1884. The Bearpit (169)

Even though it is becoming more difficult to find clean walls to work on in The Bearpit, and the Council are taking more of an interest in artistic activities, some of Bristol’s finest are still able to make their mark. This is a fine piece by Nevla.

Nevla, The Bearpit, Bristol, November 2018
Nevla, The Bearpit, Bristol, November 2018

What makes this quite unusual for a Nevla piece is the inclusion of colour. Most of the work I have seen before has been two or three colours only. I don’t know if this is a budget driven thing or a fast getaway thing, but this time he seems to have branched out a little. His cartoon style continues to keep up a happy and light-hearted perspective in this little corner of Bristol.

1853. Hebron Road (1)

I think this one from qWeRT goes back to roughly the time of Upfest 2018 and is pasted on a door, along with multiple other wheatpastes – you can see one from Losthills just to the left – that is opposite one of the Upfest feature walls.

qWeRT, Hebron Road, Bristol, June 2018
qWeRT, Hebron Road, Bristol, June 2018

I am always happy finding qWeRT wheatpastes, it is a little bit of a game to hunt them down, and I am pretty safe in the knowledge that there are others in Bristol that I have yet to find. The googly-eyed character is in loving mode in this piece.

1843. Upfest 2018 (84)

I think I might have said this last year, but somehow Upfest wouldn’t feel like Upfest without a presence from Cheo. One of Bristol’s most established graffiti writers and character street artists, his work is always of the highest quality. Judging from his Instagram account, I think he prepares these pictures on his computer and then recreates scaled up versions, which lends itself to his very clean style with solid fills.

Cheo, Upfest, Bristol, October 2018
Cheo, Upfest, Bristol, October 2018

I have seen these characters a few times before. I never quite know what they are, frogs? toothless crocs? monsters? your guess is as good as mine. The writing has a feel of Japanese script to it and from time to time Cheo uses this. I really don’t know what it says, but would guess at CHEO, although I can’t see it myself. He finishes the whole thing off, of course, with one of his signature bees. All good.

1806. Hepburn Road (8)

In the little lane that used to be the drug dealing centre of Bristol until a police clampdown some eighteen months ago is this little door and on it a small piece from Nevla. I’ve not seen any of his work for a while now, so it was good to come across this recently.

Nevla, Hepburn Road, Bristol, October 2018
Nevla, Hepburn Road, Bristol, October 2018

I am a big fan of his cartoon characters, nearly always in black and white and set on a solid colour background. There is a simplicity about the pieces and usually a little bit of cheeky humour about them. If you look carefully, you can see another face by Nevla just to the left of the door.

1761. Upfest 2018 (55)

At last year’s Upfest, one of the most distinct cartoon pieces was by the brilliant Kid30, and this year he has followed up with this rather gory, but equally excellent piece. His work is so very crisp and clean and the shadows work well to lift the characters up from the background.

Kid 30, Upfest, Bristol, July 2018
Kid 30, Upfest, Bristol, July 2018

I think Kid30 has a bit of a thing for stitching, and his characters and often stitched in a bit of as Frankenstein monster way. I guess it is probably better not to delve too deeply into the artist’s mind to understand what is underlying here, rather just to sit back and admire his talent.

Kid 30, Upfest, Bristol, July 2018
Kid 30, Upfest, Bristol, July 2018

The speech bubble is rather fun too, which brings me to a question which is why is it always blah, blah, blah and not Blah or Blah, Blah or even blah, blah, blah blah? The symmetry of three.

Kid 30, Upfest, Bristol, July 2017
Kid 30, Upfest, Bristol, July 2017

1749. Dean Lane skate park (170)

I arrived at this piece a little too late to see it in its original condition. It had been a collaboration between Mr Draws (in the middle) bookended by Tasha Bee. However, before I managed to get to see it, Oner had made a little contribution of his own.

Tasha Bee, Dean Lane, Bristol, June 2018
Tasha Bee, Dean Lane, Bristol, June 2018

I have to admit that I rather like Oner’s burners. There is a certain honesty about them, unpretentious but nicely turned out and often just a little bit edgy. Tasha Bee has rapidly made it into my group of favourite Bristol artists with her stylised characters and pretty flower motifs.

