2192. North Street

On North Street some hoardings have recently been erected around a tower block, which is either due to be renovated or demolished, I am not too sure which. Anyhow the hoardings look like they will be staying for a while, and Upfest are curating them, which means that they will probably remain in reasonably good condition and be reserved for selected artists.

Sepr, North Street, Bristol, May 2019
Sepr, North Street, Bristol, May 2019

This piece is by the fabulous Sepr and features a lady with a cat and some mischievous looking mice. The grayscale piece is punctuated with a little pink on the cat and the woman’s mouth… I have no idea what is going on with the pink but it looks good. I admire greatly Sepr’s clean retro style and never tire of the humorous scenes he creates.

2184. Brick Lane (4)

Sometimes you need to be eagle-eyed. Many of you will be familiar with the work of French artist C215 (Christian Guemy) and will have seen pieces by him in Paris or London, or indeed all over Europe. It is his cats in particular that he is really well known for and here is a rather old looking and very small C215 cat in Brick Lane.

C215, Brick Lane, London, April 2019
C215, Brick Lane, London, April 2019

This one was so very well ‘camouflaged’ by all the other busy scrawls on the door that if I had blinked I would have missed it. His work has such a deft touch that brings his pieces to life. I am amazed that in such a small two-tone piece, the character of the cat comes shining through. A brilliantly talented artist.

 

 

2172. M32 Spot (40)

I had seen this nice column piece by Daz Cat several times, but kept forgetting to go back to photograph it. By the time I sorted myself out, someone had slapped a poster in the middle of the face. This is a dilemma for a street photographer. Do I leave it as I found it, as if it were a tag, or do I remove it? I tend to leave it as it is as this somehow feels more authentic to me. It is how it is when I saw it.

Daz Cat, M32 Spot, Bristol, April 2019
Daz Cat, M32 Spot, Bristol, April 2019

Having said all of that, it is a pity that the grubby poster is there, because the piece is a nice one. Also I am embarrassed by the quality of the photograph which is way out of focus, so I think I am going to have to return to photograph it again, and maybe I’ll get lucky and the poster will have blown away.

2144. Lower Ashley Road (3)

Never really at risk of slipping through the net, but posted much later than I had hoped is this magnificent piece by Sled One at the bottom of Lower Ashley Road where construction work has begun. It didn’t take long for the construction company to disrupt any street/graffiti art from making it onto this hoarding, but I think this piece survives.

Sled One, Lower Ashley Road, Bristol, February 2019
Sled One, Lower Ashley Road, Bristol, February 2019

Sled One brings us another creature from his imagination which spells out the word ASK. I think it is a cat – he does a lot of cats – but it is the sketch of a fish on the cat’s shoulder that really makes me smile, so simple but so engaging.

Sled One, Lower Ashley Road, Bristol, February 2019
Sled One, Lower Ashley Road, Bristol, February 2019

For the last couple of months Sled One has been on a real roll, and it is always an immense pleasure to see his work on the streets. I must get round to updating his gallery.

Meow!

2080. Nelson Street (7)

Blink and you might miss it! Sited right next to one of the best collaborations in this part of Bristol that I can remember, between Smak and Sled One (to follow very soon), is this beautiful cat stencil by the utterly awesome Kin Dose.

Kin Dose, Nelson Street, Bristol, March 2019
Kin Dose, Nelson Street, Bristol, March 2019

Continuing on from his Upfest utility box theme, Kin Dose has blessed those right in the centre of Bristol with this little gift. Looking rather innocuous and disguised as a bit of tagging many citizens will have walked by without noticing this charming piece. Suggestion… get yourself down there and take a look.

2055. Norfolk Place (4)

There is something about Cheo’s work that oozes class. I think it stems from his great compositions and characters, but most of all his incredibly clean lines. The whole thing looks like it has been painted with fat felt tips rather than spray cans.

Cheo, Norfolk Place, Bristol, April 2017
Cheo, Norfolk Place, Bristol, April 2017

I love the smoking cat character with his gold chain in the centre of the piece, and I’m not too sure what the white creature on the left is, but he is clearly animated about something.

Cheo, Norfolk Place, Bristol, April 2017
Cheo, Norfolk Place, Bristol, April 2017

I struggle to read Cheo’s writing, mainly because he doesn’t simply write ‘CHEO’  which would of course make things much easier. Crazy that I’ve only just posted this one.

Thursday doors

Doors 61.

I am still struggling a little to find new doors, and haven’t done an awful lot of travelling lately, so I have retreated to my safe heartland of graffiti doors because there is never ever a shortage of them in Bristol.

The featured image door and the ones below are something of a curiosity. They appeared back in January 2017 and were attached to some walls in what I thought at the time was an effort to disrupt the work of street/graffiti artists, but I think that they might have been a part of a campaign about homelessness. Either way, they introduced a new dynamic to the Bristol scene and presented a challenge to local artists. The doors remained in situ for many months before disappearing as quickly as they had appeared.

Doors on a Wall, Moon Street, Bristol, January 2017
Doors on a Wall, Moon Street, Bristol, January 2017
Doors on a wall embellished by Ryder sitting over a Mr Klue piece, Bristol, January 2017
Doors on a wall embellished by Ryder sitting over a Mr Klue piece, Bristol, January 2017

The next few doors are classic graffiti doors in Bristol:

Coin-Op Militia, Mr Klue and DNT, Stokes Croft, Bristol, January 2017
Coin-Op Militia, Mr Klue and DNT, Stokes Croft, Bristol, January 2017

Spot the cat…

Door, Leonard Lane, Bristol, January 2018
Door, Leonard Lane, Bristol, January 2018
Heavily tagged door, Stokes Croft, Bristol, November 2017
Heavily tagged door, Stokes Croft, Bristol, November 2017

So that’s your lot for this week, I wish you all the very best until next Thursday.

Let yourself in to a world of doors at: Thursday Doors – Norm 2.0, just follow the frog.

by Scooj

 

1930. Wilder Street (25)

In my view, Sled One is the most inventive and creative artist working on the streets of Bristol at the moment, and this piece is an absolute master class. Sandwiched between writing from SMAK and Ments, this character piece acts as a focal point for this curated wall.

Sled One, Wilder Street, Bristol, December 2018 Sled One, Wilder Street, Bristol, December 2018

Many of Sled One’s pieces feature cat and mouse antics, and this one is a great example. The cat, a Samurai cat, is wearing a most glorious helmet onto which a mouse is clinging for dear life. I don’t know what it all means, but it is a visual marvel and so beautifully painted.

Smak, Sled One and Ments, Wilder Street, Bristol, December 2018 Smak, Sled One and Ments, Wilder Street, Bristol, December 2018

I love seeing Sled One’s work, but sadly it seems to be quite a rare occurrence these days. So, so good.

1921. Cumberland Basin

This is one of two Daz Cat pieces I found on a recent lunchtime walk to the Cumberland Basin. It was good to find this, as I haven’t seen one of his pieces for a little while. This particular spot does seem to be a favourite haunt for the artist.

Daz Cat, Cumberland Basin, Bristol, December 2018
Daz Cat, Cumberland Basin, Bristol, December 2018

This cat is so full of expression, I like the little black line across the teeth which ‘suggests’ individual teeth without actually picking them out. A neat trick. The absence of one eye might lead the viewer to conclude that this cat is a bit of a bruiser. Nice work.

…and other animals

 

Growling and hissing

as four-legged friends converge;

feeding time chez moi.

 

by Scooj