John Innes compost
and cuttings arranged on shelves;
my grandmother’s place
by Scooj
John Innes compost
and cuttings arranged on shelves;
my grandmother’s place
by Scooj
I have been waiting a long time to be able to post this piece. I have walked past it dozens of times, but cars have been parked in front, blocking anything like a decent picture. Obviously the writing is by Epok but I have a feeling, having seen some tattoo designs on Instagram, that the toadstool is by 3Dom. This is highly possible as the two do like to paint together.

Surrounded by street furniture and what is left of a bicycle it is virtually impossible to get as clean shot of this wall, so this is about as good as it gets. The rather touching thing about this piece is the three tributes to Mibzy, Buzz and CKOne each one a much loved and admired character from the Bristol street art scene.
Aah, the clean lines and cartoon/tattoo style of Sepr. Finding his pieces in such crisp and pristine condition is always a real pleasure, and this one is a real beauty. There are some common motifs in this piece from Sepr, including a musical instrument and some rather mischievous looking birds.

The musician looks a little uncomfortable, intimidated even by the birds , especially the angry one on the left saying ‘CHA!’. The joy of these pieces is in the detail, for example, the musician is releasing spittle from the trumpet and it is dripping onto the back of the bird on the right who is looking suitably miffed.

This wall, curated by Where the Wall, is a favourite with ASK artists and Sepr in particular has done several great pieces here before. I just love the way he tells a story in a clean, clear way, without any fuss filling the space. Just bloody classy.

Protector of earth
sequesterer of carbon
symbol of all hope.
by Scooj
Doors 70. Some Bristol doors from the Kingsdown area – 2 April 2019
If you head towards town on the Cheltenham Road (A38), to your right is a hill which leads up to Kingsdown. These doors are on the sleepy and rather steep streets in that area that appear to have little traffic, making standing in the road taking pictures less hazardous than usual.
Taken a few weeks ago on a rather sunny morning. Enjoy.







That’s your lot for this week.
If you like doors and want to see more from around the globe then visit the inspiration behind Thursday Doors go and take a look at Norm 2.0 blog where there are links to yet more doors in the commemnts at the end.
by Scooj
Rezwonk is another Bristol artist who has been rather busy on the streets lately, bombing here and there, tagging this and that and creating these rather decorative ‘designer’ burners, either in collaborations or as in this case, solo.

Rezwonk has perfected the art of straight line stripes, which I think he does freehand. I like his work, and I have been posting it for about a year or so now. I’m not entirely sure how much street work he was doing before that, but it is difficult to go to any spot in Bristol now that doesn’t have a little signature from this artist.
Last week I was on a bit of a brownian motion walk in Bedminster following the scent of some pieces that Paul Harrison had mentioned to me. On one of my meanders, I walked past this piece by Sofly which I hadn’t seen before probably because it is on a workshop door that is usually open during daylight hours.

I can’t be certain that the whole thing is by Sofly or whether she had an accomplice who painted the cat on the right hand side (Yala? Tam?). Sofly’s Work is always so crisp and clean and shaded beautifully. It was a real unexpected treat to find this one.
What separates us
from the animal kingdom
is our compassion.
My heart weeps for a fledgling
too sickly to carry on.
by Scooj
Ordinarily I’d be a little irritated by the overpainting of a Kid Crayon piece, especially after such a short existence, but in this instance I am more than prepared to forgive Fiva. In fairness, I think the collaboration had already been bombed and so the wall was ready for a new look.

This is a vibrant pink FIVA set on a green bubbly background, which employs all the tricks used by the artist to give a 3D look and feel to the piece. Better still, and I am so utterly made up by this, Fiva has given me my first ever ‘shout out’ in the bottom left hand corner ‘Yo Scooj’. I am touched and honoured to have made it onto such a splendid piece.

I have never met Fiva, so I must conclude that he has at some point stumbled on this blog and read some of my posts about him. Definitely, definitely need to hook up at some point, although I don’t think he uses Instagram, so getting in touch could be a challenge. Great work, and many thanks.
There is no question about it, Rezwonk and Decay enjoy working together, and this collaboration really brings out the best in both. I took this picture while killing two birds with one stone…walking the dog and grabbing some pictures at the same time.

I think that this is one of my favourite pieces of writing from Rezwonk so far (spelling REZER) – some lovely letter shapes and nice clean lines. The colour selection for the collaboration as a whole is inspired and works really well on a sunny day.

I have said it before, but I am really enjoying Decay’s current writing period, each piece I see just seems to get better and better.The curves on the letters have a wonderful 3D feel to them and the cheeky Chuck grins on. A great collaboration that has managed to remain for a while in this high-turnover spot.