This is a wonderful old school combination piece painted at the L Dub spot by Turoe, although I think that the character might be by Veks. Everything about this oozes class and experience.
Turoe and Veks, L Dub, Bristol, June 2025
The character wearing a baseball cap has been buffing the wall with a roller, thus indicating a form of self-portraiture. The letters, spelling STYLE are perfectly filled with blended horizontal shades transitioning from purple through red and orange to brown. A striped 3D drop shadow rounds off this piece off nicely and create a metallic sheen effect.
The emphasis of this post will walk through how augmentation works. In street art circles, augmentation (adding to an existing piece) is relatively rare and can be considered as a little insulting to the original artist, or lacking in creativity. On the other hand, it can be seen as flattering and complementary to the original work. Here is a wonderful example of a piece by Mr Klue that has been augmented by Posh.
Mr Klue, St Werburghs, Bristol, May 2025
This rather nice purple ‘KLUE’ abstract writing has been hanging around at the entrance to the tunnel for quite a while, which doesn’t really come as much of a surprise as he kind of ‘owns’ this spot, by occupation at least. The purple is beautifully picked out with white and yellow highlights that create wonderful depth to the piece. Now all is just fine and dandy, and then along comes Posh!
Mr Klue and Posh, St Werburghs, Bristol, July 2025
Quite a while after this piece was painted by Mr Klue, Posh came along and added into it three posh characters, in yellow, picking out some of the colour in the original piece. These ‘toffs’ have a strong political message, one that picked up a lot of coverage at the Glastonbury Festival, ‘Death 2 the IDF’. Once again, street art acts as a wonderful commentary on contemporary issues, and has an important role to play in free speech and expression. This is a great example of how augmentation can work really well, and Mr Klue thought it was rather funny.
This piece from Hire had me raising my eyebrows, in a good way, because it is quite unlike anything I have seen from him before. I would normally associate his work with quite intricate, spiky, angular letters, but here he has gone for something altogether softer and more fluid – to be honest I hind it a little disorientating. (Update – I am being particularly dense, the writing is, of course, by Sait Bare, which is why it is so different in style. I couldn’t see the wood for the trees.
Hire, Dean Lane, Bristol, July 2025
The combination of letters and two characters works well, with a face on the left and one of his trademark rabbits (see, it is spiky) to the right. The letters have a traditional 3D drop shadow with black and red stripes. This whole thing looks like Hire is experimenting a bit, departing from his customary style, and that has to be applauded.
Scrapyardspec, Cumberland Basin, Bristol, July 2025
Scrapyardspec has returned to Bristol recently and dropped a whole load of pieces at spots all over the city, which seems to be his modus operandi when he visits. This multicoloured goofy face is in the little ‘tunnel’ area alongside the long wall at Cumberland Basin.
Scrapyardspec, Cumberland Basin, Bristol, July 2025
There is something completely loveable about Scrapyardspec’s characters. You pretty much know that you are going to get a wobbly face with lots of teeth and googly eyes, but there is enough variability within that formula to ensure that each piece is interesting and unique in its own way. The background colours are what mark this piece out from some of the others, being much more colourful ‘a la fruit salad’ I would say. More to come from our welcome visitor soon.
Two things immediately leap out at me about this piece by Posh; first, I am always happy to find ANY pieces by him, because he paints quite infrequently (although he has been more active lately), and second, I have never seen his work at L Dub before, so was mildly confused and surprised to see it there.
Posh, L Dub, Bristol, June 2025
This is a combination piece in which Posh has incorporated his little ‘posh’ characters into his letters. I can’t work out what the letters spell, and a glance at his Instagram doesn’t help me with that particular piece of detective work. His little monocled figures are so full of character, mischief and fun and are an endearing element of his work. Looking out for more great work from Posh.
There are a few artists who are synonymous with the Lawrence Weston (L Dub) spot, including DJ Perks, Hypo and of course Dun Sum. This is one of his fictional creatures, a monkey -type character conjured up by his fertile imagination.
Dun Sum, L Dub, Bristol, June 2025
There is a lot of expression and movement in the piece, with the monkey appearing to be yelling or screeching, in the way that chimpanzees do. The shaded tones in the animal’s fur and on the teeth and tongue are expertly done, creating loads of texture and depth. This is a brilliant wildlife character piece from Dun Sum.
I am writing this post (last night) in a lonely hotel room in Warrington. Tomorrow, I am attending the launch of a new National Nature Reserve just outside the town, something I have been working on for a few months. It will be great to see the partnership project come to life.
This piece by Zake is a superb example of his work, and he has really managed to keep the whole thing very neat and tidy. Although it doesn’t look like it, the piece is quite large, and on a wall he decorated back in August
Zake, River Avon, Bristol, June 2025
As with all of his portrait pieces, he has created great depth using light and shade to lift the face from the wall, deceiving the eye. Big teeth and a lack of pupils in the eye, give the character a sinister appearance, which is a bit of a Zake trademark. Below is his previous piece in this spot.
Desi and Mr Two Gram, M32 Spot, Bristol, June 2025
Unfortunately, I don’t get to post every piece by every artist, and even the artists I am more partial to don’t get fully represented here. There is so much artwork out there that only a fraction ever makes it onto these pages. Although I have posted a lot of Desi pieces, the same cannot be said for her partner, Mr Two Gram. Here they combine well on one of my favourite walls.
Desi, M32 Spot, Bristol, June 2025
On the left Desi has painted a combination piece with her VEIL letters and a Chinese lucky waving cat (why are these such a thing? I never saw them when I was a kid). The piece is really nicely finished, and such a marked improvement on her early works, there is so much more sophistication and technique in her work these days.
Mr Two Gram, M32 Spot, Bristol, June 2025
Mr Two Gram tends to paint pieces that are reasonably consistent from one to the next, perhaps with a colour change or letter change from time to time. He likes to stick with his 2GRAM lettering (or TWOGRAM) often in Chrome, but not always. I would class Mr Two Gram as a graffiti writer’s graffiti writer, if that makes sense – one for the purists. This is a cool collaboration.
Conrico always brings something slightly different to the party. His brush-stroke style contrasts with much of the ‘solid fill’ or ‘blended’ style that most street artists work with.
Conrico, M32 Cycle path, Bristol, June 2025
In this interesting piece, which appears to be telling a story, a woman, smoking, is holding a burning piece of paper. At the base of the piece, a newspaper headline read “Bristol City Plagued by Grad…”. This must be a story that I missed, but it looks like Conrico has tried to capture it. I am none the wiser, but it is a great piece of commentary art.
I have to keep reminding myself what ABC stands for, and it is, of course, Art Beat Crew, which is a collection of friends and artists who operate mostly out of Lawrence Weston. This is a really funky cartoon-style portrait piece by the fabulous character artist Dun Sum.
Dun Sum, L Dub, Bristol, June 2025
Although he occasionally makes the journey into Bristol centre, Dun Sum paints most of his pieces on the subway walls in Lawrence Weston. It is a quiet backwater, with plenty of wall space and little disturbance. It also has a very small footfall, mainly graffiti artists and dog-walkers, so few get to see his talent. This is a beautifully presented character with big hair and beard, although cleverly Dun Sum has painted the moustache and eyebrows in a slightly different tone and style. Reflections in the goggles add a nice touch. A bit of fun from Dun Sum at L Dub.
Natural adventures 