564. Picton Lane (8)

This is a little spot in a very narrow lane where Aspire likes to paint his birds. I recently posted a work from here of a couple of house sparrows. This, according to Aspire’s website is a coconut lorikeet. So very beautiful and nicely painted, as one would expect from Aspire.

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

The lane itself is so narrow, that taking decent pictures is really difficult. One note I would make though is that the pictures look ever so slightly out of focus. This is not in fact the case – Aspire manages to create a hint of soft focus on some of his pieces, and you can see this on both the lorikeet and the sparrows.

Aspire, Picton Lane, Bristol, November 2016
Aspire, Picton Lane, Bristol, November 2016

I will never tire of finding and reporting on Aspire’s work. I tried to find some in London’s Leake Street recently, but failed.

499. The Bearpit (28)

Every now and again you come across something quite different. Something that stands out from the crowd. This lovely colourful piece was at the end of one of the pedestrian tunnels at The Bearpit. It is by an artist I know nothing about, and I haven’t seen her work before. Her name is Georgie or Georgieartist as she signs herself and I think she comes from the West of England somewhere.

Georgie, The Bearpit, Bristol, April 2016
Georgie, The Bearpit, Bristol, April 2016

Her Facebook page demonstrates some of her work and how she creates it, it is well worth a good look. She has strong political convictions and I like that in a street artist, however this piece seems to be simply full of Bristolian joy. I love it. ‘Lush’ is a very Bristolian word which kind of means great or brilliant, but is usually used in the familiar vernacular. ‘That’s gert lush that is’.

371. Upfest 2016 (22)

There was so much street art on offer at Upfest, that if you blinked you could miss something. I am so glad I had my camera with me, although on the day I took this photograph, my camera ran out of battery (aaaaargh what an idiot!) so I had to use my phone camera, and the results don’t really do the art justice. This was one of those pieces that was better ‘in the flesh’ but still looks pretty good in this photograph.

Mutiny, Upfest, Bristol, July 2016
Mutiny, Upfest, Bristol, July 2016

The artist is Mutiny (Jane Laurie), a British, London-based,  wildlife illustrator, fine art painter and street artist. Clearly very talented and driven with a desire to raise awareness about endangered wildlife; she uses the hashtag #lovewildlife and signature anatomical heart on all her street art work. Oh! so much great stuff at Upfest.

362. Upfest 2016 (19)

It was not my intention to post two Upfest entries by the same artist so close together, but I am approaching all of this in a rather random way. So here we have the second wonderful offering from Caro Pepe in a rather short space of time.

Caro Pepe, North Street, Upfest, Bristol, July 2016
Caro Pepe, North Street, Upfest, Bristol, July 2016

This incredible work carries the overall theme of Mr. Men/Little Miss and presents us with Little Miss Sunshine. Once again, we see the single eye and flowing hair, but in this instance in a styalised form to fit the theme. It is funny, but this piece, more than many other Upfest works, just blends in so perfectly into the North Street ‘thing’ and feels like it has been here forever.

Caro Pepe, North Street, Upfest, Bristol, July 2016
Caro Pepe, North Street, Upfest, Bristol, July 2016

I do hope we can encourage Caro Pepe to visit us in Bristol again from her native Argentina.

355. Upfest 2016 (14)

This is an extraordinary and eye catching piece by yet another female artist at Upfest this year. I love this piece very much. The more you look at it, the more it can unsettle. The out-of-proportion eye, and absence of the other eye ‘obscured’ by hair looks a little strange. What emotions are being expressed? Other works by the artist share similar features.

Caro Pepe, North Street, Upfest, Bristol, July 2016
Caro Pepe, North Street, Upfest, Bristol, July 2016

I saw this piece in various stages of its development, and the final result is really stunning. Unfortunately, I didn’t get the chance to speak with the artist Caro Pepe, from Argentina…she had enough trouble on the pavement with people squeezed between her and the parked car. It must have been very difficult to concentrate.

The previous incumbent at this address, number 74 North Street, was the wonderful N4T4 piece from last year’s festival. Two portraits, two very different styles, both excellent.

Caro Pepe, North Street, Upfest, Bristol, July 2016
Caro Pepe, North Street, Upfest, Bristol, July 2016

I will definitely be looking out for more of Pepe’s work, although I expect to see it on the world stage rather than the local Bristol one. Thank you Upfest! There is a fine interview with Caro Pepe on the Street Art Bio website which is well worth a read.

307, North Street hoarding (4)

John D’oh is a political stencil artist, and he has been oh so very busy recently. This recent piece, in a little alcove on North Street, really chimes with me. It is a promotional piece for the upcoming Upfest event and in fact there are two of the stencils side by side in this location. Technically, this piece is excellent.

John D'oh, North Street, Bristol, June 2016
John D’oh, North Street, Bristol, June 2016

The best bit about this piece is that it features a guy called Jeff, who sells ‘The Big Issue’, a magazine I have referred to previously in my posts. He is my local seller, and I like to buy my copies from him. He can usually be found in Stokes Croft, in North Bristol, but this stencil is in North Street (rather confusingly) in South Bristol.

