Tag: Abstract

2770. St Werburghs tunnel (146)

Mr Klue is going through a productive and creative patch at the moment, and it is a real pleasure to see his work springing up all over the place. This large piece in the tunnel at St Werburghs is a bit of a feast for the eyes.

Mr Klue, St Werburghs, Bristol, February 2020
Mr Klue, St Werburghs, Bristol, February 2020

Unfortunately, the light in the tunnel has goofed up the colours a bit and a car was parked in a place where I couldn’t swing to the right to get more natural light on the image. Why do people park in the tunnel? Sadly I can’t go back to get more pictures, because it has already gone. Turnover in the tunnel is so high at the moment, probably because we have had so much rain.

Mr Klue, St Werburghs, Bristol, February 2020
Mr Klue, St Werburghs, Bristol, February 2020

The piece itself is classic Mr Klue fare with the added bonus of a character and his top hat, most likely influenced by Carroll’s mad hatter. Mr Klue has used this imagery several times in his murals and it adds another layer of mystery to his abstract work. A grand piece.

2745. Picton Mews (2)

I don’t get to see nearly enough of 3Dom’s work. In the five or so years I have been doing this, his pieces have consistently been of the highest quality. Crazy and quirly at times, he seems to be constantly evolving his style and keeping things interesting.

3Dom, Picton Mews, Bristol, February 2020
3Dom, Picton Mews, Bristol, February 2020

This very recent piece in Picton Mews combines two of his fascinations, a skull and his abstract flowers. The dark skull contrasting with the vibrant colours of the flowers kind of gives me a sense of hope, beauty emerging from despair type of thing. As always immaculately executed and beautifully set on a dark blue background – an unusual colour in street art. More of this would be a great thing.

2720. St Werburghs tunnel (138)

In one of his favourite spots, Mr Klue has painted this bright and breezy piece as part of a 64 Dot Com collaboration with DNT and Mr Sleven. In this more than in other pieces you can see the letters KLUE if you look carefully, with the U and E being especially clear.

Mr Klue, St Werburghs, Bristol, January 2020
Mr Klue, St Werburghs, Bristol, January 2020

The abstract style so unique to this artist is soft and ephemeral and like a cloud looks like it might evaporate altogether at the slightest gust of wind. In this piece there is a return of some steps, a feature I always like in his work. Capping off the whole thing is a halo in yellow, which adds a touch of humour. A lovely piece.

2687. Turbo Island

Turbo Island Has seen quite a bit of action in the last month. First there was a reminder to vote in the election from DNT (not posted), then there was a happy Christmas message from Rezwonk and Decay, and then early in the new year, Mr Klue gave us this lovely abstract piece.

Mr Klue, Turbo Island, Bristol, January 2020
Mr Klue, Turbo Island, Bristol, January 2020

Nothing lasts long on this hoarding before it gets tagged, and I was a bit slow in photographing this one. I do think though that it is a great place for street/graffiti art and I would like to think that this will become a high quality high turnover space for local artists. It certainly is in a fantastic spot with a whole ton of cars passing by every day, and I think that there is an element of curation from the Peeople’s Republic of Stokes Croft.

Mr Klue has included a Mad Hatter’s hat, which is a motif used reasonably frequently in the artist’s work. Great to see a flurry of Mr Klue pieces this winter, because as many will know I am an admirer of his nicely understated work.

2638. St Werburghs tunnel (121)

Mr Klue doesn’t seem to be hitting the walls as often as he used to, so finding one of his pieces these days is all the more pleasurable. This one, at the Farm end of St Werburghs tunnel (a favoured spot for Mr Klue) appeared a couple of weeks ago.

Mr Klue, St Werburghs, Bristol, December 2019
Mr Klue, St Werburghs, Bristol, December 2019

As always there is a whimsical and mysterious look to the piece. The whispy abstract form often spells out KLUE, but I must say I am baffled by this one. Maybe it says nothing at all. Always great to see his work, however infrequently.

2592. Upfest 2018 (163)

I had a horrible panic that I hadn’t taken a picture of this magnificent abstract piece by Paris in its final form, but on thorough inspection of my Upfest archive I found this one. I know it isn’t perfect, but it is virtually impossible to get pictures of this wall without cars parked in front of it. This wall has since been overpainted by Kin Dose and his Summer Editions piece.

Paris, Upfest, Bristol, July 2019
Paris, Upfest, Bristol, July 2019

I did however manage to get plenty of shots of the work in progress and had a nice chat with Paris on the Friday before the crowds gathered. This work is so rich in depth and colour and has something of a cosmic feel to it. The style is quite unique and probably the only other artist I know who does similar cosmic-scapes is Cheba, but they tend to be much more dark space pieces.

Paris, Upfest, Bristol, July 2019
Paris, Upfest, Bristol, July 2019

Because Paris finished the piece quite early, it was one of the few scaffolded walls to be revealed actually during the festival (from recollection). Great to see this lovely and refreshingly different piece by Paris

2524. St Werburghs tunnel (104)

It tends to be fits and starts with Mr Klue’s street pieces these days. You can wait for an age for something new, and then suddenly there is a rush of them – let’s hope tghat this is the beginning of such a rush.

Mr Klue, St Werburghs, Bristol, October 2019
Mr Klue, St Werburghs, Bristol, October 2019

In one of his favoured spots at the Farm end of St Werburghs tunnel, this abstract street artist has given us another of his magical pieces of writing, which usually spell out KLUE, but I am not sdo sure about this one. He has used colours that I would most associate with Mr Klue, that is, purple with white accents and a touch of green. Great to see a new piece from him.

2509. Hillgrove Street (8)

Right in the heart of the Stokes Croft area, on the crossing of Jamaica Street and Hillgrove Street is this amazing new bright and shiny abstract piece by Emma Jayne Holloway and e5 Creatives. Using techniques and angular shapes in the style of artists like Annatomix or Paul Monsters.

e5 Creatives and Emma Jayne Holloway, Hillgrove Street, Bristol, September 2019
e5 Creatives and Emma Jayne Holloway, Hillgrove Street, Bristol, September 2019

The whole thing, I think, but don’t know, was designed by Emma Jayne Holloway and has this extraordinary effect which makes it look like it is standing out from the wall. It is not only the geometric shapes that make this piece so special, but also the butterfly and heart on the gold-painted utility box which make the piece complete. It is great to see new names and extra great to see a business, in this case e5 Creatives, getting involved in brightening up our streets.

2417. M32 Spot (48)

In my archives I have some other pieces by this artist, Slakarts, but for some reason have not posted any of them until now. I would say that this piece is not typical of the other pictures I have by the artist.

Slakarts, M32 Spot, Bristol, August 2019
Slakarts, M32 Spot, Bristol, August 2019

The column piece is beautifully thought out, with a queue of stylised figures, each holding the one in front like they are doing a conga. I will make my own narrative up for this one preferring the idea that they are in an orderly line to tell Boris Johnson what ann utter **** he is… just saying. Look out for more from this artist (archive stuff) on Natural Adventures.

2371. St Werburghs tunnel (90)

This was a quick one from Mr Klue in St Werburghs, and on his Instagram feed he said he was using up old paints… certainly this piece is much more explosively colourful than many of his pieces which tend to be colour-themed.

Mr Klue, St Werburghs, Bristol, July 2019
Mr Klue, St Werburghs, Bristol, July 2019

Already the piece has gone, painted over by a viting artist from Liverpool (to follow), and was only on view for a week or so. I haven’t seen much of his work for a month or more, so it was nice to see this one, and I missed photographing his other recent piece at Turbo Island before it got horribly tagged.