I don’t know quite why, but I have held on to these pictures for some time now. I think it is because I was worried that I might have already posted them. I have to confess that my blog is becoming a bit of a logistical challenge…dozens of folders and thousands of images…sometimes I lose track.
Aspire, Moon Street, Bristol, April 2016Forget all about my admin issues because once again Aspire has produced another masterpiece tucked away in a neglected corner of Bristol. I love his work, I have always loved his work, and I suspect I always will love his work. If I am honest, I envy his talent, I wish I could do something like this, but I struggle even to draw the curtains. I must be content with admiring the talent of others.
I still know nothing about the artist OHMS, but I know I like their work. This is an incredibly colourful and intricate piece tucked between some bushes on the side of the M32 roundabout between St Pauls and Easton.
OHMS, M32 Roundabout, Bristol, September 2016OHMS is quite different from many of the graffiti artists in Bristol. There seems to be more of a narrative about the work, hidden depths maybe. The whole thing is quite organic, none of the crisp clear lines one sees with work by Epok, Deamze, Voyder and Soker. This appears altogether more spontaneous, although I am sure there is plenty of preparation involved.
OHMS, M32 Roundabout, Bristol, September 2016I love the toucan in the centre of the piece…such magnificent birds. A great piece of work by OHMS.
Wildstyle writing is an acquired taste, and one which I have developed a hunger for, but it was not always that way. When I first started writing about street art, I was often left cold or baffled by writers (burners, throw-ups of wildstyle). I just didn’t get it.
Epok, M32 roundabout, Bristol, September 2016One of the first writers who helped me develop an interest was Epok, one of the fantastic group of Bristol graffiti writers. His clean works usually feature large block letters spelling EPOK on a slant. His choice of colour palette really marks his work out as special too, and he finishes his pieces with bright stripes and flashes. I really admire his work.
Aspire sprayed this a little while ago, and within a very short space of time, a rather ‘jobsworth’ enforcement notice went up over the top of it. Some people are really stupid, or don’t really care, but when you look at the whole scene I know which bit I consider ugly and which out of place.
Aspire, Ashley Road, Bristol, September 2016Aspire continues on his run of fantastic bird art for the citizens of Bristol. We are lucky to say the least.
I haven’t seen any work by this artist before or since I took this photograph. His name is Rusk (or Rusk 1 or One_rusk on Instagram), and this piece is really rather Summery, even though it was sprayed in September this year. We did actually have a nice September.
Rusk, Dean Lane, Bristol, September 2016
The piece didn’t last long, as nothing does at Dean Lane, but it will remain in my memory, because of its unique subject matter, and also the fact that I don’t know the artist at all. Maybe I will start spotting more of his work as I look around, I hope so.
I have been aware of this wonderful Andy Council horse for some time now, but was never quite sure where it was. I actually found it when taking pictures of some other works from Upfest that were a bit of a trek away from the main drag.
Andy Council, West Street, Bristol, September 2016Andy Council is a favourite son of Bristol, and has produced countless murals around the city, many of which remain in place after several years. The distinctive style of blending architectural and urban features (such as the Clifton suspension bridge) with biological form to create his animals is unmistakable and really interesting. One can spend a long time studying all the little details that make up the whole.
Andy Council, West Street, Bristol, September 2016