Well these two seem to have come out of hibernation, and this is one of two recent collaborations between Soge and Hire. These two are both Polish artists who have adopted Bristol as their home and have been collaborating for a few years now.
On the left is a fine and rather complex piece of writing by Soge, which does actually spell out SOGE although it is highly disguised. His style is like a kind of organic Gothic and seems to be from the same school as Hire and quite unusual for Bristol. Long thin sections of lettering with sharp points, this is technically very difficult and brilliantly executed.
On the right is one of Hire’s trademark rabbits which are altogether more ‘street’ and sinister than the rather cuddly rabbits painted by fellow countryman Nevergiveup. There is a lot of menace in this rabbit – not one I’d like to meet on a dark night – and you can see how the fur, all pointy, reflects the style in Soge’s writing. These two would seen to enjoy each other’s company and it is a pleasure to see them back out and painting again.
From just a little while back, this is a wonderful example of wildstyle writing from the Bristol-based graffiti writer Soge. Like his Polish counterparts, his writing has a hint of the Gothic about it, although not quite as much as Hire. In my view there is certainly a difference in influence and derivation between the Polish and British writers – but you would expect that.
Soge’s colour palette in this piece is very easy on the eye and there is something about the overall shape and design that reminds me a little of Inkie’s work. The letters quite clearly spell out SOGE. Great work.
It is always a pity when a nice piece gets dogged, especially when it has only been up for a day or two. This particular collaboration between NEVERGIVEUP and Soge was a perfect piece for the curved wall in Dean Lane skate park. It also marked a return of the monster by NGU, something I’ve not seen for a few months.
I had seen the Soge writing on Instagram, and it all really looked rather nice, but I guess some inferior talent had to go and goof it up. I’m all for the turnover of work, especially on ‘legal’ walls, but it is boring to see half-baked throw-ups going up over decent work. Still, we all know the (no) rules and just get on with it.
It feels like a while since I saw anything by Soge, so this writing in St Werburghs tunnel recently was a nice surprise. I think it was created during the paint jam which included a lot of PWA artists.
Soge, like Hire, uses a rather gothic style in his writing, which may be something they have brought with them from Poland, as it is not a style I see much of from any of the local artists. The letters SOGE are easy to pick out, although the lighting in the tunnel doesn’t really do the piece justice. Strangely I haven’t yet met Soge and so can’t really tell you too much about him.
There are a couple of Basketball courts next to the Dean Lane skate park, and adjacent to them is this container, which I haven’t really paid much attention to. I decided to take a look and there on the side is a rather nice burner from Soge.
The uneven surface of the container must make it difficult to work with, but I think he has done a fair job. I am used to seeing something a little more intricate from Soge, so this is a refreshing change. Perhaps not the best burner in the world, but nice to see nonetheless.
There are some unusual colour selections in this nice collaborative pairing of Soge and Hire down at Deaners.The deep blue and maroon backdrop certainly lift the wildstyle writing of Soge, but Hire’s rabbit on the right is a little disguised.
I have said it before on this blog that Soge has an incredibly elaborate Gothic style of wildstyle writing which is quite unusual. I have absolutely no idea what the writing says in this piece, it might be ‘SOGEJEDEN’ which is his Instagram tag. I don’t know.
Always I have to like Hire’s rabbits wherever they appear – which is usually Dean Lane these days. Cheeky and mischievous.
This is another fine piece of wildstyle writing from Soge on the long wall at Dean Lane. I believe that Soge is a friend and neighbour to Hire, and is another of the Polish contingent of artists that is making a big impression on the Bristol graffiti art scene at the moment.
It is interesting that both Soge and Hire have a style that feels rather gothic and jagged – it is different from most of what you see from the established Bristol artists. This piece is vibrant and colourful and fun too – there is a boar’s head lurking between the S and O.
I expect to see more from Soge – probably at Dean Lane, which seems to be a favoured spot for these artists.