6087. Cumberland Basin

Mr Underbite, Cumberland Basin, Bristol, June 2024
Mr Underbite, Cumberland Basin, Bristol, June 2024

Now, this is what I like. Mr Underbite is a bit of a favourite of mine, and to find his melancholic character dotted about the place is always a real pleasure. The fact that he has switched things up with this small piece in Cumberland Basin makes it all the more pleasurable.

Mr Underbite, Cumberland Basin, Bristol, June 2024
Mr Underbite, Cumberland Basin, Bristol, June 2024

Mr Underbite has used this small section of wall really well, presenting his character in three separate sections, each containing a part of the face, a deconstruction if you like. Anyone familiar with Mr Underbite’s work would immediately recognise this piece and attempt to reassemble it in their heads. To anybody else, this might look a little abstract and unfathomable. What a great way to play with a character. For reference, a typical Mr Underbite piece is shown below.

Mr Underbite, River Avon, Bristol, March 2024
Mr Underbite, River Avon, Bristol, March 2024

6085. Cumberland Basin

Acer One, Cumberland Basin, Bristol, May 2024
Acer One, Cumberland Basin, Bristol, May 2024

A bit of a quick one today, because I have an early start and a very long day running another workshop, so today’s posts were (are being) written last night after a long weekend away. This is a shame, because there is quite a lot to say about this unusual and very clever piece by Acer One.

Acer One, Cumberland Basin, Bristol, May 2024
Acer One, Cumberland Basin, Bristol, May 2024

There are two words in this circle, ‘CONRAD’ in gold and ‘BUKEM’ in black. These names relate to Acer One’s love of drum and bass and are tributes to MC Conrad and LTJ Bukem. At that point my knowledge about this piece drops off a cliff. How Acer One conceived and then executed this piece is what makes him so very special. This is the work of a very talented artist.

Acer One, Cumberland Basin, Bristol, May 2024
Acer One, Cumberland Basin, Bristol, May 2024

Not content with this triumph, Acer One also had a little play with some anamorphic art just around the corner, I mean, why not? Many attempt and fail with this king of trickery, but Acer One has managed to do a good job, and if only my photography was up to scratch you’d see how well he did. Acer One is an artist who is always pushing boundaries and developing his technical skills. Great work.

Acer One, Cumberland Basin, Bristol, May 2024
Acer One, Cumberland Basin, Bristol, May 2024

6080. Cumberland Basin

Mind 49, Cumberland Basin, Bristol, May 2024
Mind 49, Cumberland Basin, Bristol, May 2024

There is an artist in Bristol whose steady progress over the last year or two has elevated him to a high status, and deservedly so. Mind 49 has been painting from an early age, and his development has been a joy to witness, and now he is turning out outstanding pieces on a regular basis. He seems to have found his style and his work reflects a greater confidence.

Mind 49, Cumberland Basin, Bristol, May 2024
Mind 49, Cumberland Basin, Bristol, May 2024

This is one of a few recent pieces that showcase Mind 49’s portrait style, in which he practically always obscures part or most of the face either by its orientation or the use of clothing or accessories, like these sunglasses. Because of this his portraits feel more grounded, and less posed than some portrait pieces that we see. Brilliant zip by the way. This one is so much better in ‘the flesh’ because my photographs are a little washed out, which can happen on this wall in the afternoon/early evening light. Keep watching this space for a whole lot more from Mind 49.

6065. Cumberland Basin

Lee Roy, Cumberland Basin, Bristol, May 2024
Lee Roy, Cumberland Basin, Bristol, May 2024

Lee Roy is another artist who has gone a little quiet lately, and when I do find pieces by him, I am not sure whether they are old ones or new ones, because they tend to be in spots I don’t visit all that frequently, like this on the warehouse building on the north side of the river opposite the garden centre.

Lee Roy, Cumberland Basin, Bristol, May 2024
Lee Roy, Cumberland Basin, Bristol, May 2024

VLAD appears to be the letters/word that Lee Roy is enjoying at the moment, and he is continuing with his flowing anti-style approach. I would say that his work, which might look untidy to casual viewers, is actually highly regarded by his peers and photographers alike. It is a very ‘street’ style of graffiti writing. I would love to see him out more this summer, although I do occasionally see him out walking his dog.

6039. Cumberland Basin

j9449j, Cumberland Basin, Bristol, May 2024
j9449j, Cumberland Basin, Bristol, May 2024

The Bristol street art and graffiti scene is so broad that it welcomes all styles and all levels of talent. We get to see it all here. Some towns and cities in the UK embrace street art through holding festivals, but have no underlying culture 365 days of the year. While there is nothing wrong with that at all, what remains is a sanitised selection of high-end art, keeping the place pretty. Upfest provides us with a microclimate of high-end art in the Bedminster area, but the rest of the city is up for grabs, and I like it that way.

j9449j, Cumberland Basin, Bristol, May 2024
j9449j, Cumberland Basin, Bristol, May 2024

A great example of Bristol’s artistic diversity comes in the form of artists like j9449j, whose abstract fills are really quite unique. There is a wonderful organic feel to his work, with plant-like forms cropping up through the lettering. j9449j’s work feels quite ‘designed’, if you know what I mean, and although some of the borders could be a little cleaner, there is an element of anti-style that works well. This is a bright and colourful calming piece.

