A gallery of beautiful graffiti writing and more from Cardiff-based RBF (Resting Bitch Face) artist Vozie.
Instagram: @_vozie
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Vozie
6430. Muriel Alleyway (16)
A quick sidestep back to the end of July and start of August when this magnificent collaborative mural was painted by Erviti and Caro Maggs on one of the few hot and sunny days we had this summer. Both were participating in the Bristol Mural Collective mini-festival organised by Rtiiika.
It is fascinating to see the take from two different artists painting the same subject using the same colour palette and seeing what they came up with. Ervitti has painted the vase and flower in what could be described as a fragmented style, and there is certainly something a little unusual going on with the portrait. It almost feels like a modern take on cubism – a really interesting piece.
Adjacent to Ervitti’s piece is Caro Maggs’ take on the same subject, which is an altogether softer and more literal representation of the vase and flowers. While the vase appears to be a little rough around the edges, the flower, which looks like a peony, is absolutely beautiful, and definitely steals the show in my eyes. The combination of pieces offers something really special and fits the spot perfectly. Great work.
6429. Jamaica Street (28)
When I first came across this piece, I really wasn’t too sure what it meant, but photographed it anyway, because it is a clean and classy piece of writing with an important message. It turns out that it is by Vane and is a get well shout-out to his friend Holly, AKA Mena – regular readers will know that she is a Bristol writer who had an accident in Thailand recently and is currently recovering in the UK.
This is a heartfelt and touching piece by Vane, who, although he is a Bristol artist, hasn’t appeared on Natural Adventures all that often. I think it says much about the graffiti/street art culture in the city that so many artists have rallied around Mena and painted messages of support for her over the last few weeks. I hope her recovery continues well.
6428. Brunel Way (297)
Another wily old fox from Foksymoron, this one hiding from view under Brunel Way, in a place that only a few skaters and cyclists will ever really get to see and enjoy. This fox is so laid back, he spends much of his time on hid back.
Although Foksymoron has been painting foxes for a long time now, it is the scale and dynamism of his pieces that is catching at the moment, and it would seem that he has taken his art form to a new level. Of course, these aren’t the most polished pieces of street art and are a character version of a throw up, but they are full of character and have their own story to tell
Thursday doors – 10 October 2024 – Doors of Central London
Doors 281 – Doors of Central London – Part II – March 2024
I got my knickers in a twist last week with Thursday doors, and published my post on Friday, which was perhaps a reflection of my physical state at the time, suffering from what I didn’t know then was Covid. I feel a whole lot better today, and I am making a good recovery. Fortunately I have been able to postpone my much-awaited fishing trip to Cornwall for a couple of weeks, so all in all, things have worked out ok.
This is the second set of doors from a trip I made to London in March this year, photographed on a walk after a workshop I was facilitating from Holborn to Bloomsbury. The doors reflect a reasonably affluent part of town, and I hope you enjoy them.
I think that there will be one more post from this particular collection next time, and then I’ll move on to something else. May I wish you all a happy weekend, and my thoughts are with those suffering storms and those suffering conflicts. Keep safe.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj
6427. Cumberland Basin
I think that Zake is not only incredibly prolific, but is also one of those artists who is happy to collaborate with anyone. Some artists are quite particular about who they collaborate with, but Zake, it would seem, just loves to paint with other artists. In this piece he has teamed up, to great effect, with Sait Bare.
The writing, spelling SA(I)T, is by Sait Bare and is typical of his non-conformist letter shapes and cloudy fills, a style that takes a little getting used to, but which is really growing on me. The ‘i’ is supplied by painted by zake in the form of one of his distinctive cartoon portraits, whose body makes up the stem of the ‘i’ and whose head is the dot on top. This is an unexpected and rather successful collaboration, and I suspect not the last from this pair.
6426. Brunel Way (296)
Sometimes wildstyle graffiti writers can be guilty of overthinking their work, and I feel that Werm went through a phase where he did just that, and while his pieces were technically awesome, they were, for my taste, just a little too over-complex.
This one is a recent work in a series of bilaterally symmetrical graffiti writing pieces that Werm has been focussing on. He tends to work in themes and ideas which he runs with for six months or so, and then moves on to some new concept, constantly evolving and improving. The colours palette is very ‘Wermy’, and by that I mean contains reds and cream, which he uses a often as a combination. This is a nice piece, and well worth buffing the wall to provide a clean background.
6425. Dean Lane skate park (764)
I have been aware of Risky’s writing about the place for some while now, but I would say that in the last six months or so he has really upped his game, and is turning out some rather nice writing and some interesting fills, where his earlier pieces were perhaps cutting his teeth or practising.
This one in Dean Lane follows a fairly basic formula, and has been executed really well. The letters RISKY are in two tones of red giving a basic light/shadow effect, which provides depth to the letters. The writing has a contrasting green drop shadow and the whole thing is bordered with a dark blue line. There is lots of thought and care that has gone into this piece of graffiti writing, and I look forward to this continuing evolution from Risky.
6424. Cumberland Basin
There have been many ‘get well’ tribute pieces about the place for Mena, who suffered a motorcycle accident (I think) while travelling in Thailand a while back, and this one in Cumberland Basin by Bbygwya, or Flux as she is more commonly known is an absolute beauty.
Bbygwya is something of an enigma who can produce some really high quality pieces in varying styles, but is also rather fond of quick and dirty throw-ups. I particularly like the horizontal fills in this piece and how they give the whole thing the appearance of shiny metal, by design or accidentally. A nice shout out of ‘We love you’ rounds the whole thing off nicely.
6423. Upfest 2024 (55)
At Upfest 2024, the format of the festival changed a bit, and I don’t think that it worked as well as it has in the past. I believe that the changes have come about by the enormous cost of hosting a festival over two days, and the rapidity of the clean-up afterwards have worn down the organisers. So this year we had feature walls which were painted over a three week period, allowing for a lot of high-end murals, and small 1m square boards – there was nothing in-between, which is the bread and butter for most street artists.
The 1m boards were painted on three occasions, and I managed to photograph them on one of those occasions, missing out on the other two. This was a board painted by the wonderful local artist Zoe Power.
The stylised painting is full of symbolism, and a story of our time. It features a hand holding an olive branch, and rarely have we needed to see the olive branch extended more than now. There is a simplicity and crispness in the piece that betrays the complexity of the underlying messaging and what it represents. It is always a real treat to see Zoe Power’s work.
Natural adventures 