These constant grey skies
suck away every ounce
of inspiration.
by Scooj
These constant grey skies
suck away every ounce
of inspiration.
by Scooj
Now that I know that OHMS is Thelocknessmonster what should I call him in my posts? I think I will continue with OHMS, just because that is what I am used to. This was a wonderful fresh piece down at Dean Lane a couple of weeks back. Distinctively OHMS, but this time no obvious lettering.

This is a colourful abstract piece that really stands out, probably because of the palette selection. I’m not sure what the references to Emz, Egotist and Eric are other than they might be other members of The Splab Gang crew. I’m still really enjoying his work.
It seems strange that this is the first time I have posted about a piece on this landmark building…although it is possible I have written something before, but named it under M32. This is a fine collaboration – and not the first on this wall – by SPZero76 and Kid Crayon.

The building is owned by Domestic Drain Services and runs parallel to the M32. I understand, from speaking to the owners a week or two back that they invite SPZero76 and others to spray the building and in return they will pay for the spray paint.

The character on the right in the mask is by Kid Crayon and really showcases his development as a spray artist, having been something of a paste up specialist. I’m not sure what the ‘EAT’ reference is all about.

On the left hand side are a couple of great characters by SPZero76, whose work often features a raccoon and a ‘Pacific Island’ style mask. I would love to know where his influences came from to repeatedly use these motifs. This is a wonderful collaboration, and these two seem to work quite a lot together.
Is it possible to have any more really great pieces by Epok? Oh yes it is. Here is one from the jam at the M32 roundabout a couple of weeks ago. All the artists used the themed colours for the entire stretch of this wall, and Epok has made them his own.

For once his hard geometric shapes are slightly softened and the lines a little less sharp, however, the piece still spells out EPOK although rather better disguised than in some of his pieces. A really fine piece form a Bristol master.

Moon street is a favourite haunt for Mr Klue, and since one of the best walls has had two doors screwed onto it, presumably in an effort to stop sprayers, he has simply switched to an adjacent wall.

This is yet another lovely abstract piece in the unique style of this Bristol graffiti artist. I noticed, at the time of writing, from an Instagram picture that it has now been tagged. Glad to have a nice clean shot of it.

A nice close up of the work.
At a recent gathering of crews at the M32 roundabout, there was this stand out piece. Most of the works (several to follow) were wildstyle writing, but slap bang in the middle of them this Sled One composition breaking up the pattern.

I think that this is an exceptional work. The way the light bursts out of the anthropomorphised fridge is extraordinary. There is also a story going on, as is usually the case for Sled One’s pieces, which I think is that the man is grabbing some hot dogs from the fridge which in turn will consume the man. Or something like that.

It has been a little while since I saw a new piece by Sled One and this has been worth waiting for. I like the nice touch of the fridge wearing a feathered cap. There is a lot to look for in this ‘cartoon’ style piece. It made me happy.

Crows on College Green
caw amidst the roar of the
City-bound busses.
by Scooj
.
How the blossom lies
with its smallest hint of Spring
tricking and teasing.
.
by Scooj
It seems like these hoardings have been here on North Street for years…because I think they have been. This is of course ok, because it presents graffiti artists with plenty of space to do their work. This particular niche is a favourite for John D’oh and RIP, and here we have a philosophical piece from the latter.

The statement, positioned next to a heart reads ‘With all the battering it’s taken I’m surprised it’s still ticking’. Perhaps this lets on something about the artist’s lifestyle. I do like RIP’s work. Never too snazzy or complicated, usually a single layer stencil and often lighthearted or political. A vibrant member of SSOSVA.
Only a few days after I had taken the picture of the Decay piece in this exact spot (see previous post), Kid Crayon had overwritten it with one of his trademark faces. In recent times he has moved away from his wheatpastes (which I loved) and his faces, and tends to do more spray work, in particular in collaboration with SPZero76. So it was nice to see him revert, if only for a little while.

Although the piece looks like a wheatpaste, because of the creasing of the lining paper, it is in fact a spray piece. The blue face, great expression and peculiar proportions are what I would expect to see from this growing Bristol artist. More of his collaborative works to come soon.