544. M32 Roundabout J3 (26)

Another nice piece by Deamze on the M32 roundabout wall, on the St Pauls side, from back in July 2016. It is quite an unusual piece, rather stylised and reminiscent of stained glass.

Deamze, M32 Roundabout, Bristol, June 2016
Deamze, M32 Roundabout, Bristol, June 2016
It is not my favourite piece by Deamze and I can’t put my finger on why that might be. Possibly the background colour clashes a bit with the colours in the piece. Or maybe it is missing a cartoon character popping out somewhere. Technically beautifully worked though.

Deamze, M32 Roundabout, Bristol, June 2016
Deamze, M32 Roundabout, Bristol, June 2016

543. Rivington Street, Shoreditch (4)

Another great artist to claim a wall in Rivington Street is My Dogs Sighs, and his piece is alongside other greats such as Fanakapan, Stinkfish and Thierry Noir. This is a piece typical of My Dog Sighs, composed of a pair of eyes, and on closer inspection a scene going on in the reflection of the eye itself.

My Dog Sighs, Rivington Street, Shoreditch, August 2016
My Dog Sighs, Rivington Street, Shoreditch, August 2016

This is a clever technique used by My Dog Sighs, and it is in the detail of the eye that the story lies. Difficult to make out, but the artist knows. It is always nice to stumble upon anything by My Dog Sighs.

542. Rivington Street, Shoreditch (3)

I am still working through a gigantic backlog of images from a wonderful late Summer spree in Shoreditch. This is a really great piece by Fanakapan in the amazing Rivington Street – a street with loads of superb walls.

Fanakapan, Rivington Street, Shoreditch, August 2016
Fanakapan, Rivington Street, Shoreditch, August 2016

Fanakapan never ceases to impress with his mastery of chrome and helium balloon reflection works. It is a technique he has refined and he now owns it. Boom. If I were being brutally honest though, I would say that this is not his best work, it seems to lack some of the freedom of other pieces he has done. Maybe the space is a bit awkward. It is very good nonetheless.

541. Greville Road (4)

Have you ever had that strange thing when you hear a word for the first time, maybe on the radio, or at work or something, and then, having never been aware of it in your life before, you keep hearing it again and again. One of those words for me was ‘segue’. It is funny how awareness works. And so it is with Andrew Burns Colwill for me. I didn’t know who he was only a little while ago when I posted about his goldfish. Now, as I go through my archives, I keep finding pieces by him, that I didn’t know were by him, and the best bit about that is that I can now post them here. ABC is very much front of mind for me at the moment.

Andrew Burns Colwill, Greville Road, Bristol, June 2016
Andrew Burns Colwill, Greville Road, Bristol, June 2016

This piece entitled ‘Health and Safety’ encapsulates our nation’s obsession with H&S and our equal counterbalance of mocking it. “Hold the handrail” they say at work when going up or down the stairs. Infuriating, but somehow endearing. The problem I have with H&S is that it is enforced, not because people care, but because people want to be seen to be caring. Being seen to be doing things is the biggest sham. Just do it…then you will be seen.

Andrew Burns Colwill, Greville Road, Bristol, June 2016
Andrew Burns Colwill, Greville Road, Bristol, June 2016

I seem to be on a bit of a soapbox. three glasses of wine and this is what happens. Back to ABC…I really like his work. There is something very serene about it, but in this piece there is something troubling too. Perhaps he is so moved by the H&S thing that he needed to express his feelings through his amazing art. I just rant. More to come in a while.

540. Picton Lane (6)

This is another beautiful bird creation by Aspire in Picton Lane, a little alleyway tucked away in Montpelier. I think these are house sparrows, which were so common when I was a youngster, but are something of a rarity these days.

Aspire, Picton Lane, Bristol, June 2016
Aspire, Picton Lane, Bristol, June 2016

I am full of admiration for the way that Aspire can just turn up to a wall and within a few hours transform it into something of beauty. His talent is as rare as the birds he paints.

