It would seem that Mena and Stivs have birthdays about a week apart, and both, being popular artists, manage to rustle up a large group of artists for a birthday paintjam. These pieces were part of Mena’s celebrations.
Mena and Phour, Sparke Evans Park, Bristol, April 2022
A double hit in today’s post featuring both Phour and Mena. I haven’t posted much from Phour for a while, but lately he has been painting;g quite a lot, and this is a really nice example of his work, painted high up on the wall, with three horizontal colour fades, and some rather more animated letters than we might normally see from him.
I say the other writing is by Mena, which I think it is, but when it is someone’s birthday, their name is often the subject of other artist’s writing, so you can be tricked easily. Whoever it is by, it is nicely worked, with an interesting ‘fruit salad’ colour scheme, if you know what I mean. Happy belated Birthday.
Oof! I am absolutely loving these script writing pieces that Mena painted in the late autumn, and the departure from her customary blocky letters is inspired. It is so good when writers experiment with new styles, and this is a winning formula in my opinion.
Mena, M32 Cycle path, Bristol, November 2021
Painted alongside fellow RBF artists, this is a real stunner. Looking like a neon sign, the clever horizontal fills are really effective. Also the sharp lines are so skilfully done. All in all a really classy piece.
There is something very enjoyable when an artist adds to their repertoire with something quite different. Mena is a writer who up until recently worked with uniform soft blocky letters, but recently she has gone on a spate of beautiful script writing, which has taken her work to a new level in my opinion.
Mena, Sparke Evans Park, Bristol, November 2021
This piece in Sparke Evans Park is an absolute belter. The script is beautifully designed and the horizontal blend of colours in the fill are masterfully done. A really lovely piece and a great new direction for the artist.
It has been sad to witness the downfall of graffiti spots in the Stokes Croft area under the relentless march of gentrification. I understand that redevelopment is part and parcel of the growing up of a city, it is just a shame that local communities and cultures are swept aside, without any allowance for them. For example the creation of ‘legal walls’ to keep that ‘feel’ of an area. Obviously that goes against the proliferation of clinical, sanitised, overpriced housing that we see emerging in towns and cities across the country.
It is the lack of imagination and creativity that is so upsetting, almost as if town planners and corporate architects have had their ‘fun chips’ removed. It is all about squeezing as much profit out of every square inch of land, no regard for local communities or indeed the natural environment. I don’t see much in the way of creation of proper green spaces accompanying the gentrification agenda. Let’s line our pockets with gold. Greedy fools.
There won’t be many more posts from Moon Street, is my guess, because of this relentless building programme, and many street/graffiti artists seem to have abandoned the area altogether. That is why it was especially gratifying to come across this quick collaboration from Rezwonk and Mena.
Rezwonk, Moon Street, Bristol, January 2021
Rezwonk has been fairly quite over the last six months, working on other projects not entirely unrelated to his art. This piece has an industrial/construction feel to it, with rivets locking pieces of his letters in place. Modest, but really nicely done. This could be walked past quite easily as a simple throw up, but it is rather more sophisticated than that.
Mena, Moon Street, Bristol, January 2021
Menaces adopted the same colour scheme, but her fills are rather more straightforward. Both artists have followed the ‘code’ of the colour scheme, and it is one of those collaborations that are joined but not fused. Nice to see.
About a week ago I posted a piece by Mena for the first time on Natural Adventures and it was well overdue. Over the coming weeks and months I intend to free several more Mena pieces from my archives, starting with this one painted in May this year on the M32 cycle path, a favourite haunt of hers.
Mena, M32 cycle path, Bristol, May 2020
Mena tends to stick to a regular letter structure, with a central kink and a leaning to the right. The rest is all about the fills, shadows and decorations. It is always great to buff a wall first, it prevents any distractions getting in the way of the piece itself, and in this case sets a neutral background for the dark colours and neon green line running through the piece. Nice tidy work.
A couple of weeks ago I bumped into Paul H in St Werburghs tunnel and he tipped me off that Smak was likely to be painting at the M32 Spot, so naturally my next port of call was to my favourite board under the motorway. There I found not only Smak, but Mena too, both busily spraying.
Smak and Mena, M32 Spot, Bristol, October 2020
I have many photographs of Mena’s work, but I think this is the first time I have posted anything, so I guess a bit of a rummage through my archive will be happening in the not too distant future.
Smak, M32 Spot, Bristol, October 2020
On the left of the board is a beautifully worked piece of graffiti writing from Smak. What is noticeable about this is that the light conditions on the two days I visited this piece have presented two different tones, one much yellower than the other – I guess that cameras get pretty goofed up with poor light under the motorway and bright light bleedinng in at the sides. Auto settings simply can’t cope.
Mena, M32 Spot, Bristol, October 2020
On the right is a ‘stock’ piece of writing from Mena. The letters are uniform in size with interesting shapes and Mena really goes to town with some beautiful horizontal fills in wonderful complementary colours. The outcome is very pleasing, and the black 3D shading really helps to lift the whole thing out from the wall. I am really looking forward to sharing more from Mena.
Natural adventures 