Minto has been turning out a series of outstanding pieces lately, and it feels like he has a new energy in his work. This one has a base of turquoise shades which make a strong visual impact.
His piece is organised around the well disguised letters MINTO, but what brings his work to life is the detailing and the plethora of shapes, shadows, patterns, lines and if you look carefully, characters. His pieces are always a feast for the eyes and worth studying for a little while.
Conrico has had a productive year so far and in my view has been creating some of his best and most varied work, showing that within his unique ‘paintbrush’ style, he can conjure up exotic scenes, stunning portraits and throw in some writing too.
This is a wonderful piece that transitions between two perpendicular hoardings on the corner at the end of the Greenbank ‘wall’. Two cats, one on each board pose in front of a flaming background, and this cat looking backwards is accompanied by a tidy ‘CONRICO’ alongside it.
The second cat is walking towards the corner. There are two possible outcomes when these felines meet – familial recognition and love or a stand-off. They look like siblings to me, so I suspect the former outcome. A lovely story creatively told by Conrico. One for the cat-lovers.
Here we have another classic combination collaboration from Dibz and Fade. Both artists will have been involved in the whole piece, but Dibz leading on the writing and Fade on the alligator characters.
The alligators are called Brutus and Nero and are taken from the Disney cartoon film, The Rescuers. This piece reflects the technical skill of the two artists in every aspect of its presentation, and it all feels so easy when these two get together, but it takes years of practice and abundant raw talent to be this good.
There is a lot of flesh in this combination piece by Stivs, an artist who is not afraid to push the boundaries when it comes to scantily clad characters. Whatever one’s views about such things, the artwork is striking and skilfully presented.
Cat woman as you might not have seen her, although DC Comics did portray her in very tight catsuits, often with little left to the imagination – Stivs has just taken things to the next level. Stivs has given Cat Woman a couple of playful tattoos saying BAD CAT, and he has corrupted the initials ACAB (All Cops are Bastards) to ACAT, just because he can. D and S in calligraffiti-style bookend this character. Great work from Stivs.Cumberland Basin
A quick couple of posts today. I am recovering from shingles – a very nasty affair – and return to work this morning with a rather large backlog of emails and messages to action. This mortal coil!
I have always had a big soft spot for Butch’s work, and this combination piece on the roundabout is a real beauty. His overlapping full cap letters are somewhat eclipsed by a dog/rabbit(?) riding a bicycle at haste. It is a wonderful piece of cartoon illustration full of energy and humour. Love it.
Tera, like many other artists, has awoken from his winter ‘recess’ and is painting with energy and regularity this spring, which is so good to see. This is a wonderful piece painted alongside fellow tattoo artist Kid Crayon.
The combination piece has a demon as the focal point with lettering either side of it spelling TERA. The light conditions and the style of Tera’s painting makes it a little difficult to make out the demon clearly, so I have included a close up of the central part to show off his detailed artwork.
It is fairly clear and obvious that Tera is a Tattooist who has picked up street art and is upscaling his work, and his co-worker Kid Crayon is an artist/designer and street artist who has down scaled his work into the tattoo art form. The more, the merrier I say.
Oh! My heart sings every time I see a new Kid Crayon piece. It is looking like 2026 is shaping up to be a productive one for the artist, and it seems like he has freed up a bit more time to paint than in recent years, which from my perspective is a good thing.
Kid Crayon has written his letters, each with a different colour and style, which makes for an interesting piece with plenty to look at and admire. SkyHigh is another artist who often adopts this approach. In this combination piece a character replaces the ‘O’ and floating just outside his mouth is the signature crayon – which is always good to see. More to come soon from one of my Bristol favourites.
You have to look hard to find this piece by Weas painted on the swimming pool wall behind the now lush hedge. The passageway here is quite narrow, so the photographs are on full wide-angle mode to capture the whole thing.
I think that I prefer Weas’ full combination pieces over his mega-tags that litter the streets of Bristol… there is even one on a utility box in my street. These more extensive pieces show us what he can do when he spends a little more time painting. The letters WEASEL in black across the bottom are accompanied by four (three purple) ghost-like characters weaving their way about. It is versions of these characters that are a familiar sight in the City. A nicely executed piece, hidden from view.
This is a curious piece by Tera painted at a recent paint jam on the roundabout. It doesn’t really matter how much I try to enhance the image, it is difficult to properly see what is going on without getting up really close. I think that Tera was so into creating the piece (perhaps with a tattooist’s mindset) that he has lost some of the clarity and story in the heavy detail. That is not to say it isn’t a fine piece, rather that it is difficult for the viewer to appreciate.
The combination piece has a dark and rather evil demonic character in the centre, with three eyes, large fangs and a long tongue. It is holding two swords that frame the middle section of the piece. The letters either side of the character spell out TERA, in a nicely crafted style. Overall, Tera shows his raw talent with this piece, but for me, it is a little busy and could do with toning down a bit. Lots more to share from him as he has been out and about a fair bit this spring.
It has taken me a long time to figure out the letters in this writing, and I am not too sure I would have done so without Paul H’s recent posting of a piece by the artist. The letters spell VERMO, but you have to study them pretty hard to figure it out, as they are deliberately deceptive. Once you know them you can see them, but it is that first time of working it out that takes the time.
I have a lot of Vermo’s pieces to share from my archives, but I decided to start with this combination piece alongside the river. Unusually this piece of writing includes a character, where most of his pieces contain only the ‘floating’ letters that are made up of component shapes, for example, both the ‘E’ and the ‘M’ are composed of three ovals of increasing size in different orientations. I wouldn’t quite know how to classify Vermo’s writing, but it might fall into the category of abstract graffiti writing, a bit like Mr Klue, but quite different in appearance. Watch this space for more from Vermo.
Natural adventures 