Tag: Character

3586. Dean Lane skate park (404)

Shade One and Dibz have painted some fabulous collaborations over the last six months, but this one is probably the pick of the bunch. I was lucky enough to watch their progress for a while and have a quick chat. I’ve not met Shade One before, but he seems to be an affable guy, and I don’t seem to be able to avoid meeting Dibz at the moment, I think our biological clocks must be in sync.

Dibz and Shade One, Dean Lane, Bristol, March 2021
Dibz and Shade One, Dean Lane, Bristol, March 2021

This is a beautifully crafted piece and both artists are meticulous with the detail and clean lines. Dibz’s writing is as complex as ever with horizontally layered colours and shadows the offer a deep perspective. The writing serves as a foundation for the character piece by Shade One.

Dibz and Shade One, Dean Lane, Bristol, March 2021
Dibz and Shade One, Dean Lane, Bristol, March 2021

There is a wonderful symmetry and balance to this collaboration that makes it very easy on the eye indeed. I think the circle being referenced at the bottom in Dibz’s writing is really clever and brings a resolution to the whole composition. A brilliant piece from a couple of artists in peak form.

3573. M32 roundabout J3 (294)

I think that Sepr is probably my favourite character artist in Bristol, and let me tell you that the bar is very high, so this is praise indeed. The last few weeks have had me purring because he has been very productive indeed. I guess that he is making the most of lockdown and I suspect that his frequency of street work will drop once things move to a new normal.

Sepr, M32 roundabout, Bristol, March 2021
Sepr, M32 roundabout, Bristol, March 2021

This piece was painted as part of an ASK collaborative wall, but sadly has already been over-painted. The subject of the piece is a paintbrush combing his pink hair and looking rather cool, in spite of his half moon spectacles. Sepr has a very special talent for making the inanimate animate and his style has an interesting retrospective feel about it. You can see how his tattoo design style maps across onto walls to create these interesting pieces. I love this.

3553. M32 roundabout J3 (288)

I love finding pieces by DFC1848 because they give me hope for my own artistic aspirations and his improvement over the last twelve months particularly has been exponential. DFC1848 has taken his character to new heights and developed so many ideas and incorporated new techniques.

DFC 1848, M32 roundabout, Bristol, March 2021
DFC 1848, M32 roundabout, Bristol, March 2021

What is obvious is that the more you practice at this game, the better you get. In this character piece, DFC1848 has switched things up a bit. Not only is the character a different animal, but it is upside down. The letters DFC are concealed within the character’s face, which is something he usually incorporates. Unfortunately, this piece only lasted a day or two, so I was rather lucky to find it.

3548. Dean Lane skate park (400)

Another one from the archives and one that I am so pleased to have re-found. It is a lovely collaboration from Turoe and I think Veks, although I might have that wrong. I think I never posted it at the time because I was uncertain about the artists, and it disappeared, quite neglected.

Veks and Turow, Dean Lane, April 2017
Veks and Turow, Dean Lane, April 2017

Dating from way back in April 2017, the writing in dark brown colours is clearly by Turoe, who definitely wasn’t on my radar back then (what kind of blind was I?). The character I believe to be by Veks and is masterfully painted, so crisp and clean and vibrant. I feel I should have done more homework at the time, but I don’t think I even had an Instagram account back then and was still learning (that never ends). A fine and once forgotten, until now, collaboration.

3547. St Werburghs tunnel (230)

I was looking in my archives for something specific a few days ago and within moments was absorbed, sucked in, to folders from years ago. There are so many good and interesting pieces I have photographed over the years that have never made it into the blog. The next few posts are an attempt to adjust that imbalance, just a tiny amount.

Conrico, St Werburghs, Bristol, October 2018
Conrico, St Werburghs, Bristol, October 2018

Starting with this one from Conrico in the tunnel back in 2018, which I think might even pre-date the first piece of his that I posted. I’m not too sure what this character is or represents, but he seems to be enjoying his smoke. Colourful and tidy work from Conrico, whose style while being quite unconventional is most compelling.

3545. Dean Lane skate park (398)

It was while he was completing this piece that I met Slakarts for the first time, and then the following week in the same place I met him again, both while he was painting collaborations with Nugmoose and Mudra. There three appear to have formed a tight group, and I look forward to many more collaborative walls from them.

Slakarts, Dean Lane, Bristol, February 2021
Slakarts, Dean Lane, Bristol, February 2021

Slakarts is developing and evolving this character all the time with each iteration bringing together themes he has been working on, such as the doubling of some features and the addition of glasses with reflective stripes on them. Thoroughly fun to observe and Slakarts seems to derive a lot of happiness from his work. All good.

3519. Lawrence Hill roundabout (16)

On my most recent visit to Lawrence Hill roundabout there wasn’t too much to write home about, there are a lot of throw ups and tagging in the tunnels and not so much ‘classy’ stuff that you get to see in other spots about the city. This character from Slakarts is a definite highlight.

Slakarts, Lawrence Hill, Bristol, February 2021
Slakarts, Lawrence Hill, Bristol, February 2021

I met Slakarts for the first time as he was finishing off a collaborative effort with Mudra and Nugmoose at Dean Lane and I would just like to say what a lovely bloke he is. We stopped and chatted for quite a while and it was a genuine pleasure. As is always the case he was a lot younger than I had expected. He is enjoying painting this character at the moment, but said he’d really like to go big, so that is something to look forward to.

3510. Lawrence Hill roundabout (15)

I don’t get over to Lawrence Hill roundabout all that often, so there is always something there that I haven’t seen before. However, the disadvantage of not regularly visiting is that any pieces new to me can be quite tired looking or tagged.

Mudra, Lawrence Hill Roundabout, Bristol, February 2021
Mudra, Lawrence Hill Roundabout, Bristol, February 2021

Mudra has had a big impact since arriving in Bristol last year and has made his presence known all over the city with his distinctive pink faces and colourful writing. Although tagged, this moustached character with a distinctive outlined red nose is still looking rather bright, and I am pleased to have stumbled across it. Not long before I’ll have enough of his work to post a gallery.

3496. St Werburghs tunnel (224)

Elvs is another very consistent artist whose work continues to brighten up our Bristol walls. With this recent piece he includes a fabulous character which some might recognise from the TV cartoon series Top Cat, I think it is Brain or Fancy.

Elvs, St Werburghs, Bristol, February 2021
Elvs, St Werburghs, Bristol, February 2021

The writing is vertically striated with three colours, pink, purple and yellow and spells out ELVS as you’d expect. The whole piece is framed nicely on a blue patterned background bounded with a yellow border. A fine piece from Elvs.

3493. M32 Spot (106)

This excellent piece from Conrico is part of an unlikely three-way collaboration from Ryder, Soap and Conrico himself, tucked neatly under the M32 motorway. The piece is an incredible mash up of Elmer Fudd and Bugs Bunny, where the former seems to have been a little careless with his shotgun.

Conrico, M32 Spot, Bristol, February 2021
Conrico, M32 Spot, Bristol, February 2021

This is a fine piece that showcases Conrico’s distinctive style so well. There is always a lot of movement in his pieces, illustrated with fluid lines, rather than the cleaner stiffer lines adopted by other character artists. It is especially nice to see this, because I have sometimes had some difficulty finding recent pieces by him.