Mr Crawls and Mote, Cattle Market Road, Bristol April 2024
The productive partnership between Mr Crawls and Mote continues without interruption. What is comforting bout their work is that both artists are continually evolving, and their influences on one another converge and then diverge, so in this collaboration, we see that slight divergence of styles.
Mr Crawls and Mote, Cattle Market Road, Bristol April 2024
Mr Crawls has recently been experimenting with monochrome pieces and developed more of an angular approach to his stylised bird characters, quite a shift from his early pieces. Mote, meanwhile, is creating ever more sophisticated monsters, and working hard on particular features such as the eyelids. I continue to derive so much pleasure from these two character artists.
30 Days Wild is an initiative organised by the Wildlife Trusts. It is an annual challenge event, for those who choose to participate, to do one wild thing a day throughout the month of June. I will try to write a nature haiku every day if I can as my contribution to this celebration of nature. I did this back in 2015 and thoroughly enjoyed the challenge.
Returning to what I would call ‘everyday’ Bristol street/graffiti art after an Upfest interlude (more of those to come), I present another wonderfully busy piece by Grimes. This is a graffiti artist who burst onto the scene a few months ago, and has settled in immediately, producing some realy good pieces along thee way.
Grimes, River Avon, Bristol April 2024
This one on the cycle path alongside the River Avon has something of a carnal feel about it. There is no doubt that his pieces are full of movement and vibrancy. If you look carefully, you can make out the letters GRIMES, but it is the outstanding fills and clean borders that lifts this piece above the ordinary into the next level. I am very much enjoying the emergence of this graffiti writer in Bristol.
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
It has been a while since I last saw Ments painting, so it was great to see him working on this piece for Upfest. The nature of this year’s Upfest has meant that there is far less graffiti writing than in previous years, with more of a focus on high-end murals. Knowing that, it was extra-cool to see this abstract writing from Ments.
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
There is a beautiful flow through this piece, which has a wonderful natural vibe running through it. The gentle colours are held together in geometric ‘crystalline’ forms and transition markedly from left to right. I am guessing that this Bristol-based artist has been busy over the last couple of years, because I don’t recall seeing any street work for a very long time.
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
If you like this you can see more of his incredible ‘organic’ writing in this gallery.
Fesa, Redpoint Climbing Centre, Upfest 24, Bristol, May 2024
In the interests of keeping as up to date as I can with Upfest posts on Natural Adventures, I am posting a rare fourth piece in one day. This outstanding mural by Fesa is painted on a board outside the Redpoint Climbing Wall, which has been a well known Upfest spot over the last few years, and although a little off the beaten track, is well worth hunting down.
Fesa, Redpoint Climbing Centre, Upfest 24, Bristol, May 2024
Fesa is a self-taught fine artist from Munich, and this rendition of a Dalmatian dog set in a rural landscape is breathtakingly good. Although the whole piece is fairly simple and sparse, it is filled with the atmosphere of a warm day, and the toppled mug is a wonderful observation. The buildings in the background remind me of Paul Cézanne’s style of work, leaving quite a lot to the imagination. I love seeing fine art pieces upscaled in this way for street art, and Fesa has done an amazing job with this one. Lots of animals represented at Upfest this year.
I realise that it is a first world problem, but one of the things I am agonising over at the moment is how on earth I post as many pieces from Upfest as I possibly can, alongside posting the regular everyday graffiti and street art that appears on Bristols walls every day. I guess it is a good problem to have, but it vexes me nonetheless.
This lovely piece from Bristol artist Cheba has been painted over one of my all-time favourite pieces in Bedminster by Willl Cross, which makes me a little sad, but that is the nature of street art.
Cheba, Lime Road, Upfest 24, Bristol, May 2024
Cheba is known for his atmospheric cosmic pieces, many of which can still be found around the city if you know where to look. In this one he has created a nebulous composition dotted with bright stars, looking like some of those photographs taken in space of vast ‘cloudy’ areas by exploration probes. There is a sense of both scale and calm in this attractive small piece.
The Hass, North Street Green, Upfest 24, Bristol, May 2024
The Hass is an exceptional street artist whose talents never cease to amaze me, and he has knocked it out of the park with this extraordinary piece for Upfest this year. The long wall is at the back of the brick building on North Street Green, and I believe that this is the first year it has been ‘commandeered’ for the festival.
The Hass, North Street Green, Upfest 24, Bristol, May 2024
I think I got lucky with the gorgeous weather on the day I photographed this piece, because the colours of the grass and sky are reflected in the artwork. The whole piece is a mash-up of stunning portraits and a peacock and peacock feathers.
The Hass, North Street Green, Upfest 24, Bristol, May 2024
The Hass has made a clever play with the eye patterns on the feathers and the eyes in the portraits, quite deliberately I’m sure. Not only does the piece blend perfectly with some abstract shapes and patterns, but there is also some incredible detail throughout the work. It is unbelievable that the whole thing is painted using spray cans. Outstanding work.
The Hass, North Street Green, Upfest 24, Bristol, May 2024
Faye Rai, North Street, Upfest 24, Bristol, May 2024
There has been a concerted focus at this year’s Upfest to create permanent or long-life pieces on existing and new walls, at the expense of the rather more ephemeral boards and festival atmosphere of previous events. I suspect that the festival element is more expensive and difficult to organise, and has been dropped this year, which is a pity. However, we are left with a plethora of outstanding pieces across South Bristol to enjoy, such as this beauty from Faye Rai.
Faye Rai, North Street, Upfest 24, Bristol, May 2024
I believe that Faye Rai is reasonably local, being based in Gloucester, and is an artist with a background in illustration. She has not been painting on the streets for very long, but appears to have made the transition very successfully, if this piece is anything to go by. She favours natural history in her work, and this portrayal of a purple heron is outstanding.
Faye Rai, North Street, Upfest 24, Bristol, May 2024
Now that she has a taste for street art, it would be wonderful to see more of her work about the place, and I am left wondering whether she might be painting at the Cheltenham paint festival later on this year. I have just checked her Instagram feed and note that she was at Cheltenham last year, and I have some pictures of her work, which alas I haven’t yet uploaded on to Natural Adventures, such is my backlog. These are surely the halcyon days of street art.
I am always excited when I find street art by Bloem. She is, as far as I can see, a very friendly and talented artist who has a quirky and distinct style that draws you in. Her use of bright primary colours creates a striking contrast in her work that is rather compelling.
Bloem, M32 roundabout, Bristol, March 2024
Bloem’s work is often peppered with recurring themes that drift in and out of her creative designs and in this piece we have the familiar hand with sharp, pointy nails and a pair of devil cherries, one of which is melting in the hand. These motifs almost fall into the category of a brand, but I suppose in street art terms we would call it a style. Anyhoo, her work is fantastic and always a pleasure when found.
This is another striking piece from Katie Fishlock which I had meant to post back in March, but it simply didn’t happen. Fortunately my regular trawls through my archives allow me to unearth special pieces like this one.
Fishlock, Dean Lane, Bristol, March 2024
Fishlock’s punchy pieces tend to be quite modest in size, but usually make up for it in both attitude and message. These big red lips contain the words ‘self-sabotage is misguided self-love’, which I think I get. Katie Fishlock’s art punches above its weight because of its arresting combination of design and message, and I am a fan.
Natural adventures 