First day skiing in the alps today, so really not much time to write today’s posts. This is a wonderful piece by Solar that got left behind in my archives.
The colours are absolutely magnificent and the piece delivered in Solar’s inimitable semi-antistyle fashion. Great work.
Not long ago, I met Lee Roy, whilst walking our respective dogs, and he informed me that he was hanging up his spray cans for a while, which was disappointing to hear, because I like his work and the way he expresses himself through it. However, this piece might signify a return for the anti-style(ish) writer.
During his ‘lay-off’, he hasn’t lost his touch in the slightest, indeed, this is a rather sharp piece, beautifully presented and with an array of his favourite fill patterns and shapes. The purples and greys work well against the blight blue background, and this is a very fine ‘come back’ piece. Hoping this is more than a splash in the pan.
A couple of weeks ago, before we drove our daughter to her new university adventure, I had to drop the dog off with a dog-sitter which took me to a part of town I don’t go to all that often. While I wouldn’t describe the area of Redfield as a graffiti/street art hotspot, there are a few pieces knocking about the place and it is always worth having a little explore. I got lucky and found this Taboo piece, which might have been there for some time, but it was a discovery for me nonetheless.
This is a fabulous anti-style graffiti writing/character combination piece that Taboo is so good at, full of innovation and charm as well as being a little bit surreal. The letters spell out TABOO, with the last ‘O’ represented by a bricky busily building a wall. This is a wonderful piece that demonstrates the rare and extraordinary talents of Taboo.
It is rare for new hoardings to remain unpainted or untagged in Bristol, and no sooner had these gone up around a new development site, than they were decorated with several throw ups including this fine anti-style graffiti writing and character combination piece by Taboo.
Taboo has been reasonably quiet lately, so this piece came as a very welcome surprise. As you can see it is a birthday tribute piece to Ffion, and includes a cute portrait of Simba from the Lion King Disney film. The writing, which is really on-point, spells out TABOO, of which the lion cub makes up the first ‘O’. I love the pink inside the second ‘O’, adding just another layer of interest.
This is rather a special piece from Whysayit, because it is unusual to see anything by him quite as big and bold as this one, and to see his work on a (partially) buffed background. The anti-style letters spell out YSAE (why say), which stand out really well.
Although nicely finished, there is something quite raw about this piece, especially in the translucency of the orange colour, a colour, along with yellow, that can (depending on the brand of paint) be rather thin. I don’t know if he was running out of paint, or whether it is a feature, but the tail of the letter ‘E’ is finished off in white, in throw up style zigzags. The letters are finished off with a rather nice 3D drop shadow in dark blue with vertical green stripes and a clean white border. A very nice example of Whysayit’s work.
I don’t think I have posted anything from Alos for rather a long time, so it was nice to encounter this small piece at the end of the long wall at Cumberland Basin. His rather loose anti-style writing appears to have been superimposed on another piece, and it looks like the fills in his letters are from that previous piece.
One could view this technique as lazy, but I prefer to think of it as opportunistic and illustrative of the perennial layering on the walls we know and love. The skill has been in how to make his letters ALOS rise above from the surrounding chaos, and I think he has succeeded.
More and more these days, writers are stacking their graffiti writing, one piece on top of the other. I am not sure why they do this, perhaps it is all about proportions and wall space. Ultimately what it means is that you get two pieces for the price of one, and this double header is by j9449j (who keeps changing his handle on Instagram, so this will have to do) and Solar.
This spot is one I don’t get to all that often, but it is always worth it, because every time I have been recently, there has been something different on display. j9449j has painted some letters, which I struggle to decipher, but his organic and unique fills give away his identity. Solar, was recently the subject of a gallery I pulled together, and this anti-style writing flows beautifully, so typical of his work. A nice duo to stumble across.
Although I have been featuring Solar on Natural Adventures since 2021, it wasn’t until May this year that I actually got to meet him while he was painting this piece. As with pretty much all the artists I meet he is a really nice person and managed to instantly dispel some of my imagined preconceptions of members of the PLB crew, which were largely based around not having met any of them.
I would categorise Solar’s writing style as soft anti-style, meaning that while he bucks the trend of conventional graffiti writing, there is some order and consistency to his letters, nothing too chaotic or anarchic. The letters are nicely done but the star of the show is the ‘implied’ drop shadow in blue and black, which is a very clever mechanism I haven’t seen deployed before. You’d think that the colour scheme wouldn’t work, and at first that was my impression, but actually it seems to work remarkably well.
A gallery of fabulous anti-style graffiti writing from Bristol artist Solar.
Crew PLB (Placebo)
All photographs by Scooj
Lee Roy is another artist who has gone a little quiet lately, and when I do find pieces by him, I am not sure whether they are old ones or new ones, because they tend to be in spots I don’t visit all that frequently, like this on the warehouse building on the north side of the river opposite the garden centre.
VLAD appears to be the letters/word that Lee Roy is enjoying at the moment, and he is continuing with his flowing anti-style approach. I would say that his work, which might look untidy to casual viewers, is actually highly regarded by his peers and photographers alike. It is a very ‘street’ style of graffiti writing. I would love to see him out more this summer, although I do occasionally see him out walking his dog.
Natural adventures 