3943. Upfest 2021 75×75 (62)

In Dean Street, which has always been ripe as a street art spot, is this new piece by Zase for Upfest’s 75×75 event, sits opposite the fine Ments piece I posted a few days ago. Zase is an artist whose large murals, especially around the St Paul’s area, are local landmarks and part of Bristol’s DNA.

Zase, Dean Street, Bristol, August 2021, Upfest 21
Zase, Dean Street, Bristol, August 2021, Upfest 21

This is a lovely piece of 3D writing has been given a bit of rainforest treatment with the Swiss cheese plant leaves and a toucan. Usually this artist writes ZASE, but in this particular instance it is really rather cryptic, but if you look behind the big red stripe, you can make it out.

Zase, Dean Street, Bristol, August 2021, Upfest 21
Zase, Dean Street, Bristol, August 2021, Upfest 21

Zase has a bit of a fascination with Swiss cheese plant leaves, and they have featured in his pieces before. Perhaps he has one in his home, and they are always front of mind. He is not alone, lots of other artists paint them too. The drips on the leaves add a little extra graffiti credibility too. A wonderful, vibrant and beautifully painted piece.

3940. Upfest 2021 75×75 (61)

There is an interesting crossover with this piece from Soker in so much as it is an Upfest 75×75 piece from a Bristol graffiti writer who produces this kind of thing regularly all around the city to this high standard, without being ‘special’ event pieces. I’m not sure if I articulated that very well, but perhaps what I mean is that we are spoilt in Bristol with having so many outstanding writers like Soker.

Soker, Raleigh Road, Bristol, July 2021, Upfest 21
Soker, Raleigh Road, Bristol, July 2021, Upfest 21

This is a lovely clean and colourful design from Soker, spelling SOKEM. There are two or three colour/fill themes going on through the letters and a central vanishing point for the 3D shading. This is what great graffiti writing looks like.

3937. Upfest 2021 75×75 (60)

This magnificent collaboration was one of the earlier ones to be completed for Upfest’s 75 walls in 75 days summer event, and these pictures have languished in my archives since June. The collaboration is by Koeone and Paul Monsters and plays magnificently to each of their strengths.

Koeone and Paul Monsters, West Street, Bristol, June 2021, Upfest 21
Koeone and Paul Monsters, West Street, Bristol, June 2021, Upfest 21

The beautiful portrait in greyscale is by Koeone and is painted with such care and attention to tones and shading, which brings an incredible calmness and grace to the piece. The hand is amazing, and perfectly in proportion.

Koeone and Paul Monsters, West Street, Bristol, June 2021, Upfest 21
Koeone and Paul Monsters, West Street, Bristol, June 2021, Upfest 21

The overall piece is very typical of a Koeone production, where the hair is separated from the face, being decorated with a highly colourful design or pattern, in this case perfectly painted by Paul Monsters.

Koeone and Paul Monsters, West Street, Bristol, June 2021, Upfest 21
Koeone and Paul Monsters, West Street, Bristol, June 2021, Upfest 21

Paul’s geometric design in greens, blues, purples, browns and oranges lends itself perfectly to a collaboration with Koeone. I think that these two should get together again, because the complementary styles have created something very special here. A lovely collaboration.

3932. Upfest 2021 75×75 (59)

I’m not sure that Ments has painted for Upfest before, but it is wonderful to see him rewarded for his consistently excellent graffiti writing with this unusual bordered wall in Dean Street for the 75 walls in 75 days event. Looking at it, this spot has been crying out for street art work, and thanks to Upfest there are now two stunning new pieces opposite one another.

Ments, Dean Street, Bristol, September 2021, Upfest 21
Ments, Dean Street, Bristol, September 2021, Upfest 21

Ments has been experimenting for about a year or so with his fluid/molten metal pieces, and it has been fun watching him develop his technique. This abstract piece is the culmination of a lot of work and is perfect for the wall – colours and tones Ments has used complement the red brick wall superbly well.

