654. The Bearpit (42)

In the South subway tunnel of The Bearpit there are framed areas which graffiti/street artists use to place their works. I think they were originally introduced to keep a little decorum and ‘usher’ artists to use the specified wall areas. To a certain extent it has worked, and they tend to use them to frame their works. Some of the other subway tunnels have the frames and some don’t.

Decay, The Bearpit, Bristol, January 2017
Decay, The Bearpit, Bristol, January 2017

In this example, Decay has taken up two of the frames to create ‘bookend’ pieces that work really well together. It is unfortunate that although I took this picture not long after it was sprayed, it had already been tagged.

605. The Bearpit (36)

A few days back, there was something of a graffiti art fest in The Bearpit, and many of the vacant tagged spots were given a makeover, several artists spraying more than one piece during the event.

Mr Klue, The Bearpit, Bristol, January 2017
Mr Klue, The Bearpit, Bristol, January 2017

This great abstract piece is by the extremely busy Mr Klue and draws the viewer into the mind of the artist – where are those steps leading? A nice quick one from a fine Bristol artist.

585. The Bearpit (34)

Tracking through my archives I found this piece by Decay. I thought that I had posted it, but it seems I had not, so here for the first time I bring you a piece which was sprayed during a bit of a Decay frenzy, shortly after he had arrived in Bristol.

Decay, The Bearpit, Bristol, March 2016
Decay, The Bearpit, Bristol, March 2016

This piece is quite different from most of his other work. The colour regime is typical, but the composition is something else. Usually Decay works with concentric rings of graded shades working out from the centre (although they are sprayed from the outside in – I think) and topped off with a smiley face. None of that here. This is a one-off.

Decay, The Bearpit, Bristol, March 2016
Decay, The Bearpit, Bristol, March 2016

I like this work, even though it reminds me of a duck.

573. The Bearpit (32)

At the end of the south tunnel of The Bearpit is this fabulous festive collaboration between Mr Klue on the left and Decay on the right. This is a colourful coming together of two of Bristol’s best abstract graffiti artists, whose styles are markedly different  but which somehow works really well.

Mr Klue and Decay, The Bearpit, Bristol, January 2017
Mr Klue and Decay, The Bearpit, Bristol, January 2017

The colour schemes aren’t matching, and the angular shapes of Mr Klue  seem to be at odds with the curvy concentric rings typical of Decay, but as a whole it works, probably because the very fact that it is a collaboration offers a relationship between the pieces and even more so the artists.

Mr Klue and Decay, The Bearpit, Bristol, January 2017
Mr Klue and Decay, The Bearpit, Bristol, January 2017

An outpouring of Christmas cheer from two of my favourites. Perfect.

571. Moon Street (18)

It would appear the Mr Klue has been really busy this winter. I have started to find a whole load of wonderful pieces by him recently, and this one is a real peach. His abstract style is unmistakable, and this one works well with vanishing points and perspective.

Mr Klue, Moon Street, Bristol, January 2017
Mr Klue, Moon Street, Bristol, January 2017
This is one of my favourite walls in Bristol, something about the proportions and the isolation. I am hoping to get together with Mr Klue some time soon and get more insight into his work and that of other local artists. Meanwhile I will simply enjoy this piece. Lots to look at, and rather mesmerising.

Mr Klue, Moon Street, Bristol, January 2017
Mr Klue, Moon Street, Bristol, January 2017

527. Moon Street (16)

This is one of the best walls in Moon Street (Stokes Croat even). It stands out, is a great size, and allows only for one piece at a time, giving the artist space to frame the piece nicely. Mr Klue is, I would suggest, the best abstract street artist in Bristol – instantly recognisable and very easy on the eye.

Mr Klue, Moon Street, Bristol, March 2016
Mr Klue, Moon Street, Bristol, March 2016
Mr Klue seems to be comfortable working alone, or working in collaboration with others, and I have many examples of both in this blog. Consistently good, and some of his more recent work is looking very interesting indeed. I just have to get out and find it.

140. The Bearpit (4)

An unusual post this time. Several new pieces have appeared in the tunnels at The Bearpit over the last few weeks all of them signed ‘Decay’. They have been joined by a burner on the practice wall in Ashley Road in Stokes Croft.

Decay, The Bearpit, Bristol, March 2016
Decay, The Bearpit, Bristol, March 2016

These wonderful abstract street art works are eye catching and refreshingly different.

Decay, The Bearpit, Bristol, March 2016
Decay, The Bearpit, Bristol, March 2016

So far my attempts to find out more about ‘Decay’ have been fruitless, but if I do find out any more I will post it here as an update.

Decay, Ashley Road, Bristol, March 2016
Decay, Ashley Road, Bristol, March 2016

‘Decay’ has certainly been busy, and I look forward to seeing more pieces around Bristol.