Abstract – Natural adventures

7490. Purdown (99)

Slakarts, Purdown, Bristol, February 2026

Slakarts doesn’t paint on the street much these days, but the last two pieces I have found by him have both been up on Purdown on the square concrete slabs of the old WWII gun emplacement. I guess it is a place he feels comfortable painting, a little less exposed than the streets.

This is a lovely abstract piece containing his usual character, which has been absorbed a little into its surroundings, and there is some ambiguity to his features. Slakarts has used some great colours in this fun and uplifting piece.

7430. Frome Side (68)

Sketch, Frome Side, Bristol, September 2025

Another wonderful piece by Sketch underneath the M32, and one which I saw him painting, from behind the railings up on Stapleton Road. I need to find out more about the artist, as I have so many questions to ask him.

This a rather unusual affair, like a series of splats and spots and an unusual piece of writing. A fine abstract combination piece. Some great colours, and once again strong modern art influences.

7409. St Werburghs tunnel (558)

Mr Klue, St Werburghs, Bristol, December 2025

Normal service is resumed in the tunnel. After a spate of birthday paint jams, Mr Klue has reclaimed one of his favourite spots at the entrance of St Werburghs tunnel, with a trademark ephemeral piece of graffiti writing.

The letters spell KLUE, I think, although I can equally make out WONE, the other half of Mr Klue’s name – it is most likely the former. This piece is a little more solid than some of his work, and has an anamorphic appearance, created by the clever use of light and shade, and tops and bottoms of surfaces. An accomplished piece by a writer who just loves painting in the tunnel.

7349. M32 Spot (210)

There are a lot of contenders for surging artist of the year in Bristol, and what I mean by that is artists who have been about a while, but taken huge steps forward in 2025. Candidates would include, Zinso, Asre, Creamylines and of course, Posh.

In the latter half of the year, Posh appears to have been concentrating on his graffiti writing. His style is difficult to pin down, but I would describe it as ‘busy abstract scribble’. It is obvious that there are some letters here, but far less obvious what those letters might be. Posh likes to work with darkish colours, and has used this blue/green combination a few times recently. This is a nice piece, tucked away in a corner of the M32 spot.

7278. St Werburghs tunnel (536)

Mr Klue, St Werburghs, Bristol, October 2025

Mr Klue can confuse me from time to time; his abstract pieces all have such a strong ‘brand’ feel to them, and he loves to paint the same spots in St Werburghs tunnel, that I can sometimes forget whether I have photographed or written about particular pieces. I could have sworn that I had photographed this piece some time ago, but it appears not.

I spoke to somebody in the tunnel a little while back, and they were most complimentary about Mr Klue’s work, and especially about the tone and lightness of touch of his paint. I agreed, and then pointed out that you could make out the letters KLUE if you looked carefully. He thanked me and went on his way. There is indeed a lightness of touch in this piece and a couple of decent scrolls to boot. Always good work from Mr Klue.

7277. Dean Lane skate park (882)

J9449j, Dean Lane, Bristol, October 2025

There are some street artists who simply don’t appear to want to be followed, or at least that is how it seems, and it might be for a number of legitimate reasons. The first time I managed to pin down a name for this artist, he called himself j9449j on Instagram, followed by @Dr3amc0re94 and @all_4_n0thing, and now I can’t find him at all. My protocol for attributing artwork to artists who constantly change their names is to go with the first name I used for them, other examples include Slim Pickings (TES) and Biers (WD40).

The design of this piece and the colour palette are exquisite, with the chrome and bronze working perfectly with the black, white and turquoise. The abstract design carries, as always, a reflection of natural elements, such as leaves and grass, a feature of j9449j’s work. An attractive piece that is easy on the eye.

7255. Frome Side (61)

I am really enjoying the art of Sketch. His modern pieces appear to draw so much inspiration from twentieth century styles, incorporating bright colours and abstract shapes and ideas. In this piece, Sketch seems to be experimenting on a rather busy concrete column under the M32.

The abstract shape seems to resemble a human form, but not quite, and it has been embellished with four nicely presented spheres and four purple ‘drips’. There is a simplicity of form that conjures up lots of ideas in the mind of the viewer. I am looking forward to Sketch breaking out of this safe space under the M32 and venturing to some of the more public spots… hoping it happens.

7234. Lucky Lane (16)

Cuicasolo, Lucky Lane, Bristol, September 2025

This is a wonderful geometric piece by Cuicasolo, AKA Elaine Carr, who I first came across in January 2016 and her BRISTOL piece in Dean Lane. Although she doesn’t paint all that often, she has a strong presence in Bristol through her creative interests and energy.

I love her 3D pieces that have so much depth to them, and this one looks like a kind of puzzle that could join up and interlock. There are some great strong colours used in this piece, although I think that the black surfaces on the doors should be red, to maintain consistency – perhaps she ran out of red paint? It would be great to see more from Cuicasolo, for sure.

Elaine Carr, Dean Lane, Bristol, January 2016

7188. Cumberland Basin

Ments, Cumberland Basin, Bristol, September 2025

Aha! how absolutely blooming brilliant to come across this outstanding piece from Ments, an artist whose abstract work I have long admired, but who rarely seems to paint these days. This piece was painted alongside Sled One, both of whom were pioneers in ‘colonising’ this particular wall – now a firm favourite with local and visiting artists.

There is a fluidity to Ments’ work, which comes across in this piece. Everything is carefully thought out, the colours and shapes, and even the scatter of blue shards bursting from left to right. A very classy piece that highlights how much Ments’ absence is felt.

7092. Purdown (92)

It is a genuine joy to find Slakarts’ work, and this one up at Purdown is a real beauty. There was a time when Slakarts was painting very regularly, but I am guessing that the real world has caught up with him, and he tends to paint only a handful of times a year.

This is a wonderful hybrid piece, taking his stylised cartoon character and turning it into an abstract cornucopia of colour, shapes and fill designs. The piece perfectly fits the concrete slab and somehow captures the mood of an English summer’s day. More please.

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	Dan Antion on Thursday Doors – 19 Marc…
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