7300. St Werburghs tunnel (541)

Biers, St Werburghs, Bristol, November 2025
Biers, St Werburghs, Bristol, November 2025

For reasons that are too complicated to explain here, I don’t have my glasses with me this morning, which is making writing this post super-difficult and I am squinting, with a face like a bulldog chewing a wasp, while typing these words. Forgive any typos.

This is a superb combination piece by Biers painted to celebrate Minto’s birthday in the tunnel.

Biers, St Werburghs, Bristol, November 2025
Biers, St Werburghs, Bristol, November 2025

The turnout for this paint jam was exceptional, covering most of the length of both walls of the tunnel with new celebratory pieces. The letters, WD40, are superbly filled with a cartoony design of lines and bubbles, and bordered with a fine black line. I feel like I should know who the character is, but I don’t. The whole thing is set on a brick wall, a common device used by graffiti artists. A really lovely piece by Biers, who might have just got his mojo back.

7237. St Werburghs tunnel (530)

Bags and Biers, St Werburghs, Bristol, October 2025
Bags and Biers, St Werburghs, Bristol, October 2025

This is a great collaboration from time-honoured members of the No Frills crew, Bags and Biers (WD40). Bags has been out an about a fair bit this year, but Biers is rediscovering his mojo (I hope), having had a period of poor motivation with respect to painting walls.

Bags, St Werburghs, Bristol, October 2025
Bags, St Werburghs, Bristol, October 2025

To the left, the familiar BAGS letters are filled in the two-colour way that he appears to like doing, and he includes some colour coordinated spots for decoration. The tear drops surrounding the piece add movement, looking like cartoon perspiration, if that makes any sense at all. The white highlights add just that little bit of depth to lift the letters.

Biers, St Werburghs, Bristol, October 2025
Biers, St Werburghs, Bristol, October 2025

At last Biers has painted a combination piece, something that is a bit of a trademark of his, and he includes the iconic comic character Inspector Gadget, although in this piece he calls him ‘Inspect Her Gadgets’ whilst examining a sex toy. The letters spell out WD40 and are really nicely presented. If you are wondering why I call him Biers, it is because that is what he was writing when I first encountered him. Below is the first of his pieces I ever posted.

Biers, M32 roundabout, Bristol, February 2017
Biers, M32 roundabout, Bristol, February 2017

7153. M32 roundabout J3 (706)

Biers, M32 roundabout, Bristol, August 2025
Biers, M32 roundabout, Bristol, August 2025

I have waited a long time to see this wonderful piece from Biers. Over the last few months, Biers appears to have lost his mojo a little and has been painting infrequently and tending to use the short-form version of his WD40 moniker. It happens for artists from time to time – you can’t be on top of your game all of the time.

Biers, M32 roundabout, Bristol, August 2025
Biers, M32 roundabout, Bristol, August 2025

I hope this piece marks a return of the longer form combination pieces that are so typically the wonderful work of Biers. I don’t know who the character is meant to be, but I really like him (looks like a teddy boy to me) and I love the way he contrasts with the colours of the letters and background. The fills in the letters are outstanding With some nicely done reversed out circles in black and gold. The res patterns look like little viruses wafting over the piece. All in all a great piece and one, I hope, that encourages Biers to return to his former glory.

6788. M32 roundabout J3 (662)

Biers, M32 roundabout, Bristol, February 2025
Biers, M32 roundabout, Bristol, February 2025

Biers was one of the first graffiti writers I met in Bristol, and back then he used to write the letters BIERS. He has undergone a few reinventions since then and currently writes WD40. I noticed yesterday that he has dropped off Instagram and hope that this is a temporary thing, and wonder if it signals another name change (probably not).

Biers, M32 roundabout, Bristol, February 2025
Biers, M32 roundabout, Bristol, February 2025

This is a nicely painted squat piece on the roundabout. Lately he has been painting fewer combination pieces incorporating characters, and concentrating on his letters, which in my view is a pity, because I rather liked his character interventions. This piece is on-point, clean and crisp… unpretentious and speaks of the joy of being a graffiti writer.

6688. River Avon (77)

Biers, River Avon, Bristol, January 2025
Biers, River Avon, Bristol, January 2025

There are some artists in Bristol that I simply take for granted, in so much as I expect to find their work on a reasonably regular basis, while others may paint in fits and starts. Biers is one of those whose presence is always out there, and it is not difficult to stumble upon new work by him that I haven’t seen before.

Biers, River Avon, Bristol, January 2025
Biers, River Avon, Bristol, January 2025

These rather nice WD40 letters in pink work really nicely on the green background, and the letters have been a little bit compressed into his short-form. When Biers incorporates characters to create combination pieces, the letters tend to sprawl out a little bit more. Some interesting fills, and a smattering of inverted crosses finish the piece off nicely.