Ments, Dean Street, Bristol, September 2021, Upfest 21
Ments, Dean Street, Bristol, September 2021, Upfest 21

Because the piece is set quite high up the wall, the closer you get to it, the more you are looking up and as a result there is more reflected light interfering with the piece. It is so good to see Ments moving into this abstract art arena, but I hope he keeps up his graffiti art work, which is so enjoyable for us to see.

3929. Upfest 2021 75×75 (58)

Curtis Hylton is a superstar, and this mural confirms his status as a worldie and no mistake. He has been to Bristol a few times in recent years, both for Upfest events and for painting with his mates, he has also painted at the Cheltenham Paint Festival where a couple of his works are still on show.

Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21
Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21

This piece, tucked away in one of the residential streets in Bedminster, is simply stunning. The owners of this property have been blessed with a magnificent piece of artwork to call their own and share with their local community.

Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21
Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21

The mural features a little boy in a yellow raincoat feeding a collection of yellow birds that are partially composed of flowers – a theme that lies at the heart of Curtis Hylton pieces. This combination of petals and feathers is so effective and creates a wonderful connection with nature.

Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21
Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21

Next to the front door is a cheeky little robin painted in slightly more russet tones, but well-matched with the rest of the piece. This photograph will undoubtedly be making an appearance in Thursday Doors sometime in the future – a fairly ordinary door enhanced by its surroundings.

Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21
Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21

To the right of the piece is a beautiful finch with its wings spread out wide and its chest revealing a couple of roses and a magnolia flower. Amazing. This is a ‘must-visit’ mural from Upfest’s 75 walls in 75 years event, and I hope that it remains well beyond the usual one-year life cycle for these things.

Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21
Curtis Hylton, Chessel Street, Bristol, August 2021, Upfest 21

All of this activity and the little boy watches on.

3926. Upfest 2021 75×75 (57)

For a large wall, this one gets fairly frequent facelifts, usually, but not always, linked to Upfest. This time for 75 walls in 75 days, it is the turn of Philth and N4T4, and they have created something rather special.

Philth and N4T4, Clift House Road, Bristol, August 2021, Upfest 21
Philth and N4T4, Clift House Road, Bristol, August 2021, Upfest 21

The two artists are no strangers to collaborating with one another, and indeed my first introduction to their talents was at an Upfest festival a few years back. In this mural, their work integrates really well, assisted by the colour palette both artists are using.

N4T4, Clift House Road, Bristol, August 2021, Upfest 21
N4T4, Clift House Road, Bristol, August 2021, Upfest 21

The portrait is by N4T4 and is typical of his work, where the face is composed of a whole load of tiny detailed patterns, in this case floral patterns. It is so clever the way he does this. Not so clever is the terrible photograph. I’ll have to go and take another one.

Philth and N4T4, Clift House Road, Bristol, August 2021, Upfest 21
Philth and N4T4, Clift House Road, Bristol, August 2021, Upfest 21

The extraordinary floral backdrop is by Philth and is surely inspired by William Morris wallpaper designs. Rich and sumptuous, the poppy heads, sunflowers, foxgloves and daisies make for a stunning piece, and it is amazing how powerful the whole effect is, being created with so few colours.

Philth, Clift House Road, Bristol, August 2021, Upfest 21
Philth, Clift House Road, Bristol, August 2021, Upfest 21

For good measure, topping the mural there is a butterfly which I think is by N4T4. The wing spots give this away as being a peacock butterfly, which again is superbly created using a limited colour palette. This is a joyful and uplifting collaboration that greets motorists on one of the busier roads in Bedminster and thoroughly deserving of its place on this premium wall.

3921. Upfest 2021 75×75 (56)

On a wall that is rather difficult to photograph, because of its proximity to an adjacent building, is this beautiful mural by Venessa Scott painted as part of Upfest’s 75 walls in 75 days celebration. I hadn’t heard of Venessa Scott before I saw this piece, but it would appear that she is well known in the North of England for her creative arts and large murals.

