Phour is one of those artists who regularly burns his letters onto any surfaces that he fancies. Some of his pieces are quick and dirty throw-ups and some, like this one, are more polished and accomplished.
Spray painting over existing graffiti without buffing the wall first means that your piece needs something special to stand out from the crowd. Phour has achieved this with flying colours (literally) in this absolute belter.
There are a bunch of writers in Bristol who have one thing in common, they write the same letters in roughly the same letter style, but add creativity in the colour selections and fill styles that they choose. Phour is one such artist, and this is a recent piece of his from St Werburghs tunnel.
The tunnel is a great place for rainy day painting and there is a rich seam of, in the main, great graffiti and street art. In fact the only problem with the tunnel is the light conditions, which mean that photographs from there never do the artwork justice, with a lot of orange and yellow polluting the images. With a little adjustment, I managed to get as close as possible to the true colours of this Phour piece. Nice letters, nice 3D work and a very good background. Good to see.
This nice piece from Phour was painted during a Halloween paint jam down in the tunnel, I guess about a month ago. How time has flown this year, I think it must be the coronavirus effect.
The colours of the piece were commensurate with the collaborators and Phour has gone with some slightly more elaborate letter shapes than usual for this one. I don’t think that the pumpkin is by Phour, but have included it in the picture because it complements the piece nicely. What festive japes.
I am really enjoying acquainting myself with the work of Phour (whose Instagram account is @bumwin if you are interested). His letters lend themselves to a rather pleasing form, which is not the case with all writers, with the P and H being particularly nice.
This piece combines the contrasting pink and turquoises with real panache and if there is one thing that is consistent about Phour’s work it is his use of bright and vibrant colours. This one is tucked away in Hepburn Road, which is always worth an occasional visit where gems can be found from time to time.
Phour, an artist that I only encountered for the first time this summer, has been hitting the walls quite hard this year and there aren’t many spots around the city that haven’t had his letters displayed in all their glory.
This piece, behind the swimming pool railing at Dean Lane, shows what Phour is capable of. Some really nice crisp letters with a three-colour horizontal fill, the central red stripe with loads of little red spots around it. There are further purple decorations reading across to the top and bottom stripes. The whole thing set on a green splat background. I’m not entirely certain about that green with the other colours, it just doesn’t quite feel right. A top quality piece from Phour.
Colourful is the word that springs to mind when I look at this fine piece of writing from recently discovered (by me) Phour. Many graffiti writers fade their colouring horizontally, but Phour has done this vertically so the colour transitions happen as you read along the piece.
Phour along with graffiti writers like Mr Draws, Oner, Slim Pickings (Tes) and Fiva, to mention but a few, writes his name, clear and simple without too much disguise or wildstyling which makes his work really easy to identify. I find this piece most pleasing. Great colours, neat and tidy and it has a fearless joy about it. Looking forward to seeing a whole load more from Phour.
Last week I met Phour for the first time, and what a pleasure it was. I had had my suspicions that he was another writer that had changed his letters, but I was quite wrong. Phour told me that he did a bit of spraying as a youngster, but had stopped until a couple of years ago when he picked up his cans and started up again. I must confess that I have only noticed his writing this year, but what I have seen I like and he is, on first impressions, a genuinely decent guy who was more than happy to stop and talk for a while.
This is one of a few slightly older pieces that I have had on archive waiting to be posted until I knew a little bit more about the artist. His letter shapes are clean and clear and he seems to enjoy lots of colour in his work. All the right ingredients are there for Phour to move up the ranks of Bristol graffiti writers. I look forward to following him along the way.