Tasha Bee, Dean Lane, Bristol, June 2018
Tasha Bee, Dean Lane, Bristol, June 2018

She is very prolific, and even today on a long walk with the dog I found a couple more of her pieces. There is something rather spiritual about her characters, it might be something to do with the simplicity of the lines or the closed eyes or the little peace and love signs, I’m not sure, but they ooze serenity. It is a pity I didn’t see the Mr Draws bit in the middle, but I can imagine it.

1744. M32 roundabout J3 (96)

This piece has been around for a little while on the M32 roundabout, tucked in between a couple of bushes. I don’t know the artist – presumably Skot, and my efforts to try and track him/her down have led me to several Skots, the most likely being Skot One who I think is from London.

Skot One, M32 Roundabout, Bristol, September 2018
Skot One, M32 Roundabout, Bristol, September 2018

I rather like this piece, both the writing which is beautifully executed and the character. It is a long time since I last saw Andy Capp, but it seems the cartoon strip is still running. A nice touch and nostalgic reference.

1723. Raleigh Road vector (25)

Yet another fine collaboration between Cheo and Soker – these two seem to be on something of a roll at the moment, producing countless pieces all over the city of Bristol. This one perfectly fills the space on the hoardings in front of a new development.

Cheo, Raleigh Road, Bristol, September 2018
Cheo, Raleigh Road, Bristol, September 2018

The piece is bookended by a pair of mischievous spray can characters painted by Cheo, and in the middle of all of this is a dazzling piece of writing by Soker which spells out SUMOE. I guess I should know what sumoe is all about, but alas I have no idea. There is a whole bunch of #sumoe graffiti Instagram, most of it in the USA.

Cheo, Raleigh Road, Bristol, September 2018
Cheo, Raleigh Road, Bristol, September 2018

Cheo has pretty much nailed it with his bookends as he seems to with pretty much everything he does. With their dark furry eyebrows, there is something of the Muppets in his characters. Of course we are also graced with the presence of one of his signature bees.

Soker, Raleigh Road, Bristol, September 2018
Soker, Raleigh Road, Bristol, September 2018

Soker’s writing is composed primarily of four horizontal layers ranging from light blue at the top through to light purple at the bottom, each layer smattered with accents or decoration. He has also worked quite an unusual double 3D shadow cast by the letters. This is a great collaboration from this ASK duo, and well worth the trip to Raleigh Road.

1667. Upfest 2018 (18)

Cheo is a Bristol (and beyond) street art legend, and his involvement in Upfest is always eagerly anticipated. In the last few years Cheo has been quite dominant at the festival, so this year’s rather modest participation came as a bit of a surprise, his piece however reached all the high standards you expect to see from him.

Cheo, Upfest, Bristol, July 2018
Cheo, Upfest, Bristol, July 2018

Are we supposed to guess at who is hidden under the paper bag? My immediate assumption, given the Simpsons theme of the festival is that it is the mischievious Bart, but I may be wide of the mark and there may be another story going on here.

Cheo, Upfest, Bristol, July 2018
Cheo, Upfest, Bristol, July 2018

Somehow Upfest simply wouldn’t feel like Upfest without some contribution from Cheo, and it is great to see his work on a wall that he obviously enjoys, as he has had several pieces on this wall outside the Bristol Standard, in the past. Great stuff.

1652. M32 cycle path (17)

I really rather like this creature created by Kool Hand in the cycle path that runs alongside the M32. Technically, although a cycle path, it has been out of asction for several months now due to construction work, which probably makes spraying this particular wall a little less hazardous.

Kool Hand, M32 cycle path, Bristol, August 2018
Kool Hand, M32 cycle path, Bristol, August 2018

I’ve noticed that Kool Hand seems to favour using a white background, which really helps to bring out the contrasting colours he uses for his characters. Always crisp and clean, Kool Hand tends to use only a few bold colours, together with a little shading to create these striking pieces. This creature reminds me of primative marine life forms from earlier geological ages. Nice work.