a bit unnecessary. This time I have kept Cort’s half. I know little about Cort apart from these two pieces mentioned.
Laic217 and Cort, Dean Lane, Bristol, May 2017
Laic217 again seems to be experimenting with his grayscale work, with just a touch of accent colour in his signature. I have noticed too that in shared walls like this one, Laic217 always seems to occupy the left hand side – is this a thing for street artists? is it like having a preferred side of the bed?
Laic217 and Cort, Dean Lane, Bristol, May 2017
I like this collaboration a lot, and am pleased to have got a clean photograph of it, something that is getting more and more difficult to do in Bristol.
The missing Cort photos from March 2016 are below…
Laic217 and Cort, Moon Street, Bristol, March 2016Cort, Moon Street, Bristol, March 2016
I have hung on to this picture for an absolute age. No particular reason. It is by DNT, and it resided in a little side lane off Stokes Croft. I just like it – it is a well crafted piece of writing, and it simply and joyfully says Bristolz.
DNT, Hepburn Road, Bristol, April 2016
I have nothing more to write – sometimes writing too much takes attention away from the graffiti. Enjoy.
There is a new artist in town (to me at least), and his works have entered my consciousness since March really. It is possible he has been here all the time, but if this is the case I can only apologise. The artist signs his work with the name J. Dior, and try as I might, I am unable to find out anything about him. I know he is a he, because I did spot him creating a piece around Easter time.
J. Dior, The Bearpit, Bristol, May 2017
His artwork embraces a naive style and usually features people, colourfully represented often in unusual positions – a touch of Marc Chagall combined with children’s illustrations. This piece doesn’t perhaps portray what I’m saying as well as some of his others. I have a fondness for these works, not because of the quality of the paintwork, but more down to the human story telling that is going on. My father, my mother – what a fine tribute to his parents. I like it, so watch this space for more from J. Dior.
Yet another excellent Face F1st piece, in fine colours and exhibiting yet another beautiful and simple face. The wildstyle outline of the word FACE is becoming more cryptic, and he is really going for the beaded decorations.
Face F1st, M32 roundabout, Bristol, May 2017
I have always loved his work, from the very first one I saw, It just does something for me. Face F1st has taken to spraying a lot recently, and it is difficult to keep up with his faces. There are a couple that I have not published from the subways at this roundabout, which are difficult to photograph on account of the poor lighting and narrow passages. Be assured however that there is more from this quiet artist in the pipeline.