Canine: dependent
the feline: indifferent
it’s what defines them.
by Scooj
Canine: dependent
the feline: indifferent
it’s what defines them.
by Scooj
I love seeing the work of Alex Lucas wherever it crops up, but it is especially nice to see her work at Upfest, when it isn’t tied to a commission. Alex Lucas has made a huge impression on the city of Bristol and her work is dotted all around the city – I have featured much of it on this blog.

This piece was a bit tucked away, and incredibly difficult to photograph with the crowds and the lighting. Even so, it is possible to see that this is a classy illustration of a cat who is thinking about a mouse. Yum.
Now that I have recently broken the ice with Ugar I feel I can post another of his works, which pre-dates his collaboration with Kid Crayon. This is a large piece which he sprayed alongside NEVERGIVEUP back in October.

It is a piece of two sections. On the left is his name UGAR bookended with a cat? and a dog and on the right a little scene being sprayed by the dog. I have noticed that Ugar likes to fill his lettering with a marbled effect, which works well and is unusual and organic.

The scene in green shades on the right is mysterious and dreamy and quite unlike his writing to the left of it. The green skulls add a slightly dark tone to this lighthearted piece, but they are contiguous with the other green clouds surrounding the whole piece.

Finally, Ugar has thrown in a whole bunch of fish bones filling the empty spaces…I’m not sure what that is all about. There is a story in this piece somewhere. On the far right he has sprayed what looks like ‘I love cats’, but it might be something else. I am guessing he is being mischievous.
I love stencils and I love cats…this then is simply heaven. The work is from the self-taught Bizzy (Izolda Lautner) who turned he hand to artwork only some 5-6 years ago. Without any formal training, she gives great hope for street art wannabes (like me?).

This was her first piece in front of a live audience, and I think it turned out fantastically well. I wish I had seen her in the process of spraying it. I will be keeping an eye out for her work, although it looks like she won’t be at Upfest 2017, which is a great shame. You can read more about her on her Stencil Art Prize website profile.
An hour before time
Ninja begins her count down;
a noisy presence.
by Scooj
It is clear that Deamze really favours this spot for his pieces, and I have seen several different ones here over the last few months. This is a bright piece, in his typical widlstyle format, with a character popping up at the end. In this case it is a beautiful Felix the Cat.

I admire very much the way Deamze recreates cartoon characters with such accuracy and sharpness, and his range seems to have no boundaries. All good really.

My daughter and cat
drift across the decking
tracking the sunlight.
by Scooj
One of the most charming pieces of Upfest 2016 must surely have been this cat and mouse mural by Boe and Irony.

Unfortunately during the festival, I don’t think this piece got as much notice as perhaps it should have done for two reasons. Firstly, the scaffolding remained up until after the festival, and secondly it was tucked away in an area that was slightly off the beaten track. In a way this makes it almost more attractive and exclusive for Bristol street art fans.

I don’t know too much about either of the artists, there wasn’t even a biography in the programme for Boe. I have seen some of Irony’s work on social media before, but this is the first of his works I have seen ‘in the flesh’.

Irony describes himself on his Facebook page as a ‘painter, street artist, vandal’. That’s the spirit. Looking at his other works, it is difficult to believe that this London-based artist is self-taught.

This piece is so beautifully sprayed, the fur on both the cat and the mouse is amazing, and the electric-blue outline really makes the piece stand out.

Who wouldn’t want something like this on the side of their house?
A quiet house and
just the cat for company;
a peaceful moment.
by Scooj
Street artists are like busses…nothing for ages and then two come along together. This is a small piece by Fin DAC tucked away in Shoreditch and when I took the photograph I didn’t know who it was by. Then, recently I posted a piece by him from Bristol’s Upfest and I recalled this picture and can post it now.

The two pieces are very different, and the Shoreditch one is more typical of the Geisha that one normally associates with the artist. In both instances though it is the painted eye mask that gives away the artist’s identity – his signature if you like. At the time I took this I thought it was worth a snap. It was a good decision.