6037. Cumberland Basin

Daz Cat, Cumberland Basin, Bristol, May 2024
Daz Cat, Cumberland Basin, Bristol, May 2024

From what I can gather, Daz Cat has been away for a little while travelling in Southeast Asia, and has recently returned to Bristol not only with some vigour but also with a newfound inspiration that is coming across very clearly in his new pieces, like this one in Cumberland Basin.

Daz Cat, Cumberland Basin, Bristol, May 2024
Daz Cat, Cumberland Basin, Bristol, May 2024

I can’t say I have really seen anything like this from Daz Cat before, it is like his work has taken a significant step change. There is more sophistication and depth to his character portrait, who appears to be a hybrid between a human and a cat. There are some great colours used in this piece, and the hair is just something else. Daz Cat has come a long way, and his journey is getting really interesting.

6000. Cumberland Basin

Zake, Cumberland Basin, Bristol, April 2024
Zake, Cumberland Basin, Bristol, April 2024

It feels quite satisfying to reach another landmark on Natural Adventures. This is the 6,000th post featuring graffiti/street art, and that is a lot of art and a lot of words too. The first piece I wrote about was on 16 July 2015 on Park Street by an unknown artist, and was a temporary installation rather than a painted wall, little did I know then that I would still be posting street art nine years later. Today’s landmark piece comes courtesy of Zake.

Zake, Cumberland Basin, Bristol, April 2024
Zake, Cumberland Basin, Bristol, April 2024

The face piece is unmistakably by Zake, and although I don’t think it is one of his best pieces in terms of artwork, it is nonetheless striking and demands more than a cursory glance. A face appears to be emerging from a mask which is split down the middle, but the proportions of the mask don’t quite work for me. As ever, the skill with using light and shadow to create depth and texture is Zake’s forte, and the central brown face in particular is wonderfully crafted. Onward to the next 6,000!

5996. Cumberland Basin

Fishlock, Cumberland Basin, Bristol, April 2024
Fishlock, Cumberland Basin, Bristol, April 2024

This is a bright and fun piece from Katie Fishlock was painted at the Bristol Mural Collective paint jam back in April. I have featured her work a few times in Natural Adventures, and have several more of her pieces in my archives, but perhaps don’t ‘big her up’ as much as she deserves.

Fishlock, Cumberland Basin, Bristol, April 2024
Fishlock, Cumberland Basin, Bristol, April 2024

Her art studio creative designs translate very well onto walls, which provide a great showcase for her design work. If you’d like to know more about Katie Fishlock, her biography on her website is well worth a read. The portrait piece here plays on the confusion of double sets of eyes, which the brain quickly dismisses and accepts as a normal face, a device used a lot in street art. I rather like the bold statement and way it is presented. Note to self – dig out more of her work from the archive.

5991. Cumberland Basin

Ejits, Cumberland Basin, Bristol, April 2024
Ejits, Cumberland Basin, Bristol, April 2024

The tragedy of Bristol Mural Collective paint jams is that all too often the pieces go unsigned and so many of them fail to make it into the pages of Natural Adventures. Fortunately, this piece by Ejits was signed, but she is also an established street artist, and I recognised her work in any case.

Ejits, Cumberland Basin, Bristol, April 2024
Ejits, Cumberland Basin, Bristol, April 2024

This cheeky little character piece is cleanly painted onto a graffiti wall, with part of a Klashwhensober piece behind it. Technically, it might have been polite to paint out Klashwhensober’s piece rather than leave half of it, but I don’t think he is the kind of writer who minds all that much. The adorable character has, it would seem, dropped a fart of toxic gas as described by the skull and crossbones in the ‘speech’ bubble.

5989. Cumberland Basin

Minto, Cumberlan Basin, Bristol, April 2024
Minto, Cumberlan Basin, Bristol, April 2024

The return of Minto to Bristol has, without doubt, been a highlight of the last six months as his unique graffiti writing style has significantly impacted on the already wide spectrum of styles on offer. Although Minto doesn’t follow a fixed formula, there is a lot that is distinctive about his work, in particular, it is often vertically quite compressed.

Minto, Cumberlan Basin, Bristol, April 2024
Minto, Cumberlan Basin, Bristol, April 2024

This dazzlingly colourful piece seems to have a trainer theme going on, with at least three trainers depicted in the MINTO lettering. There are also a couple of characters peering over the top of the letters, something that Minto builds into much of his work. This is a fine example of his work and an outstanding piece.