Aspire, Picton Lane, Bristol, June 2016
Aspire, Picton Lane, Bristol, June 2016

I am filled with horror to learn that he has recently moved to London. Our loss is most certainly London’s gain. I wish him all the very best…the streets are lined with gold don’t you know.

Aspire, Picton Lane, Bristol, June 2016
Aspire, Picton Lane, Bristol, June 2016

I am sure that he will come back occasionally to his native Bristol, lest we forget (an unlikely scenario). Bon voyage.

539. The Bearpit (30)

The Bearpit is a great place for graffiti/street artists to do quick pieces. A place where graffiti is tolerated, perhaps even encouraged, and with plenty of nooks and crannies to leave mark.

RIP, The Bearpit, Bristol, August 2016
RIP, The Bearpit, Bristol, August 2016

This is a piece by RIP that I photographed back in August 2016. I am not sure who the subject of the stencil is, so I must confess that it is slightly lost on me, but it is another fine piece from this urban guerilla whose regular visits to Bristol are always welcome.

I am informed by Duncan that it is Kurt Cobain – thank you.

538. Raleigh Road Vector (3)

This is another nice piece from wildstyle specialist Soker. It was in the Vector car park back in July, just before being overpainted during Upfest. The car park is a special place for Bristol street artists as it has five walls available in a gated space, so the works are rarely tagged. It also allows for gatherings and collaborations.

Soker, Raleigh Road, Bristol, July 2016
Soker, Raleigh Road, Bristol, July 2016
This is on the side wall of the car park, and is slightly more difficult to photograph from the gates. The piece is a great example of Soker’s work. He tends not to disguise his letters as much as some and makes great colour and tone selections. A good piece.

537. Dean Lane skate park (30)

This is a piece from back in July, and one that was probably overlooked by many. It is by the fabulous Angus and was sprayed at about the same time as his ‘Purple Rain’ tribute to Prince. It would seem that Angus was experimenting with 3D circles/spheres at the time, and I think they work rather well.

Angus, Dean Lane, Bristol, July 2016
Angus, Dean Lane, Bristol, July 2016
The writing in the centre of this piece on a skate ramp spells out the four elements – earth, air, fire and water. This is a nice simple, but technically well executed piece by one of Bristol’s regulars. It is always a pleasure to find an Angus piece.

536. Upfest 2016 (75)

HAPPY CHRISTMAS ALL!

I haven’t seen much micro stencilling since I started writing about street art and graffiti art, so it was a real discovery to see this incredible stencil by Eins92. I’m sure it was no reflection on the artist, but there was no biography in the Upfest programme, so I have had to dig a little deeper to find out anything about him.

Eins92, Upfest, Bristol, July 2016
Eins92, Upfest, Bristol, July 2016

Eins92 is a German street artist who has recently spent some time in the UK going to various urban art festivals and leaving behind his little treasures. There is a really good interview with him in this Global Street Art feature. I can’t believe I didn’t photograph another of his stencils on the other side of the bus.

Eins92, Upfest, Bristol, July 2016
Eins92, Upfest, Bristol, July 2016

This work is so intricate, and the stencils he cuts are so incredibly tiny. This is really skilled work and he produced it perfectly.

 

 

535. Upfest 2016 (74)

A little while back I posted an amazing wall painting by Andrew Burns Colwill from Upfest 2015. It was the goldfish leaping out of a bowl piece in the Tobacco Factory car park. Well, Andrew was back again this year, and this time I managed to get some pictures of him at work.

Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
This work looks to be a little more cryptic, it appears to be full of symbolism and I am not too sure what it all means. The balloons have faces on them and a sea of paperwork is disappearing down a plughole…or something.

Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
Whilst I am not as keen on this as the goldfish, I am drawn to it every time I walk past it. I guess I will have to try and find out more about it.

Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
I have recently become aware of another of his works very near my work, on the side of a container near the back of Bristol aquarium. I will try and get a photograph soon. It has been there for a while…I just never ventured to take a look. Unusual for me.

Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016