Vanessa Scott, Lime Road, Bristol, August 2021, Upfest 21
Venessa Scott, Lime Road, Bristol, August 2021, Upfest 21

This mural looks like a piece of colourful patterned material has been draped over the house, or at least that is what it looks like to me. Look a little closer and you can see that the patterns are in  the form of human figures dancing and leaping. This is a truly energetic, creative and unique piece.

Vanessa Scott, Lime Road, Bristol, August 2021, Upfest 21
Vanessa Scott, Lime Road, Bristol, August 2021, Upfest 21

This is one of those walls where you need the courage to ask the neighbours if you can go into their house to photograph the mural, and I just don’t have that courage – my English reserve kicking into the max. It is so good to see so many new walls appearing for Upfest this year, but it has to be said that quite a few of them are a bit awkward to view and photograph. I guess you just can’t have everything on a plate. It is so good to welcome Vanessa Scott to Bristol and I hope it is the first of many visits.

3918. Upfest 2021 75×75 (55)

I think I am right in saying that Paul Monsters is the only artist at Upfest’s 75 walls in 75 days event to have painted more than one wall, although I still haven’t posted his first collaboration yet. This is his second collaboration, and this time he has combined delightfully with The Hass.

The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21
The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21

The collaboration is painted on two sides of a building on Ashton Road, not far away from the Ashton Gate football stadium. The portrait, which looks a little bit like a self-portrait, is by The Hass, but the way it blends into the geometric patterns of Paul Monsters is what makes this a proper collaboration in my eyes.

The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21
The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21

The Hass is a super-talented artist who writes under another name for his graffiti pieces. The portrait has such amazing depth, with perfect use of different tones and shading to bring out the features and highlight all the wrinkles and contours of the face. A masterful piece of wall art.

The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21
The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21

It is quite unusual to see this colour combination used in the geometric work of Paul Monsters. More often he works with yellows, greens, browns, oranges and purples, but here he has gone for a rather more subtle colour palette which works really well on this particular space.

The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21
The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21

I am not too sure about the significance of the owl, but The Hass has absolutely smashed it. The owl appears to be wearing a little red cap, shared by the self-portrait, and I wonder if The Hass is the owl. Who knows? I’ll have to ask him next time I see him.

All in all, another outstanding wall in this summer series. We citizens of Bristol are a lucky bunch really.

The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21
The Hass and Paul Monsters, Ashton Road, Bristol, August 2021, Upfest 21

3915. Upfest 2021 75×75 (54)

You can always expect the unexpected from Diff, and this imaginative piece for Upfest’s 75 walls in 75 days summer event, is definitely on the creative end of the spectrum of amazing pieces we have witnessed over the last few months. The Tobacco Factory is always a central venue for Upfest, and this piece is set behind one of the gates at the side entrance alongside the car parking bays.

Diff, Raleigh Road, Bristol August 2021, Upfest 21
Diff, Raleigh Road, Bristol August 2021, Upfest 21

Diff has cleverly painted that most iconic of items, namely Scrabble letters, and stacked them to spell out RACISM.  The piece, set behind the gate, is chilling, powerful and impactful. It is funny how just the work can conjure up so many images, and when framed like this becomes a talking point. This commentary piece is one of the more thought-provoking from the event, but also one that might be hidden from the general passer-by. Excellent work from Diff, beautifully executed.

3912. Upfest 2021 75×75 (53)

I met Karl Read at the Cheltenham Paint Festival last year, and what a very nice bloke he is too. He is an artist who appears to enjoy painting at festivals, and he has certainly been to several Upfest events in the past, this is his 75 walls in 75 days contribution.

Karl Read, North Street, Bristol, August 2021, Upfest 21
Karl Read, North Street, Bristol, August 2021, Upfest 21

This is a superb bright and vibrant piece that makes great use of this slightly awkward wall. The message, in large colourful letters, is clear for all to see and will resonate with all but the most miserable people. Karl Read has chosen to paint his characters, a boy and a girl at each end of the letters, in black and white, probably using a stencil. The characters contrast beautifully with the letters and somehow bring out the colour even more. An upbeat and positive piece from the Upfest veteran.