6649. Cumberland Basin

Biers, Cumberland Basin, Bristol, December 2024
Biers, Cumberland Basin, Bristol, December 2024

For most of last year Biers kept his WD40 pieces going with some rhythm and regularity, but the combination character/writing pieces dropped off significantly. Is is almost as if he lost inspiration for his characters, which is a pity, because I believe they complement his letters nicely.

Biers, Cumberland Basin, Bristol, December 2024
Biers, Cumberland Basin, Bristol, December 2024

This tidy piece of writing is nicely presented and uses the red, white, black and grey combination of colours that work so well in graffiti writing, and which Decay used to good effect for many years. The No Frills crew have been well represented in 2024, and long may that continue into this new year.

6475. Dean Lane skate park (770)

Biers, Dean Lane, Bristol, October 2024
Biers, Dean Lane, Bristol, October 2024

Anyone who knows me will know that I am not a fan of ‘over-celebrating’ Halloween. The festival is so commercialised and has veered away from the modest affair that it used to be when I was a child. It is a generational thing, I know, but it doesn’t really ‘do it’ for me. One aspect that I am prepared to get excited about, rather predictably, is the Halloween-themed street art that always appears around this time of year, starting with this ghostly piece by Biers.

Biers, Dean Lane, Bristol, October 2024
Biers, Dean Lane, Bristol, October 2024

Biers has been writing his WD40 moniker quite a lot recently, although without his accompanying characters, which is a bit of a pity, because his combination pieces are part of his USP. The graffiti writing is accompanied on this occasion by a cute-looking ghost who looks a little embarrassed, judging from his red cheeks. The whole piece is nicely finished and achieved without the need for borders, which is great to see.

6375. Dean Lane skate park (752)

Dasco, Dean Lane, Bristol, May 2019
Dasco, Dean Lane, Bristol, May 2019

This post is a quick nostalgic trip down memory lane comprising three wonderful pieces painted in Dean Lane, photographed way back in May 2019, that inexplicably weren’t posted at the time. The first is by Dasco, whose short time in Bristol saw the production of several outstanding pieces, you can see his gallery here.

Taboo, Dean Lane, Bristol, May 2019
Taboo, Dean Lane, Bristol, May 2019

Taboo has long been a favourite on the pages of Natural Adventures, and here is an old one in monochrome, complete with skull and right ball. Nice stuff.

Biers, Dean Lane, Bristol, May 2019
Biers, Dean Lane, Bristol, May 2019

Somehow this fabulous Biers piece missed the boat back in 2019, and I guess it was in a sense it was a prediction of things to come. ‘Nigel Farage – snake oil’ it says, and it isn’t wrong. The Clacton MP still hasn’t set up office in his constituency since the election and hasn’t held a single surgery, but then I don’t think anyone in their right mind would have expected that from the uber-opportunist.

 

6355. M32 Spot (192)

Slim Pickings (Tes) and Biers, M32 Spot, Bristol, August 2024
Slim Pickings (Tes) and Biers, M32 Spot, Bristol, August 2024

It feels good to give these two a bit of attention, especially Slim Pickings (Tes), because although they are out there painting fairly regularly, I don’t tend to feature them on Natural Adventures as much as I should. I am pleased to see this collaboration between Tes and Biers because it is on one of my favourite spots in Bristol.

Slim Pickings (Tes) and Biers, M32 Spot, Bristol, August 2024
Slim Pickings (Tes) and Biers, M32 Spot, Bristol, August 2024

This is a particularly fine example of Slim Picking’s work, with the letters TES beautifully filled in two shades of orange with bubbles. Cleverly the drop shadow and the white spot highlights really make this one pop, fantastic stuff.  Biers has incorporated little flashes of orange (upside down crosses) which work really well with his green shades WD40. A fine collaboration from two great graffiti writers.

6110. M32 roundabout J3 (582)

Biers, M32 roundabout, Bristol, June 2024
Biers, M32 roundabout, Bristol, June 2024

I am taking a little break from Upfest now to concentrate on the street and graffiti art that happens every single day in Bristol, the lifeblood of the urban art culture in the City. One of the stalwarts of this culture is Biers (a name I use because this is what he used to write when I first encountered him – he goes by several other names these days, including Jimothy Slip).

Biers, M32 roundabout, Bristol, June 2024
Biers, M32 roundabout, Bristol, June 2024

This is a very neat and tidy WD40/character combination piece, although I have had trouble identifying the character peering out of the ‘0’. The fills in the letters are nicely worked and the thick white drop shadow lifts the letters nicely above the lime green background. A nice piece from Biers.