John D'oh, North Street, Bristol, June 2016
John D’oh, North Street, Bristol, June 2016

There was a nice feature in the Bristol Post (I cannot find a link) about the stencil and how pleased Jeff was to be the subject of it. I’ll have to talk to Jeff about it next time I see him. Great work, with a great subject promoting a great event.

282. Hill Street

There is a good story to this piece. Some time before I started to blog about street art, and around about the time that I really started to get interested, I saw two artists working together on a small car park wall on Hill Street, parallel with Park Street. I surreptitiously took a couple of pictures and walked on. Since that time, I have returned to the wall many times and taken other pictures.

Fois, Hill Street, Bristol, April 2015
Fois, Hill Street, Bristol, April 2015

I am not sure who one of the artists was, and so his wall does not feature here, but the other was Fois. At the time, and for a long time afterwards, I didn’t know it was by Fois, but it became very clear when I wrote about his piece on Nine Tree Hill.

Fois, Hill Street, Bristol, November 2015
Fois, Hill Street, Bristol, November 2015

It is a wonderful work, spelling out his name with the characteristic colours and curves that have, to my mind at least, a strong feel of the 1930s. I will at some point find out who his collaborator on the day was, but it might be some time.

Fois, Hill Street, Bristol, April 2015
Fois, Hill Street, Bristol, April 2015

229. Stokes Croft, the Carriageworks (11)

This is the second part of my marvelous Monday discovery. This is a piece by Bruno Smoky who is the husband of Shalak Attack and member of the Clandestinos Crew. I understand from his Instagram feed that Inkie was their host/guide over the weekend in Bristol, and who better to show them the best walls. I love the way the graffiti world hangs together.

Bruno Smoky, Stokes Croft, Bristol, 9 May 2016
Bruno Smoky, Stokes Croft, Bristol, 9 May 2016

This house on fire is a really breathtaking piece, and with the Shalak Attack work in the adjacent archway, the pair have really set the bar very high for the Carriageworks space. I hope the taggers stay clear and respect our visitors’ work. I like his nod to Buzz in the top left corner – respecting a little of our local thing.

Bruno Smoky, Stokes Croft, Bristol, 9 May 2016
Bruno Smoky, Stokes Croft, Bristol, 9 May 2016

Bruno Smoky grew up in Brasilandia, a neighbourhood in Sao Paolo, Brazil. He is now internationally recognised and has created works all over the world. I love this quote, lifted from his website:

“I do not neglect my roots, my greatest pleasure is to paint in communities, bringing art and culture to otherwise forgotten and precarious neighborhoods. I use Graffiti in the context of creating a space to exhibit my art to society, my themes are full of colors and forms of protest … ”

Bruno Smoky, Stokes Croft, Bristol, 9 May 2016
Bruno Smoky, Stokes Croft, Bristol, 9 May 2016

I feel genuinely privileged that they visited and painted in Bristol outside of any kind of art festival, such as Upfest.

Bruno Smoky, Stokes Croft, Bristol, 9 May 2016
Bruno Smoky, Stokes Croft, Bristol, 9 May 2016

173. The Bearpit (9)

It was an accident of fate that took me to this encounter yesterday. I spent my lunch break walking to the Post Office in the Galleries, and then nipped into M&S for sandwiches…a treat I don’t usually afford myself. I intended to return to work, but thought I was so close to The Bearpit, I would just see if there was anything new.

Better than that…a graffiti artist was spraying in one of the tunnels. The colours of paint on his trousers pretty much gave him away – red, grey, white and black – I approached him and asked “excuse me, but are you Decay“. Not a phrase I use often. It was, and we struck up a conversation.

Decay has only recently moved to Bristol, but it would explain the proliferation of his work around the place. I asked if he would be at Upfest 2016, and indeed he will. I will look him out. Finally I asked if he would mind if I took some pictures, and he said it was fine, but not the face. The whole experience was a bit ‘Exit through the Gift Shop’, a Banksy film I thoroughly recommend.

My first real contact with an artist in action. A good day, which only got better, as on my way home I spotted Alex Lucas working on a commission, and chatted with her too…more on that in a future post.

Decay, The Bearpit, Bristol, 8 April 2016
Decay, The Bearpit, Bristol, 8 April 2016

Happy.

98. Stokes Croft, Slix (2)

I’ve been going through some old pictures from my iPhone today, and found a few street art images from a long while before I started this blog. This particular picture struck me, because I recently posted a 3Dom piece from this exact location.

3Dom, Stokes Croft, Bristol, July 2014
3Dom, Stokes Croft, Bristol, July 2014

This work, also by 3Dom, was photographed in July 2014…it seems that this wall is his.

3Dom Mibsy tribute, Stokes Croft, Bristol, July 2014
3Dom Mibsy tribute, Stokes Croft, Bristol, July 2014

There is also a subtle tribute to Mibsy. This is a nice work, but long since gone.