202. Greville Road (2)

This is a contemporary political stencil that I came across recently during a stroll down North Street. It is a controversial piece from an artist who is known for using iconic figures in his works – usually celebrities. In this instance he has conflated two ‘hate figures’…Adolf Hitler and Donald Trump, in a very interesting way. Edgy stuff, which makes it all the more attractive to me.

Pegasus, Greville Road, Bristol, April 2016
Pegasus, Greville Road, Bristol, April 2016

Pegasus is originally from Chicago, but now lives and works out of North London. He has a fairly substantial Wikipedia page, and a good website containing more about him and his works.

Pegasus, Greville Road, Bristol, April 2016
Pegasus, Greville Road, Bristol, April 2016

This is one of many political pieces in Bristol that are emerging as we enter into election periods in the midst of austerity. I expect more.

Bittercress

 

Frail unpretentious

flower too small to notice

too fair to ignore.

 

by Scooj

201. Stokes Croft various, Bristol

I am going to break with tradition for my 201st street art post, and talk about an unknown tagger. I have been seeing a lot of this tag lately, and my first instinct is to rather enjoy it…certainly better than scrawling black initials over everything. This may be an attempt by a new artist to start marking their presence before graduating onto something more ambitious, I certainly hope so. Here are a few sites from the Stokes Croft area that started appearing in March 2016.

Unknown tag, Stokes Croft, Bristol, March/April 2016
Unknown tag, Stokes Croft, Bristol, March/April 2016

 

Unknown tag, Stokes Croft, Bristol, March/April 2016
Unknown tag, Stokes Croft, Bristol, March/April 2016

 

Maybe I’ll get to find out who it is and observe their progress.

Close your eyes for a moment

 

Hear the tide ebbing,

seaweed pops and crackles and

bright water gurgles.

 

by Scooj

Her Monday morning

 

Squinting through makeup

that fails to cover the truth;

a heavy weekend.

 

by Scooj

Heron

 

In its grey coat it

came, eyeing up the neighbours

fishpond, then vanished.

 

by Scooj

200. M32 Roundabout, Junction 3 (8)

The final one of a quickfire burst of Deamze wildstyle works. This is yet another one on the M32 roundabout. Doing this reminds me that I really ought to get back down there to see what’s new.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

This time we are treated to pinks and reds in this intricate work. Unfortunately it is very tricky to photograph, because it is in quite a narrow passage which makes it difficult to get the whole piece in frame. The sideways shot just about does it.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

OK, I’ll leave Deamze alone for a while now and concentrate on some other works.

199. M32 Roundabout, Junction 3 (7)

So here we have another fine example of wildstyle writing at its very best. Deamze is really a master of his craft and prolific too. It can be really difficult to keep up with his new work.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

This work sits alongside a work by Soker that I featured a little while back. I think that they were concentrating on the yellow and blacks, and I assume that they sprayed the wall on the same day. Another great work by Deamze.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

198. Jubilee Street (4)

An old, and now long gone wildstyle piece from Deamze in my favourite backwater, Jubilee Street. This is a beautiful work, which is offset really well with the robot character at the right hand end.

Deamze, Jubilee Street, Bristol, November 2015
Deamze, Jubilee Street, Bristol, November 2015

There are so many Deamze works in Bristol, the next couple of posts will also feature some of his great stuff.

197, Stokes Croft, PR Solicitors

I have had this picture in my archive for a while, but simply never got round to publishing it. I love the piece, but the photograph is not very good, slightly blurred and so I have held back. It is by Kid Crayon though, and I do so very much like his work, so the time has come.

Kid Crayon, Stokes Croft, Bristol, September 2015
Kid Crayon, Stokes Croft, Bristol, September 2015

Kid Crayon’s wheatpastes are really curious. His style is quite unique, and it is difficult to see who might have influenced him. Not that it really matters. I really like his stuff, and am always pleased to uncover another work. I saw a new one last week and will post about it soon.