1111. Upfest 2017 (92)

Post 1111 – this would have David Shepherd hopping in his grave (an oblique reference to one of England’s finest cricket umpires). This small wheatpaste is a collaboration between d7606 and PDX artist Voxx Romana, Phoebe New York, and Twiglet boy, although I am baffled how such a small piece can be a collaboration between four artists. Maybe I have misunderstood D7606’s Instagram description of this piece.

D7606, Upfest, Bristol, July 2017
D7606, Upfest, Bristol, July 2017

So we have Albert Einstein wearing a colander on his head and a fine pair of spectacles with the face of somebody reflected in the lenses. I have no idea what this is all about, and I’m not too sure I want to know, but I do know that I like this eye-catching paste up.

 

 

Nipper

 

Little Bristol dog

recognised by millions;

a canine icon.

 

by Scooj

 

Nipper, Bristol, His Master's Voice
Nipper, Bristol, His Master’s Voice

1110. Upfest 2017 (91)

A truly awe-inspiring collaboration from Upfest this year was by the magnificent My Dog Sighs and Snub23. There is so much to like about this piece, starting with the wall itself, which played host to this fabulous piece by Sokar Uno in 2016.

My Dog Sighs and Snub23, Upfest, Bristol, July 2017
My Dog Sighs and Snub23, Upfest, Bristol, July 2017

The eye and the water drops which provide the focus for the piece is by My Dog Sighs, and there is a whole story going on in the reflected figure in the eye itself. I am a big fan of his work, and it just seems to be getting better and better.

My Dog Sighs and Snub23, Upfest, Bristol, July 2017
My Dog Sighs and Snub23, Upfest, Bristol, July 2017

Snub23 has been to Upfest for the last three years now, and his geometric patterns are becoming more of a feature of his work. You may recall he created similar patterns on the side of the bus at Upfest 2016.

My Dog Sighs and Snub23, Upfest, Bristol, July 2017
My Dog Sighs and Snub23, Upfest, Bristol, July 2017

This is an absolutely outstanding collaboration and one that will go down as a highlight of this year’s festival for many visitors, including myself.

The last dance

 

Summer’s last hurrah

tardy, tatty butterfly

pauses in the sun.

 

by Scooj

1109. First Street Garden, New York (1)

Each morning when visiting NYC, I took a stroll for about an hour before the rest of the family got up, and went on the hunt to find some graffiti/street art. I didn’t think for one minute I would find so much. This piece was one of several in a little alleyway off East First Street.

Stem, First Street Garden, New York, October 2017
Stem, First Street Garden, New York, October 2017

This piece is by an old school New York graffiti artist called Stem. It is just possible to make out his name from the wildstyle writing. This is a really lovely piece that oozes a New York style one is so accustomed to seeing in books, documentaries etc.

Stem, First Street Garden, New York, October 2017
Stem, First Street Garden, New York, October 2017

There was a nice man who chatted with me about this piece and some of the others in this little lane. He seemed to know a lot about them. He also suggested I visit the ‘wall of fame’ in Harlem, which I did with limited success.

 

 

Thursday doors

Door five.

Door, Dean Lane, Bristol
Door, Dean Lane, Bristol

Dean Lane, Bristol

Artist: Angus

 

by Scooj

Thursday Doors – Norm 2.0

 

 

1108. SoHo, New York (1)

Another wonderful surprise waiting for me in SoHo was this beautiful collaboration between Stik and LA, which was part of the L.I.S.A project (Little Italy Street Art), sprayed in 2016.

Stik, SoHo, New York, October 2017
Stik, SoHo, New York, October 2017

The vibrancy of this piece works brilliantly, with all the brightly coloured swirls from LA contrasting with the elegant simplicity of the Stik figures serenely holding hands. A perfect match. I know little about LA, but I believe he is a local artist and he certainly seems to like his squiggles. Stik is of course simply one of the best there is.

Little Italy, New York (1)

The afternoon we arrived in New York, my children were very hungry, and we had to hunt down somewhere to eat pretty quickly, because you know what hungry teenagers can be like. The first restaurant we stumbled across was this nice ‘shabby chic’ place called Osteria in Mott Street (311), Little Italy.

Nick Walker, Little Italy, New York, October 2017
Nick Walker, Little Italy, New York, October 2017

Distracted by the children’s needs, I hadn’t properly looked at the piece on the side of the building. Once they had ordered their food, I nipped out to take a look and snap these shots. Of course I recognised the work immediately as being that of Bristol artist Nick Walker. Strange that I should cross the pond, and the first artwork I should see would be someone I have written about extensively. The international nature of street art.

Nick Walker, Little Italy, New York, October 2017
Nick Walker, Little Italy, New York, October 2017

This piece incorporates the pin-striped gentleman creating a heart made up of a mist, but take a closer look and the mist is actually numbers in a font Nick Walker has used before in other works. This was a great start to what turned out to be a wonderful trip.

 

Days for living

.

Chilly morn, clear, crisp

trees cast long slender shadows

and I am alive. 

.

by Scooj

1106. The Bearpit (104)

Here we have another Bearpit piece by the irrepressible NEVERGIVEUP, whose monsters just keep on giving. In this piece there is an inclusion of the Clifton suspension bridge, but I am not certain that he sprayed this or whether it was a part of an existing mural. Somehow the style doesn’t look like his.

NEVERGIVEUP, The Bearpit, Bristol, September 2017
NEVERGIVEUP, The Bearpit, Bristol, September 2017

As with all his monsters, NEVERGIVEUP creates a textured effect on the skin using concentric contours, in this case in red and yellow, dotted around the skin of the creature. I always like it when characters are themselves spraying. An archetypal piece from this artist.