4691. Moon Street (97)

Kid Krishna, Moon Street, Bristol, August 2022
Kid Krishna, Moon Street, Bristol, August 2022

Often associated with Face 1st, Moon Street has a new kid on the block in the shape of Kid Krishna, whose work has been appearing all over Bristol over recent months. This is the first of his pieces to appear on Natural Adventures and highly unlikely to be his last.

Kid Krishna, Moon Street, Bristol, August 2022
Kid Krishna, Moon Street, Bristol, August 2022

Kid Krishna’s writing is very distinctive, with long thin letters, looking like planks of wood stacked in a pile. I believe the letters spell out KRISHNA, but I could be mistaken, such is the disguise. Expect to see a whole lot. Ore from the artist in this blog, I already have a considerable back-catalogue of his work in my archive. Definitely something creative and different.

4690. Sparke Evans Park (55)

Desi, Sparke Evans Park, Bristol, August 2022
Desi, Sparke Evans Park, Bristol, August 2022

Desi continues to grow and develop, and I think that this piece in Sparke Evans Park might be one her best to date. It is great to see her painting more frequently, and with each new piece she will gain more confidence and skill.

Desi, Sparke Evans Park, Bristol, August 2022
Desi, Sparke Evans Park, Bristol, August 2022

This is a really neat and tidy piece with the letters DESI beautifully filled with four horizontal colours with nice transitions. One of the additional things that works really well is the white accent dots that give the writing a bit of sparkle and depth. A Very nice addition to Desi’s portfolio.

4689. Dean Lane skate park (523)

Dibz, Dean Lane, Bristol, September 2022
Dibz, Dean Lane, Bristol, September 2022

This piece is a classic, classy and colourful piece of wildstyle graffiti writing from Dibz, on the end wall, home to countless brilliant pieces in the past. In my mind’s eye, this piece feels a bit like an ‘audition’ piece, technically brilliant and beautifully designed, but without a theme or backstory.

Dibz, Dean Lane, Bristol, September 2022
Dibz, Dean Lane, Bristol, September 2022

Dibz has set the bar so high for writers in Bristol, and would suggest that it has had a knock-on effect, where it seems that the vast majority of writers strive to improve and perfect their letters and styles. With inspiration like this to draw on, who wouldn’t want to aspire to it?

4688. Cumberland Basin

Laic217, Cumberland Basin, Bristol, September 2022
Laic217, Cumberland Basin, Bristol, September 2022

This piece from Laic217 was painted while I was away on my family summer holiday, but I was more than aware of its existence due to the fact that it was all over the Bristol Instagram feeds that I follow. Of course, on my return home, I made a beeline for the spot in Cumberland Basin.

Laic217, Cumberland Basin, Bristol, September 2022
Laic217, Cumberland Basin, Bristol, September 2022

There is something rather striking about the portrait piece, and I have a feeling the background pattern has a lot to do with it. The portrait itself is a classic piece of Laic217 art, disturbing and menacing, with the figure clan in a full mask and goggles. It has a dystopian future feel about it.

Dynamic

.

Constants disrupted

and a nation all at sea

despair before hope

.

by Scooj

4685. Cheltenham 2022 (8)

Paul Monsters, Cheltenham Paint Festival, Cheltenham, July 2022
Paul Monsters, Cheltenham Paint Festival, Cheltenham, July 2022

The thing about Paul Monsters’ work is that it is consistently outstanding. His geometric designs and colour schemes couldn’t possibly be by anyone else, and this one for the Cheltenham Paint Festival is a real beauty.

Paul Monsters, Cheltenham Paint Festival, Cheltenham, July 2022
Paul Monsters, Cheltenham Paint Festival, Cheltenham, July 2022

One of the really noticeable things about Upfest and the Cheltenham Paint Festival is that a large proportion of the artists are from Bristol and it makes me realise just how blessed we are, and how much a part of the culture street/graffiti art is. Paul Monsters is at the heart of that culture and his work emblematic of it.

4682. Greenbank (52)

Face 1st, Greenbank, Bristol, August 2022
Face 1st, Greenbank, Bristol, August 2022

I cannot express how much I am enjoying this ‘happy’ period from Face 1st. There is something new and fresh about his work at the moment, which you might only notice if you have been following his art for a while. Face 1st is concentrating a little more on his characters, nearly always laughing girls, but there is more movement and different poses entering into his work.

Face 1st, Greenbank, Bristol, August 2022
Face 1st, Greenbank, Bristol, August 2022

In this piece we have one of Face 1st’s letters and character pieces, with the letters FA and E broken up with a kick-dancing girl obscuring or being the C. The girl is striking a similar pose to one of his other recent pieces, which I posted a short while ago. Gotta love this one.

Face 1st, Moon Street, Bristol, August 2022
Face 1st, Moon Street, Bristol, August 2022

4681. Sparke Evans Park (54)

Trafficity, Sparke Evans Park, Bristol, August 2022
Trafficity, Sparke Evans Park, Bristol, August 2022

It says ZIOM, but I have to admit that I struggle to see it sometimes, and it looks like there is a different word sitting along the top in blue shades, which looks like MOMM or MAMM, but I think it is just an artefact of the style of the artist. The artist is Trafficity, and his distinctive pieces are consistently well presented.

Trafficity, Sparke Evans Park, Bristol, August 2022
Trafficity, Sparke Evans Park, Bristol, August 2022

Trafficity is a member of the PAD crew, which includes Laic217 and Cort, although he tends not to paint as frequently as the others. The piece itself is composed of block letters with three discrete horizontal fills, and a little bit of extra ‘melty’ decoration along the bottom edge. Watch this space for something from my archive by Trafficity, coming soon.

4680. Lower Ashley Road (6)

I couldn’t start today’s post without paying tribute to HRH Queen Elizabeth II. Irrespective of one’s views about the monarchy, Queen Elizabeth has been a stable constant for our nation and many others, when all around her there has been chaos. It will feel slightly odd not having her around any more.

It is rare for anyone to give up their life to serve others (apart from in the public sector, of course), but to do so with composure, integrity, decency, objectivity and solemnity is special and something that our politicians, the people with the real power, could learn from. The contrast between the Queen’s behaviour and that of Johnson or Truss is stark. RIP QEII.

Taboo, Lower Ashley Road, Bristol, August 2022
Taboo, Lower Ashley Road, Bristol, August 2022

Our lives go on, and there is street art to consider. This is a real beauty from Taboo on an old shopfront that often attracts inferior throw ups, but not in this instance. I drive along this road fairly frequently, and I simply love seeing this writing/character piece, there is a lot of mischief in it.

Taboo, Lower Ashley Road, Bristol, August 2022
Taboo, Lower Ashley Road, Bristol, August 2022

The writing is typically asymmetrical and unconventional, spelling out TABOO, although that might not be entirely obvious at first sight. Of course, it is the Garfield character that steals the show… brilliantly painted and perfectly cheeky. I now have four Garfield pieces in my archives. One more and I might have to do a Garfield special post!

Elizabethan

.

Epoch transition

farewell Elizabethan

constant disrupted

.

by Scooj