On the footbridge over the railway that divides St Werburghs and Montpelier is this lovely panel piece by Lobe. I had no idea it was here and can’t tell you how old it is, but it looks pretty fresh to me, and if it is old, has weathered pretty well.
I think that finding pieces that you don’t know about is by far the most rewarding for a street art hunter (incidentally a phrase I dislike – it has the ring of ‘trainspotter’ about it), and when it is by an artist you admire that makes it a little more special. Lobe has managed to get the piece to fit the space perfectly, and some thought has gone into it. Great hair and hat. Love the piece… perhaps she should to more here.
Each of my next few street/graffiti art posts is going to begin something like ‘another trip back in time’ and this one is no exception. I cannot think for the life of me why I never posted this gorgeous piece from Tasha Bee (Keep it Colourful), but what a pleasure to do so now, especially when she has put the brakes on her street art work lately.
This one is from June 2019 at Dean Lane, and is a real beauty so typical of her stylised faces work. I miss her soulful faces and hope that when all this Covid-19 thing is behind us she will pick up her spray cans and paint the town red.
Lobe is probably one of the most distinctive artists in Bristol, with her portrait pieces composed of strong black outlines, solid fills with shading against the black lines, all contained within a white outline strip. How amazing it is to see how her work has developed over the last year or so. (Note to self, time for a Lobe gallery?)
I believe that this piece was painted at the same time as a recent Rusk piece although it is not part of a collaborative effort. It is great to see Lobe ‘hitting’ this board as I consider it to be a much under-used spot by decent street/graffiti artists. Enjoying the ride.
Anyone who made their way into Cheltenham for the Paint Festival from the station along the Honeybourne Line would have seen this utterly striking piece by Fink. Three stylised faces in bright and beautiful colours on a brick wall between the two tunnels. If you look carefully you will see that within each of the faces, there is a background of countless more faces. Fink creates these faces in one single spray movement.
I don’t know too much about Fink other than that at one time he used to spray little characters in Bristol and I assume he used to live here. I have seen on his Instagram account that he is currently working in Dubai, so I guess his visit to Cheltenham was combined with a trip home. A great opener for the festival.
Having broken the ice with a recent Lobe piece under Brunel Way, I said that I would trawl up some slightly older pieces by her from my archive and true to my word…
The piece from June this year I have a feeling didn’t last very long, so I was pleased to have managed to capture it. I am a huge fan of her style, a lovely design kept simple using nine colours and shading to die for. The use of orange and pink on the shirt and hat to highlight light and shade is to my mind really clever. Bold and unique, her work is yet another fabulous addition to the vast Bristol spectrum.