Don’t expect too much from me today. I am on holiday and paradoxically have less time than usual to compose a blog post than usual. This is a rather nice piece from the anti-style graffiti writer Whos.
Whos, Brunel Way, Bristol, October 2024
There is a charm about Whos work, and this chrome piece certainly makes an impact. The fills and chrome character provide a rather fun overall effect, and it is great to see Whos out and about again.
Whos, Brunel Way, Bristol, October 2024
The letters spell out WHOS and include a little character portrait in what looks like a rather psychedelic piece. The most striking part in this chrome arrangement are the stars and tears that appear in the fill of the letters. A nice piece from Whos.
I know very little about Omie, but in terms of artwork, I very much like what I see. Omie is a writer who varies their work to the extent that no two pieces are even remotely alike, and there isn’t an identifiable Omie ‘house’ style, indeed it is only the letters that provide a common thread to the portfolio.
Omie, Brunel Way, Bristol, September 2024
I am very much looking forward to ‘harvesting’ enough photographs to be able to share a gallery of Omie’s eclectic collection. Black and yellow make good bedfellows, being Mother Natures warning colours, and Omie has combined the colours well in these letters and augmented them with some red spots, another of nature’s danger colours. The comment ‘rain sucks’ suggests a wet day, and this particular wall can start to run really badly in the wet. Nice work from Omie.
Another wily old fox from Foksymoron, this one hiding from view under Brunel Way, in a place that only a few skaters and cyclists will ever really get to see and enjoy. This fox is so laid back, he spends much of his time on hid back.
Foksymoron, Brunel Way, Bristol, July 2024
Although Foksymoron has been painting foxes for a long time now, it is the scale and dynamism of his pieces that is catching at the moment, and it would seem that he has taken his art form to a new level. Of course, these aren’t the most polished pieces of street art and are a character version of a throw up, but they are full of character and have their own story to tell
Sometimes wildstyle graffiti writers can be guilty of overthinking their work, and I feel that Werm went through a phase where he did just that, and while his pieces were technically awesome, they were, for my taste, just a little too over-complex.
Werm, Brunel Way, Bristol, September 2024
This one is a recent work in a series of bilaterally symmetrical graffiti writing pieces that Werm has been focussing on. He tends to work in themes and ideas which he runs with for six months or so, and then moves on to some new concept, constantly evolving and improving. The colours palette is very ‘Wermy’, and by that I mean contains reds and cream, which he uses a often as a combination. This is a nice piece, and well worth buffing the wall to provide a clean background.
I am still a little under the weather with Covid this morning, so only short posts today. This is a wonderful piece of chrome graffiti writing from Kosc in a spot that he has painted before, but I don’t usually associate with him.
Kosc, Brunel Way, Bristol, September 2024
The letters are made up in the style of riveted sheets of metal, a device used by many writers and one that is very effective. Kosc has perfected this style.
I have Covid. A pretty strong dose of it and am rather under the weather. This would go some way to explaining why I am late with today’s posts. Natural Adventures has strong ties with viruses, it was started in February 2015 while I was recovering from a really bad bout of flu. But for that I might not be sitting here writing right now.
Wispa, Brunel Way, Bristol, September 2024
Wispa reminds me of Maria Von Trapp, a flibbertygibbet, a willow the wisp, a cloud. Her name would appear to be a good description of the way she travels the country, never staying too long, so it seems. This is a nice piece of writing that was painted alongside Werm a week or two back. Nice stuff and great to know she has been visiting.
My heart sang when I saw this wonderful piece by Daz Cat on the end of the long wall under Brunel Way. It is not the first time he has decorated this spot with a cat, and somehow the space lends itself really well to his upright characters, which I guess is why he paints there.
Daz Cat, Brunel Way, Bristol, September 2024
In this piece, the androgenous cat is doing a hand stand on top of a globe or water or a toilet seat, or something decorated with clouds. The pants the cat is wearing are hilarious, and the tottering movement of the legs, brilliantly portrayed. This Daz Cat at his fabulous story-telling best.
Klashwhensober, Brunel Way, Bristol, September 2024
Klashwhensober is consistently one of the most prolific graffiti writers in Bristol, tracing out his SOBER letters wherever he finds a free wall. Some of his pieces are obviously rather hurried while others, like this one are a little bit more considered and tidy.
Klashwhensober, Brunel Way, Bristol, September 2024
The way that Klashwhensober has overwritten the piece underneath is quite clever in that instead of buffing out the wall completely he has created a cloudy covering obscuring it enough to nullify it. The chrome letters are really nicely worked with a tidy two-tone drop shadow and clean black border. Definitely one of Klashwhensober’s better ones.
This is a rather curious and abstract piece of graffiti writing from Mr Draws, who I know is always looking at ways to redefine his work, and likes to push boundaries. Sometimes Mr Draws will inject one of his ‘experimental’ pieces in the middle of a series of more customary work, and it is great to see.
Mr Draws, Brunel Way, Bristol, September 2024
In this one, there are some parallels with the style of Benjimagnetic, providing hints at the letters in amongst the decorative work. The ‘D’ and ‘R’ are clear but the ‘A’ and ‘W’ are more fused together. There is a nice cosmic feel to the whole piece and I like what I see. Keep pushing boundaries I would say.
Dibz, Jody, Urge, The Art of Sok and Fade, Brunel Way, Bristol, July 2024
This is another stunning production piece, led and bookended by Dibz and Fade, incorporating work from Jody, Urge and The Art of Sok. The themed colours of orange and light blues works exceptionally well in this spot that can have a tendency to be a bit gloomy.
Dibz, Brunel Way, Bristol, July 2024
Starting with Dibz on the left (and rather annoyingly, capturing that shaft of light which makes an appearance in the afternoons), the collaboration gets off to a great start, with as sharp and tidy wildstyle graffiti writing as you would expect from Dibz.
Jody, Brunel Way, Bristol, July 2024
With five artists in the line-up, and three of them writers, the character pieces appear in the second and fourth slots. This astonishing Godzilla piece is by Jody, who has been on fire since joining up with Dibz and Fade over the last year or so (although, to be fair, he is always on fire, but perhaps more so recently).
Urge, Brunel Way, Bristol, July 2024
Next up is a piece by Urge, who I know nothing about, but whose writing looks completely at home with the Bristol artists. I guess that Urge was visiting, or passing by, and got invited to join in. I love it that Bristol artists are so welcoming of others from around the country.
The Art of Sok, Brunel Way, Bristol, July 2024
The fourth slot is taken up by the Art of Sok, whose distinctive style of cartoon characters, while so utterly different from the other four pieces, somehow manages to complement them very well. His characters are always beautifully presented in as close to a perfect state as they could be.
Fade, Brunel Way, Bristol, July 2024
Things are rounded off by Fade, who along with Dibz ‘owns’ this manor. His beautiful letters, immaculately filled with two shades of blue and bordered with an orange 3D drop shadow, reflect the writing that comes before it. This is a very classy production piece from these five artists. Bravo!
Natural adventures 