Well here’s a whole box of fun from Boaster… a little bit too much fun perhaps. I love the style of this piece, and it reminds me a little of the imaginative creations that 3Dom produces from time to time. A wild cartoon-style reimagining of a crate.
Boaster, Upfest, Bristol, July 2018
No stranger to Upfest, Boaster produced a posh monocle-wearing blue whale in 2017, and he obviously enjoys stretching the things we see around us and giving them new identities or personalities. A really enjoyable and humorous piece, definitely one for the quirky surrealists.
MV 2.5 = meaningful vote 2.5. Unbelievable sleight of hand by Theresa May to try and force her deal through by splitting it into two thus avoiding rejection by the Speaker. As if bribing her party, promising to quit if they supported her wasn’t bad enough. She and the Conservative party have no shame.
This week I have decided to share a whole bunch of doors from Bristol Temple Meads Station. Famed for its ‘passenger shed’ designed by I.K. Brunell and for being the focal point of the Great Western Railway (God’s Wonderful Railway) between London and Penzance.
Rather than photograph obvious doors in the station itself (apart from the first picture) I am sharing some of the doors located underneath the car park in front of the station. The structural archways have provided storage areas since the station was built and some have been hired out to private businesses, a common practice for railway infrastructure around the globe.
Small wooden kiosk, Temple Meads Station, Bristol
The Feature image and first picture show a small wooden kiosk just inside the main entrance of the station. I don’t know how many hundreds of times I have walked past this kiosk over the years, but I only recently noticed it. It is overlooked in one’s hurried efforts to shuffle through the barriers and onto the platforms. A little gem.
Doors to storeroom, Temple Meads Station, BristolDoors to storeroom, Temple Meads Station, Bristol – why the drill holes in the bottom of the door?Doors to storeroom, Temple Meads Station, Bristol – Repair work in brickDoors to storeroom, Temple Meads Station, Bristol – Danger
Finally the worst ‘best kept secret’ in Bristol – Hart’s Bakery – Creator of divine cakes, pastries, breads and life-limiting fancies. The bakery that makes it worth being early for your train to make a quick food diversion.
Hart’s Bakery, Arch 35, Temple Meads Station, Bristol – Arguably the best bakery in Bristol
So that’s it for this week.
More doors to be admired by following the links at the end of the fabulous Norm 2.0 blog: Thursday Doors – Norm 2.0
Woah, steady on there… I love this crazy piece by Tknaizer. The artist, from Georgia, seems to have a thing for giraffes, and in my mind that is absolutely ok. Who doesn’t love a giraffe?
Tknaizer, Upfest, Bristol, July 2018
This piece was painted in North Street Green and had to compete for attention with dozens of others but certainly attracted my attention. There is something endearing and compelling about the simple and naive style. Sometimes less is more. Despite the rather gloomy narrative, I find the giraffe full of optimism and serenity. It is always great to welcome these overseas artists to Bristol and see the range of talent on offer.
Alas, this piece by Mr Penfold did not last long after Upfest, and has since been replaced by a wonderful piece featured on Natural Adventures by SPZero76. The wall is an interesting one in that it is curated by the Hangfire Gallery just opposite, and although the piece appeared during Upfest, I don’t think it constitutes an ‘official’ Upfest piece. I have to say that I am not all that bothered by such things, but I love the abstract work that Mr Penfold has created.
Mr Penfold, Upfest, Bristol, July 2018
His work has a real feel of the 1980s about it, a vibrancy and brashness that assaults the eyes with colour and shapes that draw attention. The other thing I associate with his work is Liquorice Allsorts, because of the blacks, pinks, light blues and yellows… yum yum.
I have plenty more pieces by Mr Penfold and feel he is somewhat under represented in this blog… I think that’ll have to change.
When I looked at this collaboration for the first time I found it rather peculiar because it carries three very different styles and subject matter and the only common thread at first sight appears to be Upfest. However, this primary assessment rather overlooks several other important factors in creating a good collaboration.
Process, Korp and Winniemmay, Upfest, Bristol, July 2018
Firstly, I think that the chemistry between collaborators is hugely important which is why for example, SPZero76 and Kid Crayon collaborate brilliantly despite very different styles – they are great collaborating friends. So, in this collaboration between Process, Korp and Winniemmay one can see some good vibes going on. There is also a design thread that carries through the whole piece of black and white dots and dashes, suggesting Morse code (but I think that is me over-thinking it).
Process, Korp and Winniemmay, Upfest, Bristol, July 2018
The overall outcome is certainly curious and apparently fragmented, but dip in a little further and the whole is probably greater than the sum of the parts. If there is a story here, I’d like to know it, but for me the whole thing stands up for me and it is really interesting piece.
I have said it ad nauseam that Mr Klue is being incredibly productive these days and I guess I will continue to say it for as long as he keeps painting these wonderful pieces. This slightly smaller than usual one contains a character who appears reasonably regularly on Mr Klue’s work.
Mr Klue, St Werburghs, Bristol, March 2019
There is the suggestion of a man in a shirt and tie wearing what looks like the Mad Hatter’s hat complete with 10/6 label. I like the smokey, wispy abstract style that Mr Klue uses and the fact theat he is constantly playing with etherial ideas. All good.
Natural adventures 