7210. Brunel Way (336)

Creamylines, Brunel Way, Bristol, September 2025
Creamylines, Brunel Way, Bristol, September 2025

I like artists whose style is so unique, and their theme unwavering, that I derive a warm, comforting feeling when I see their work. Creamylines is the epitome of this. You know that you are going to get a landscape or scene with a rising or setting sun in the style of a stained-glass window, scattered with little treats and surprises along the way.

Creamylines, Brunel Way, Bristol, September 2025
Creamylines, Brunel Way, Bristol, September 2025

Creamylines has presented this landscape in a portrait format to fit onto the concrete column. The colour palette has stuck to blues, yellows, greens and purples and has quite a different appearance to some of his other pieces that include reds and oranges… more sombre, perhaps. Lots of hidden faces in this one and plenty of birds. There is a little clue to his approach to his art is at the bottom: ‘drawing everythings’.

Little things

St Philips Marsh gas cylinders, Bristol, 1 January 2024
St Philips Marsh gas cylinders, Bristol, 1 January 2024

.

It doesn’t take much

to make the world a fine place

just a lick of paint

.

by Scooj

5748. M32 roundabout J3 (542)

Zeks, M32 roundabout, Bristol, December 2023
Zeks, M32 roundabout, Bristol, December 2023

I was lucky enough to meet Zeks late last year while he was painting with Hypo and Dun Sum on a different part of the roundabout, and learned that they all live in Lawrence Weston (L Dub). Fortunately they make the trip into the centre from time to time and decorate our walls. Although I have photographed a handful of pieces by Zeks, this is the first I have published on Natural Adventures.

Zeks, M32 roundabout, Bristol, December 2023
Zeks, M32 roundabout, Bristol, December 2023

I have to say that this is one of my favourite pieces of 2023. It has an originality and lightness of touch that really makes it stand out. The letters spell ZEKS, although I might have struggled to work it out without knowing the artist (and seeing the signature, of course). The pastel colours on a grey background work incredibly well, but it is the two stylised faces, with their mysterious expressions, accompanying the writing that set it off perfectly. A very nice piece indeed from Zeks – I must dig out others of his, if I can find them in my archive.

4978. Dean Lane skate park (561)

Maybe, Dean Lane, Bristol, December 2022
Maybe, Dean Lane, Bristol, December 2022

Maybe emerged on the Bristol scene in 2021 and has grown from strength to strength, building a reputation in the street art community over the last couple of years. His work is original and intriguing, working on themes of interlocking faces and galactic scenes. This ramp piece is a large interlocking face variant.

Maybe, Dean Lane, Bristol, December 2022
Maybe, Dean Lane, Bristol, December 2022

This side of the ramp is actually a really great place to paint, because is receives a minimum of scuffing from skaters. As Maybe pieces go, this is a rather large one, and in his slightly older style. I am hoping to see great things from this unique artist, and it would be great to catch up with him again as he is a lovely man.

1859. St Werburghs tunnel (52)

Deep in the heart of St Werburghs tunnel, and painted in insipid colours to match the poor and rather orange lighting, is this magnificent piece by Zake. I have only recently tracked him down on Instagram, and he doesn’t give away much, so for the time being I can’t shed much light on the piece nor the artist.

Zake, St Werburghs, Bristol, November 2018
Zake, St Werburghs, Bristol, November 2018

I have only seen his column pieces under the M32 to date, so this was a real treat of a find. The piece as a whole is mildly disturbing, probably in part because of the lack of pupils in the eyes and the centipedes framing the faces, let alone what is coming out of their mouths. This is such an original piece and one that really works for me, but it might not be everyone’s cup of tea.

765. North Street shop front

Whenever I go out looking for street art and graffiti I always live in hope that I might find an artist at work, and this meeting with Copyright and Paul Monsters and indeed Gemma Compton who was just there (she and Copyright are married), signalled the start of something of a purple patch for me meeting artists. I don’t know if it is luck or what, but it is always great to stop and have a chat.

Copyright and Paul Monsters, North Street, Bristol, April 2017
Copyright and Paul Monsters, North Street, Bristol, April 2017

This is a really amazing collaboration between the two, Copyright’s beautiful women’s faces and the geometry of Paul Monster’s colourful patterns complement each other perfectly. I happen to know at the time of writing that they have worked together again since, because I found them again…more on this one some other time.

Copyright and Paul Monsters, North Street, Bristol, April 2017
Copyright and Paul Monsters, North Street, Bristol, April 2017

Paul doesn’t get out to spray much these days because he is working flat out with Upfest the organising team in their office in North Street. If you take a look at the list of artists for the 2017 festival, you have Paul to thank, as he put it all together.

Copyright and Paul Monsters, North Street, Bristol, April 2017
Copyright and Paul Monsters, North Street, Bristol, April 2017

Copyright and Paul Monsters, North Street, Bristol, April 2017
Copyright and Paul Monsters, North Street, Bristol, April 2017