One of the pure joys over the last year has been the emergence of Mr Underbite and his charismatic character, Mr Underbite. This rather glum fellow is endearing to say the least, and despite his miserable disposition, cheers me up every time I see him.
Mr Underbite, Brunel Way, Bristol, March 2023
Mr Underbite tends to use a basic template which he goes on to ‘pimp’ with different features and themes. This recent piece under Brunel Way is the basic form, although this is the first time I have seen the character with a neck. Looking forward to seeing a whole load more this year.
I wonder sometimes whether Zake gets the credit he deserves, for the sheer volume of work he gets through and the variety of locations and walls he paints. Sometimes he paints with friends and sometimes alone, but wherever you look in Bristol, there is never a Zake piece far away.
Zake, Brunel Way, Bristol, February 2023
I remember that the first Zake pieces I became aware of were on columns under the M32 at the skate spot there. How far he has come since then in developing and refining his style. This column piece showcases perfectly his use of shading to create enormous depth. It is extraordinary how deep the mouth appears to be, and what folds of skin on the chin, cheeks and eyes. This is a really classy column piece from Zake.
Although he is not as prolific as he once was, Mr Draws is one of the constants in Bristol graffiti writing. Periods of absence are punctuated with little reminders that one of Bristol’s most enduring artists is out there and still active. This is a nice one under Brunel Way.
Mr Draws, Brunel Way, Bristol, February 2023
Mr Draws presents another of his curvy DRAW! letter combinations, picked out with some hreat 3D drop-shadows and border. The colour transitions fill the letters nicely, and I particularly like the black highlights around the edges of the letters. As long as Mr Draws paints them, I will post them.
Klashwhensober, Brunel Way, Bristol, February 2023
Klashwhensober is utterly relentless. I reckon that I only post about one in five of his pieces, and I currently have a lot of catching up to do. This recent piece under Brunel Way is something a little different and special from the artist, and demonstrates his versatility.
Klashwhensober, Brunel Way, Bristol, February 2023
Set on a grey background and ‘stitched together’ with a blue line running up and down and across the piece, Klashwhensober’s letters ‘SOBER’ each have their own character and design. I particularly like the E and R at the right hand end. The colours work pretty well together and the 3D drop shadow does a great job in lifting the letters away from the background. An unusual offering from Klashwhensober, but one that works really well. I’d welcome more like this from him.
I believe that this is a reasonably old piece from Mote on one of the columns under Brunel Way, but I have only recently photographed it – there are so many in this spot it is difficult to keep up.
Mote, Brunel Way, Bristol, February 2023
Every time I have seen this piece, I instantly get images of the caped crusader and am not sure if this is deliberate or accidental on the part of Mote, who is not known for his characters drawn from popular culture, but rather from his imagination. Whatever the inspiration for this column piece, it is cheerful and fun and typically clean as you’d expect from Mote.
A small, quick one from Mote at the end of the long wall under Brunel Way from Mote. Mote is an artist who designs and creates a new monster character every time he paints, which could make identification of his work troublesome, but his style and colour selections are so unique that no signature is needed on his work.
Mote, Brunel Way, Bristol, January 2023
This cheeky little piece is sweet and simple, and was probably an ‘end of day’ bonus piece. Since first hitting the walls of Bristol in early spring of 2022, Mote has been tireless, come rain or shine, in his monster mania. Long may it last.
One of the artefacts of the way I plan my blog posts is that I am always running a few weeks behind the time that the pieces were painted. So here we are on Sunday 21 January and I am posting a Christmas piece by Cobo.
Cobo, Brunel Way, Bristol, January 2023
This is an absolute chrome beauty by New Zealand artist Cobo, whose writing is out of the top drawer. In this piece, his wonderfully stylised letters are accompanied by a cat and a sign saying merry Christmas. I love a street art cat, and must, one day, get my act sorted out and d a gallery of street art cats. It will happen. In the mean time you’ll just have to enjoy this lovely fella.
I suspect that I begin quite a few posts featuring Mudra’s work with the words, ‘Mudra is absolutely smashing it at the moment’ and that is probably because Mudra is absolutely smashing it at the moment.
Mudra, Brunel Way, Bristol, January 2023
His signature pieces, usually painted on black buffed walls, have been coming thick and fast over the last year, and this one features a walking character, smoking a cigarette, alongside the letters NTS, the crew he paints with. Mudra’s work is always easy on the eye, smooth curvy lines and soft fills – there is something quite laid back about their presentation. Many more to come in 2023 I’m sure.
Bogat is an artist who is underrepresented on Natural Adventures, so this flurry of pieces that I photographed in March last year should go some way to addressing this. Although I took the pictures in March 2022, some of the pieces in the M32 J2 tunnels may have been there for a while.
Bogat, Brunel Way, Bristol, March 2022
Bogat, who often painted alongside Asre, has a thing for open-mouthed portraits and the occasional octopus. The piece above, from Brunel way, is rather nicely done, with some nice shading on the octopus and its tentacles providing some depth. I rather like the bubbles rising off the writing, too, and filling the black space.
Bogat, M32 roundabout J2, Bristol, March 2022
The rest of the pieces were photographed in the tunnels of the M32 roundabout junction 2, a few hundred meters North East of the junction 3 roundabout, which is a much more popular spot.
Bogat, M32 roundabout J2, Bristol, March 2022
These tunnels are quite narrow, and dark, making photography something of a challenge. Somehow I managed to capture these pieces reasonably well, perhaps because they are in a portrait orientation rather than landscape.
Bogat, M32 roundabout J2, Bristol, March 2022
It feels good to have posted these pieces, even if they have been collected together into one post. If I didn’t do that, then there is a real possibility that they would remain in the archives forever.
I have a feeling that 2023 will be a year in which we see Mote reach a new level. The artist is already turning out pieces at a phenomenal rate, and his character compositions are becoming more sophisticated. What will be interesting is to see where all this goes this year, and I can’t wait to see it unfold.
Mote, Brunel Way, Bristol, Deccember 2022
This is another piece with a pair of characters connected via an upturned crown (a motif that Mote is fond of). The characters are also connected by a reverse colour scheme, so there is definitely a story being told in the piece. As always, Mote has kept the fills strong, with all the borders and detail lines clean and tight. A fine pair under Brunel Way.
Natural adventures 