On the footbridge over the railway that divides St Werburghs and Montpelier is this lovely panel piece by Lobe. I had no idea it was here and can’t tell you how old it is, but it looks pretty fresh to me, and if it is old, has weathered pretty well.
I think that finding pieces that you don’t know about is by far the most rewarding for a street art hunter (incidentally a phrase I dislike – it has the ring of ‘trainspotter’ about it), and when it is by an artist you admire that makes it a little more special. Lobe has managed to get the piece to fit the space perfectly, and some thought has gone into it. Great hair and hat. Love the piece… perhaps she should to more here.
In the rather damp environment under Brunel Way and immediately next to the River Avon, Subtle has painted another splendid piece in one of his favourite spots. There is no need ever to wonder who the artist is with his pieces, because his letters are always legible, clear and bold.
I like his colours used here and the alternation of outline from black to white on each of the letters. I am not too sure what OPEX refers to… time for a quick Google search… OK it is operational expenditure, but I don’t think that is what Subtle is referring to here. I think it is definitely time for a Subtle gallery, don’t you?
Even though I have heard of Acerone, I think that this is the first piece of his that I have knowingly seen. He paints with this fabulous photograffiti style and the wall that he has painted this amazing Clifton suspension bridge on would pretty much have this view were it not for all the concrete in the way.
Acerone is busy with family and art projects so does not paint walls too much these days, but I have a feeling that painting this wall might well get him back into the groove. I certainly hope so, because this is a real stunner and sits at the top table of Bristol Street art this year.
I am always taken by this amazing and simple stencil on a railway bridge in Redland. The image of a baby’s face by an unknown artist is stencil work in its most raw form. One also has to admire the artist’s determination at spraying in such locations. Do they drop down from the railway, or climb up from a ladder?